Raman Raghav 2.0

Even though when I went to watch the movie, the theater was almost empty, whatever 15-20 people that were present knew exactly what they signed up for and its theme and tone. Those who are complaining that the movie was too dark or gory, next time you should probably watch the trailer before going to watch the movie. This movie was one of the most powerful by Bollywood in 5-10 years. It was jam packed with Powerful dialogues, excellent background score and mind blowing acting and direction. I am a big fan of Anurag Kashyap movies and I will put this at the top. It was as dark as Requiem for a Dream if not more. If someone doesn't like this movie, I know he/she is eager to watch Sultan or F&F 8 because you deserve that kind of movies only.

Anurag Kashyap is one of the best director of India. He is often regarded as the face of an emerging new wave cinema for producing numerous independent films with newcomer.

Raman Raghav 2 is a psychological thriller movie. The movie received positive review when premiered at Cannes Film Festival 2016 in Directors' Fortnight section. Outstanding performance by Nawajuddin Siddiqui. He again proved his talent. This is a negative movie without any moral. Great combination of direction and acting and also background music. Police inspector Vicky Kaushal after super performance in Masaan also shows his best. In India people only want Masala Film. They do not habit to watch this type of movie. So they give mix review about this film. So if you want to see Nawajuddin's performance and Anurag Kahyap's direction, don't miss it.

This movie is above Bollywood standard. Anurag kashyap,Just Because of this guy,I was sure this movie can not be just ordinary.

Siddiqui is at his best. Vicky also did his job very well. Hope we get to see this guy getting more movies. Other actors also performed well.

The whole movie has been crafted so beautifully. Screenplay,direction,Script everything are in sync. Music is also very good.Transition between scenes could have been improved.but still it is far better than typical Bollywood movies

Hope we get to see these type of movies in Bollywood's as much as possible.

Anurag Kashyap has always been the one who experiments a lot with his movies. Watching his movies, you hate what is happening but love the movie at the same time. Raman Raghav was also a roller coaster ride.

This movie is like a book with different chapters dealing with different situations and characters. It displays emotions like never seen before. Each scene says something, nothing is redundant or useless.

No one in the movie performed below my satisfaction level. All the new actors gave amazing support to the main characters, who were Raman and Raghav. Nawazuddin Siddiqui has achieved a special place in my heart now. He is doing wonders. It looks like he understood exactly the thought process of the cinematographer, the essence of the story and the dream of the director.

But most of all, I like the way it ended. It is really an example of unconventional cinema.

If I were to sum it up; "Raman Raghav 2.0" is nothing but a barefaced character study. Incorporating a Sociopath, a frenzied cop; and their eventual affiliation shaped under distressing circumstances.



Depiction of a devilish killer, an insightful look within his crippled mind is in itself a petrifying thing to tell. With the help of Mr. Kashyap's pronounced finesse and an unerring act by Nawazuddin Siddiqui; Comes out an astute impersonation of a demented murderer.

Vicky Kaushal as the disorganised & drug addict policeman was simply amazing. The limelight might have been on Nawaz; yet Vicky succeeded finding out his own rhythm. This marked as Sobhita Dhulipala's debut feature, and I can definitely apprehend the success she got afterwards in several roles. A hefty praise goes to Anurag for continuously being the torch bearer in introducing promising talents.

Performances are the heart and soul in here alongside a technical prowess commonly showcased in a Kashyap Production! This time, the other aspects failed to accommodate. The storyline seems inchoate, inconsistencies in the writing being the main culprit. There are definite loose ends in the screenplay therefore weakening the core contemplation. Jumping around discrete timelines with advancing chapter sequences; a hard act to follow.

He can certainly do better, as his other stirring works are substantial testimonies to that!