सुपरमैन लोइस लेन के साथ संबंध शुरू करने के लिए अपनी शक्तियों का बलिदान करने के लिए सहमत है, इस बात से अनजान है कि तीन क्रिप्टोनियन अपराधी जो उसने अनजाने में जारी किए थे, वे पृथ्वी पर विजय प्... सभी पढ़ेंसुपरमैन लोइस लेन के साथ संबंध शुरू करने के लिए अपनी शक्तियों का बलिदान करने के लिए सहमत है, इस बात से अनजान है कि तीन क्रिप्टोनियन अपराधी जो उसने अनजाने में जारी किए थे, वे पृथ्वी पर विजय प्राप्त कर रहे हैं.सुपरमैन लोइस लेन के साथ संबंध शुरू करने के लिए अपनी शक्तियों का बलिदान करने के लिए सहमत है, इस बात से अनजान है कि तीन क्रिप्टोनियन अपराधी जो उसने अनजाने में जारी किए थे, वे पृथ्वी पर विजय प्राप्त कर रहे हैं.
- पुरस्कार
- 4 जीत और कुल 1 नामांकन
- Boris
- (as Jim Dowdell)
- Prison Warder
- (as Angus McInnes)
फ़ीचर्ड समीक्षाएं
Richard Donner's name explodes emphatically onto the screen at the end of the opening credits, establishing Donner's authoritative mark on this film: the closest thing he can get to *his* original vision. It is an entirely different film to Lester's, which is to be expected. Donner had already recorded roughly 80% of the footage before he was fired, which Lester would have to rewrite and reshoot under the rules of the Director's Guild. Thus, everything ludicrous about 'Superman II' is gone: no more Kryptonians with finger pointing levitation beams or the power to erase memories with a kiss (even those giant Superman emblem "nets" are not present). Instead, the story is much more absorbing, the characters are therefore fleshed out incredibly and it truly is a much more enjoyable and worthwhile Superman film.
The character dynamics are of noteworthy interest. The three Kryptonian villains (Terence Stamp, Sarah Douglas and Jack O'Halloran), for example, are much more integral to the plot and Gene Hackman develops much more in this edition as the evil genius Lex Luthor, supported wonderfully by Miss Teschmacher (Valerie Perrine). But dedicated to Christopher Reeves memory, this definitely is his greatest performance as the titular character. Reeves is ever charming as Clark Kent, yet the contrast between him and Superman is particularly mesmerising here, as Reeves is remarkably more powerful and captivating as the superhero. It really is a shame that general audiences may never see him play the character the way he did here: it is the definitive Superman portrayal.
Yet it is still a flawed film. An excusable downside to the cut is the often choppy editing, making some areas feel rushed, but as the film was never finalised, it is fair to allow this slide as an unfortunate product of circumstance. However, the ending is an utter disappointment. It is difficult to get over the way that the closing moments make the entire film inconsequential. Granted, studio interference played a part here, but Donner could have reached unprecedented heights with Superman in this new cut, should he have chosen to make the logical choice and evict this ending from his cut (disregarding continuity errors that may impose).
'The Richard Donner Cut' is overall undoubtedly the better movie, and yet still could have been even better with a more satisfactory finish.
Why do I go through that explanation? Well...because from the complains I've heard and read it seems that people don't seem to understand that. So, that's why I felt it should be addressed.
Now, on to the review...
Donner was hired by the Salkinds in '76 or '77 to direct two Superman films at the same time. When time and money was running out the decision was made to stop production on Superman II and focus on the first one. By that point Donner had already completed about 80% of the film. When Superman became the biggest hit of 1978 the decision by the Salkinds was to fire Donner. He was replaced by Richard Lester (A Hard Day's Night) and Lester re-shot most of the film. Only about 30% of Donner's work remained.
After almost 30 years WB finally released Donner's version since most fans demanded to see it. And, on the DVD, Donner, thanks the fans which I felt was a nice touch.
The plot of the movie is the same as Lester's Superman II. General Zod and his goons escape the Phantom Zone. They arrive at Earth (or Planet Houston as they call it) and quickly take over. And, where's Superman? He made the mistake of giving up his powers to be with Lois Lane. So, will Superman recover his powers on time to save Earth from Zod? You will have to watch the film to find out.
Now, the question on everyone's mind is whether or not this version is truly better than Lester's take. The answer is yes! Why? Because Lester never really understood the material. Which is prove when you watch Superman III. Donner, on the other hand, truly understood the material. He understood that...YES...it's a comic book adaptation but it's still an art form. As silly as Superman may seem he understands that there is a wonderful story to tell. And, he understands that there is wonderful characters to develop and have an audience understand and fall in love with. When you watch this DVD that's what you'll see. A film directed by a man in love with the material. Not a film by a man who did it for the money. If you love Superman: The Movie then you'll love Richard Donner's version of Superman II. The ONLY flaw of this version is that it was never completed.
This movie/cut of Superman 2 came about due to the infamous behind the scenes drama of the original Superman 2 (1980).
Originally Richard Donner (who directed the 1st Superman movie) was going to direct the 2nd one as well and even shot a lot of scenes for 2 while he was still making the 1st one.
However due to rising tensions between Donner and the producers he was let go and replaced by Richard Lester who proceeded to finish the movie using some of Donner's scenes while shooting his own which were re-written to some extent. Despite this Superman 2 (1980) ended up being very good and one of the best superhero sequels ever.
Still fans wanted to see what Richard Donned would have done if he had stayed on the project so as a result in 2006 we got the Richard Donner cut.
Now the plot of the Richard Donner cut is essentially the same as the original Superman 2 released in 1980 except there are some differences here and there.
For example in the original Superman 2 the movie opens with Superman saving Lois in Paris from terrorists who are about to set off a hydrogen bomb. Superman throws the bomb into space where it explodes and accidently releases Zod and his cronies from the phantom zone which they were imprisoned in by Superman's father Jor El.
In the Richard Donner cut however we see it is the missile that Superman launches into Space in the 1st movie that sets Zod and co. Loose.
The movie has several alterations like this in the 1st act and the 3rd act which while varying in quality it is still interesting nonetheless.
By the time we get to the 2nd act though where Clark Kent aka Superman and Lois Lane go to Niagara falls and Zod attacks earth that's when the movie really starts to falter.
This is because Donner only shot about 50% of Superman 2 due him being let go before he could finish it so as a result he uses little snippets of footage Lester had shot for his version as well as even screen tests which weren't made to be seen in any capacity to finish the film. You see why this doesn't work right?
I mean I'd be okay with him using the Lester footage since those were actually completed but like I said he only uses snippets if it. So for example let's say a scene in the original Superman 2 (1980) was 2 minutes long, well Donner only uses 30 seconds of it making it appear really rushed. Especially the romance of Superman and Lois.
In the original Superman 2 (1980) Lester shot the relationship between Lois and Superman in well fleshed out and developed scenes meanwhile in the Donner cut it's very rushed and feels under developed since again he only uses snippets of what Lester had shot as well as screen tests.
Which to me is maddening since he could have just used whatever Lester had shot to mitigate that problem.
Like I said there are even times where he uses screen tests to fill in the holes which again are unfinished and barely expectable.
It also doesn't help that all the stuff in the Lester cut was just better than any of the stuff Donner had shot in my opinion.
For example the Paris scene at the start of the original Superman 2 (1980) was a far better opening for the movie vs the missile recap we got in the Donner cut not helping that because this cut was made in 2006 and had a small budget they used really bad cgi to complete the missile scene which looks awful. In fact they even uses stand ins for Christopher Reeve and Margo Kidder at certain points which of course is very distracting.
Due to the unfinished nature of this movie they even re-use the ending of the original Superman (1978) to complete this movie which is completely stupid and makes no sense.
There are literally only 2 good things in this cut.
1. The Marlon Brando scenes which were cut from the original 2nd movie were put back in this cut and are pretty good. The only reason they didnt use any of the Marlon Brando scenes in the original cut was because the producers didn't want to pay Brando again.
2. The fight in Metropolis in the Donner cut is also better then the original cut as it not only has better action but it also cuts out any of the original slapstick humor Lester put in for some reason.
Besides those 2 things however the original Superman 2 (1980) cut by Richard Lester is much better and more worth your time.
Only watch the Donner cut after watching the original cut.
क्या आपको पता है
- ट्रिविया(at around 1h 45 mins) The actress playing Lois Lane using the typewriter during the end scene is not Margot Kidder. The ending that was written, but never filmed, had Lois Lane die at the Fortress of Solitude, which in turn caused Superman to reverse time. The typewriter scene was shot in 2006, specifically for the restoration, and had an uncredited actress stand in for Lois.
- गूफ़Superman turns back time so that General Zod, Ursa and Non never leave the Phantom Zone, but we aren't shown how Superman deals with the missiles launched at the end of the first Superman movie - meaning, after turning back time, they should escape again, if Superman dealt with the nuclear missiles in the same manner. (This is a problem that actually stems from the first movie, where we aren't shown Superman dealing with the crisis in a different fashion after Lois dies - he shows up at Lois' car, and the aftershocks that caused her death just never happen.)
The next scene we see is meant to be the beginning of the movie again, with the Daily Planet - so after the nuclear explosions, and before the arrival of the villains - but Clark goes back to straighten out the trucker who hit him afterwards - though because Superman turned back time, basically, this event never happened - so Clark was hitting an innocent man for no reason. (The diner owner says that he just had the place fixed up - meaning the scuffle did occur, and Clark claims he's been working out, meaning from the last time they saw him, when he was beaten - however, again, this never happened because Superman turned back time again.)
Moreover, towards the end of the film, Superman destroys the Fortress of Solitude with his heat-sight - the Fortress of Solitude should be reconstructed (and with Jor-El available to guide Kal-El again) due to Superman turning back time again. The time travel device, beyond complicating the film's time-line, nullifies Jor-El's sacrifice and Superman's lesson, as after turning back time, things should be "back to normal" again.
Furthermore, if Superman's end-game was to turn back time all along, he didn't have to fight the super-villains in Metropolis or in the Fortress of Solitude at all - he could have turned back time immediately after regaining his powers, or following the Metropolis fight.
- भाव
Lois Lane: You ARE Superman, aren't you?
Clark Kent: Lois, now we've been through these haullcinations of yours before. Can't you see what you almost did? Throwing yourself off a building 30 stories high? Can't you see what a tragic mistake you almost made?
Lois Lane: I made a mistake. I made a mistake because
[Lois pulls out a gun]
Lois Lane: I risked my life instead of yours.
Clark Kent: Lois... don't be insane!
Lois Lane: And don't fall down 'cause you're just going to have to get up again!
Clark Kent: Lois, don't be crazy now... LOIS!
[Lois fires at Clark, who just stands there with a stern look on his face]
Lois Lane: [Lois looks at amazement] It IS you...
[Clark takes off his glasses to reveal that he is indeed Superman]
Lois Lane: I guess I've known this for the longest time.
Clark Kent: You realize, of course, if you had been wrong, Clark Kent would've been killed.
Lois Lane: [Lois holds up the gun] With a blank?
[Clark closes his eyes in embarassment]
Lois Lane: Gotcha!
Clark Kent: [Clark sits down ready to talk]
- क्रेज़ी क्रेडिटAfter the Warner Bros./DC Comics logos, there is an on-screen dedication "in loving memory" of Christopher Reeve, "Without whom we would have never believed a man could fly".
- कनेक्शनEdited from Superman II (1980)
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- बजट
- $5,40,00,000(अनुमानित)
- चलने की अवधि1 घंटा 56 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1