एक पाई मेकर जिसके पास मृत लोगों को ज़िन्दा करने की क्षमता है, अपने बचपन की प्रेमिका, एक प्राइवेट इन्वेस्टिगेटर और एक वेट्रेस के साथ मिलकर हत्या के रहस्यों को हल करने की कोशिश करता है.एक पाई मेकर जिसके पास मृत लोगों को ज़िन्दा करने की क्षमता है, अपने बचपन की प्रेमिका, एक प्राइवेट इन्वेस्टिगेटर और एक वेट्रेस के साथ मिलकर हत्या के रहस्यों को हल करने की कोशिश करता है.एक पाई मेकर जिसके पास मृत लोगों को ज़िन्दा करने की क्षमता है, अपने बचपन की प्रेमिका, एक प्राइवेट इन्वेस्टिगेटर और एक वेट्रेस के साथ मिलकर हत्या के रहस्यों को हल करने की कोशिश करता है.
- 7 प्राइमटाइम एमी जीते
- 35 जीत और कुल 81 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
After having read two or three negative reviews on the main page of IMDb for "Pushing Daisies", and having literally minutes ago finished watching the final episode, I thought it was about time I said what I thought of PD.
First off, to address what some of the issues that I have seen other people having with this show: something along the lines of "I expect the people who have been woken from the dead to have a more realistic reaction". Realistic, on this show ? Pushing Daisies is, truly, pure and utter escapism. It's colour palette, the dialogue used, the scenarios, situations, music: all of it, to me, is just an escape from everyday life. An escape from the mundane and boring. It is here where Pushing Daisies exceeds exceptionally well Pushing Daisies isn't for everyone: A large majority of the television audience don't "get" it, for some people it's just too out there and silly. But for people like me, even from the first episode I watched of it (Season 2's "Frescorts") and I was just blown away by the show. From then on, I bought both the box sets and they have barely been out of my DVD player. Other people I know can't stand it, it really seems to be like Marmite.
The show follows the adventures of Ned, the Piemaker, with a magic finger, who brings back childhood sweetheart Charlotte Charles, works in association with private investigator Emerson Cod, owns the Pie-hole and employs waitress Olive Snook. Completing the main cast members are aunts Lily and Vivian, whom Charlotte (Chuck) is never allowed to see. They live in a fantasy world where the dead are brought back to life, everything is shown with a wonderfully bright splash of colour, and narrated by Jim Dale.
Other than outlining the basics of the show, I really can't praise it much more without saying: Just watch it. Despite being screwed over by the Writer's Guild of America strike, with only 22 episodes ever to be made, it provides wonderful plot twists, story lines, characters and situations while providing (for me) a satisfying ending (yes, I could tell it had been tacked on the end and rushed, but I was still happy with the way it went out). Whether it is creative or just pretentious, for a lot of people (me included) it made the most addictive and wonderful viewing, and I hope for the future of television that more shows like this are created so I'm not left with just 22, 40 minute memories of what true entertainment can be.
First off, to address what some of the issues that I have seen other people having with this show: something along the lines of "I expect the people who have been woken from the dead to have a more realistic reaction". Realistic, on this show ? Pushing Daisies is, truly, pure and utter escapism. It's colour palette, the dialogue used, the scenarios, situations, music: all of it, to me, is just an escape from everyday life. An escape from the mundane and boring. It is here where Pushing Daisies exceeds exceptionally well Pushing Daisies isn't for everyone: A large majority of the television audience don't "get" it, for some people it's just too out there and silly. But for people like me, even from the first episode I watched of it (Season 2's "Frescorts") and I was just blown away by the show. From then on, I bought both the box sets and they have barely been out of my DVD player. Other people I know can't stand it, it really seems to be like Marmite.
The show follows the adventures of Ned, the Piemaker, with a magic finger, who brings back childhood sweetheart Charlotte Charles, works in association with private investigator Emerson Cod, owns the Pie-hole and employs waitress Olive Snook. Completing the main cast members are aunts Lily and Vivian, whom Charlotte (Chuck) is never allowed to see. They live in a fantasy world where the dead are brought back to life, everything is shown with a wonderfully bright splash of colour, and narrated by Jim Dale.
Other than outlining the basics of the show, I really can't praise it much more without saying: Just watch it. Despite being screwed over by the Writer's Guild of America strike, with only 22 episodes ever to be made, it provides wonderful plot twists, story lines, characters and situations while providing (for me) a satisfying ending (yes, I could tell it had been tacked on the end and rushed, but I was still happy with the way it went out). Whether it is creative or just pretentious, for a lot of people (me included) it made the most addictive and wonderful viewing, and I hope for the future of television that more shows like this are created so I'm not left with just 22, 40 minute memories of what true entertainment can be.
This was my number one show to watch. I have decided not to start watching a new show so that I won't be disappointed because of it's abrupt end. I loved the show. Even though it was frustrating regarding the plot line, the writing and humor got me every show. They could have found a loophole. There is always a loophole, especially with such a magical plot line. Everyone on the show was very talented, and I could believe their fanciful characters. The musical numbers helped drive the suspension of disbelief. Glee has show us that. The only reason I turned to Glee was because of the loss of Pushing Daisies. It is much less mature and negative in humor, but it has it's fun parts too. I wish that a show like this would get more support.
This show is addictively wonderful. The writing and acting are fantastic. Funny, touching, and also intrigue all wrapped into one. Be sure to get this into your DVD player and enjoy it from the beginning to the unexpectedly short end. Watch it, watch it, watch it! There are some great characters and great guest appearances that only help add to the endearing aspect of the show. Kudos to the writers for developing a great storyline that only gets better over time. I just don't understand why this wasn't interesting for the American TV public. Bad time? Too quirky? Not enough studio support? I suspect that the production costs were very high, but all parts of the show (directly, special effects, costumes, sets) are great. Thank goodness it's on DVD, and I can only hope that it somehow comes back in one way, shape, or form.
Flawless acting, unique stories, and visual eye candy.
This has to be one of the best examples of what TV should (and essentially) could be if you put it in the hands of real talent. Everyone behind and front of the scenes is working grade A performances. Lee Pace and gang have never fit so perfectly in an ensemble using each of their unique talents to deliver some of the best dialog and storytelling.
The visuals are an obvious standout but leave it to Creator Bryan Fuller to not focus entirely on special effects and set design. Instead, he shows the value of great characters and character development through intriguing stories. And that, my fellow Daisy fans, is why this series works so well.
The biggest frustration, of course, is the cancellation. Why would a show this flawless get canceled? What does ABC have to replace it with anyway? It's just a shame.
I highly recommend you buy the series (BluRay is a must for those with HDTVs) and enjoy what you may never see again on TV. Come for the pie - stay for the characters!
This has to be one of the best examples of what TV should (and essentially) could be if you put it in the hands of real talent. Everyone behind and front of the scenes is working grade A performances. Lee Pace and gang have never fit so perfectly in an ensemble using each of their unique talents to deliver some of the best dialog and storytelling.
The visuals are an obvious standout but leave it to Creator Bryan Fuller to not focus entirely on special effects and set design. Instead, he shows the value of great characters and character development through intriguing stories. And that, my fellow Daisy fans, is why this series works so well.
The biggest frustration, of course, is the cancellation. Why would a show this flawless get canceled? What does ABC have to replace it with anyway? It's just a shame.
I highly recommend you buy the series (BluRay is a must for those with HDTVs) and enjoy what you may never see again on TV. Come for the pie - stay for the characters!
Pushing Daisies is just a lovely fairy tale, with shades of "Amelie"'s aesthetic and romance. It's got a beautiful palette, its shots well thought out and detailed, its names and dialogue whimsical and too cutesy to be real, its imagination great, and its romance deep.
Watch the blue in the sky pop out at you, as blue can't be found in the rest of the sets or shots (with few exceptions).
Watch a weirdly natural and totally satisfying song break out of a scene.
Its score is gorgeous, its cast is supremely likable, there's great music, and the two leading romantic stars can't touch each other or she'll die. How much more sexual tension do you need? (Actually, I had wished they found a way around this one, but c'est la vie).
It is simply a show that it is a pleasure to spend an hour with, and I recommend it highly. There hasn't been other television quite like it, and I would like to see more. It got me through a flu one crappy week, as it makes for good company.
Bring it back!
Watch the blue in the sky pop out at you, as blue can't be found in the rest of the sets or shots (with few exceptions).
Watch a weirdly natural and totally satisfying song break out of a scene.
Its score is gorgeous, its cast is supremely likable, there's great music, and the two leading romantic stars can't touch each other or she'll die. How much more sexual tension do you need? (Actually, I had wished they found a way around this one, but c'est la vie).
It is simply a show that it is a pleasure to spend an hour with, and I recommend it highly. There hasn't been other television quite like it, and I would like to see more. It got me through a flu one crappy week, as it makes for good company.
Bring it back!
क्या आपको पता है
- ट्रिवियाBased on a rejected plotline for Dead Like Me (2003) where Ellen Muth's character couldn't collect any souls because somebody was resurrecting them with a touch.
- गूफ़Throughout the series, the way Ned's gift works contradicts itself. Most notably, his entire business is based around touching dead fruit to make it ripe again for use in his pies. When he touches the fruit, it is restored to its pristine physical shape. However when he touches a sentient creature that has died, the broken/harmed/rotted body remains that way.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Живий за викликом
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि44 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें