No Smoking

Anurag Kashyap is the wannabe maverick genius of Bollywood. (I say wannabe because the official maverick genius is Ram Gopal Varma :-). His films either do not finish, or do not get released or release years later. After the solid 'Black Friday', it was difficult to ignore his next release and so I went to watch 'No Smoking'.

No Smoking is a puzzle. It is a maze through the uncharted territories in Hindi cinema. Kashyap has donned a David Lynch hat this time. He unpacks a bag of questions on the screen for you which you have to find answers for yourself. And that, he backs up with excellent technical support from all other departments, so that you are not distracted in your search for answers.

I'll be honest. I did not really understand the film but I guess that is the way Kashyap wants it to be. He wants me to unravel the layers of the film as and when I have time. In that process, when I'd have soaked myself thoroughly in 'No Smoking', I'll let it go, not caring to be bothered by it anymore. Just like K (John Abraham's character) does to his cigarette.

a) Is cigarette a metaphor for all the things we lust for which only destroy us at the end? (I'm reminded of the line from 'Pulp Fiction' where Bruce Willis' girl friend tells him how things that are good to touch are not good to look at, referring to a pot belly) b) Is Paresh Rawal's character actually God? Is he the villain because he does not let us pursue our lust and plays by his rules - rules which cannot be bent or broken? c) In the end, does someone always have to really loose his soul and conscience? Can this world no go round if everyone owns his soul till the end?

I don't know if these are the questions that No Smoking asks. But it did force me to think of these.

The film is a technical accomplishment. The camera work, the set designs and graphics are all top notch. Tin cans were stacked up to create amazing visuals (you don't always need Switzerland :-). Music is in tune with the film and Gulzar, as always, has written lyrics that are sign-posts in this maze. Kudos also to Kumar Mangat and Vishal Bharadwaj for having the guts to produce such a film.

John Abraham is good. He always manages to do well in caught-on-all-sides characters. Paresh Rawal shines in his role. It was a relief to see him at some place other than a mindless Priyadarshan muddle.

No Smoking, no doubt, is at par technically with the best in the world but sadly enough, it has very little conventional entertainment value. It may be one of the milestones that Kashyap had to cross in his path to higher glories.

Hmmm… so didn't we think "abstract art" is a term coined to be used only for paintings or photographs or at best sculptures or any form of art that is static? Whenever we thought of an abstract cinema, most of us would start and stop at Shyam Benegal.

But Anurag Kashyap with his latest film, changes lots of definitions and perceptions. No doubt Shayam Benegal brand of cinema is one of the USPs of Indian film Industry. But usually in that brand of cinema you could see through Director's brain by the end. You could make out what was the film maker trying to portray. But Anurag Kashyap keeps his card close to his chest till the end. It's hard to define if it was a good thing to do or bad. But the fact remains that there would be numerous questions in your mind after watching this film with various possible answers and none of the answer being totally right or totally wrong. This is peak of vivid imagination. This is stuff dreams are made of.

Anurag, the director of highly rated Black Friday, shows that there is an intelligent film maker in there who dares to think away from ordinary. This bold attempt may not fetch him commercial success every time, but one thing is for sure that we have a film maker who makes film he believes in and not for making money. This is a good sign for Indian cinema. He gives a new dimension to Art Cinema. Every few reels, you can feel proud that you have got to the crux of the events going on screen, you can soar sky high. But then suddenly you realize that you don't have wing, the film takes an unimaginative new turn and you are left where you started.

With stunning cinematography, amazing art work, superb direction and high class acting, this certainly is an experience of its own kind. John Abraham looks sexy with his hot 6 packs. Paresh Rawal is as good as it gets. Ayesha Takia is decent.

Don't try to find or infuse any sense or logic of your own, just watch what is shown, be it lady singing in Adnan Sami's voice or a bath tub in Siberia opening in underground world in Mumbai, and you might like the ride.

Throw away the colorful clothes, all the expensive jewellery and welcome to realistic cinema.

A theme which is hard to make a movie on, attempted by a writer/director of many realistic movies like Black Friday and Satya.

What appears on the screen is true magic of a director who thinks a different way. A second of this movie cannot be missed, a minute is as good as not watching the movie.

Put on your thinking caps for a movie. See, visualize, enthrall.

This movie is a must-watch for those who love change, who love to think about every scene in the movie and analyze.

Commercial? -- 0% value.

Cinematic Experience? - 200% value.

It did take me two full times to watch this movie to understand the whole concept of this movie.

It did make me think 10 times before I touched my next cigarette.

I applaud you Mr Anurag Kashyap. Screw the critics who slammed you.

You read thru the comments here, either its in 8-9-10 range or its in 1-2-3 range. Its funny to see the movie invokes such drastic reactions in different people. That itself talks a lot about the cinematic power of this masterclass movie of "A", (Anurag Kashyap).

To some extent, its a director's indulgence. He didn't make the movie for you or me, he made it for himself. It's a movie made for film school. The movie can be a textbook for various film-making subjects. Technically brilliant! A very dark movie indeed, probably first movie of the film-noir kind to be made from Bollywood stable. Anurag Kashyap is a sort of rebel in the industry. I am glad he was able to express himself cinematically through this movie.

Honestly, its really hard to understand the movie. And I didn't quite follow it either. But somehow, I really enjoyed watching it.

Vishal Bharadwaj produced it - who else but another master of dark movies will understand this movie.

Vishaal's music is infectious in the movie. He surprises me with his never-ending creativity. Musically I associated him with Omkara, Maachis type music, mellow, neo-classical, haunting. But his experimentation with Jazz in this movie is truly outstanding. Apart from the songs, the movie SHOULD get recognition for its background score. Deep rooted in jazz, I had to rewind the movie several times to listen to some background jazz scores. What else Vishaal has in store for us??? Its interesting to get a piece of director A's mind through his blog, where he really expresses himself, go to passionforcinema.com to read his blog. If you are anywhere close to film-making, you will love reading his writings.

Anurag Kashyap is a different class of movie director. I am not sure if he can make much money trying to follow his passion, because it is very hard to get accepted with this kinda movies. However, I wish he make a few semi-commercial movies to give him the money to experiment with true gems like No Smoking. Last thing I want him to be branded as a crazy lunatic of the bollywood.

Bravo Mr Kashyap!!

One of the best hindi movie John 10/10 Paresh rawal 11/10 Anurag 20/10 Vishal Bhardwaj Music 50/10