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This is truly a Fantasy/Comic movie-masterpiece. First of all- the excellent cast- Jack Nicholson shines in the role of the manic and crazy Jocker. Nicholsons character is truly amazing- like a mixture of his former roles/characters in "Chinatown" (Jake Gittes), "One Flew Over the Cuchoo`s Nest" (Randle McMurphy), "Prizzie` s honor" (C.Partanna), "the Witches of Eastwick" (Daryl Van Horn) and of course "The Shining" (Jack Torrance)- but (the character) still keeps his own style. Michael Keaton also proves to be the ideal type for Burtons`s Batman. He reminds on the dark Batman from the "Dark Knight" Batman comics, and is the exact opposite of Batman introduced by Adam West in the 70`s. Second, Tim Burton created a unique athmosphere, exactly matching to the characters. Some people say that this movie is to dark, but I wouldn`t agree. I must not forget to mention the exciting Batman Theme composed by Danny Elfmann. Burton`s Batman, differnt from all the other Comic-hero movies, like Spiderman, Superman, Flash or Hulk, provides a refreshing character dimension.

One of the best movies in the 80`s.

Despite the sequels and the fanfare of the reboot, this remains my favorite Batman movie.

I admittedly had initial concerns over Michael Keaton in the role, but I quickly warmed up to the actor as Bruce Wayne, and once the suit went on, his performance was spot on. Nicholson as the Joker was solid casting, and he gave a brilliant performance.

This movie was just fun, and a completely different feel from "The Dark Knight". Whereas Dark Knight was endlessly gritty and tense, "Batman" was both dramatic and fun. There were plenty of light moments to break the tension of the Joker's murder and mayhem. In Dark Knight, there were no tension breakers at all. I'm a tremendous Batman fan (the comic character) and during Dark Knight I felt like I was sitting through an endurance contest rather than something I'd assumed would be entertainment. Don't get me wrong, I'm not knocking Dark Knight ... it was a tremendous achievement. But the mood was very different than the original "Batman", and I just find that I preferred the mood of the original.

Nowadays there's a new superhero movie out every summer. But back in the 80's superheroes were still considered to be entertainment mostly for children. Then the Dark Knight Returns by Frank Miller and The Killing Joke by Alan Moore came out and were a huge success. A movie was right around the corner.

The plot takes place in the familiar setting of Batman's home town, Gotham City. The city is all but controlled by mob boss Carl Grissom with police Commissioner Gordon and District Attorney Harvey Dent all but powerless to stop him. Enter the caped crusader who starts making a name for himself as Gotham's protector. He becomes the interest of journalist Vicki Vale who is determined to find out who is under the cowl.

On the opposite side of the spectrum a local thug working for Grissom, Jack Napier, encounters the Batman during a heist at a chemical plant falls into the acid. He emerges with a permanent smile and christens himself as The Joker. Joker starts to take out the other mob bosses and terrorizes the city with various deadly chemicals mixed with random every day appliances. He also gains an infatuation with Vicki Vale and constantly stalks her. Batman has to stop The Joker and save Gotham from the scum that turned him into the hero he is.

This movie captures the spirit of Batman almost perfectly. Gotham City is a huge Gothic metropolis that's unique style is something only Tim Burton could create. The casting is brilliant as well. Michael Keaton plays a perfect Batman as well as Bruce Wayne and is still one of my favorite Batmans today. Jack Nicholson was also a great choice as the Joker and manages to pull off a great blend of funny and creepy.

All though I thought a few things could've been improved, like the action scenes and the lack of character development for Gordon and Dent, this movie was a great way of bringing Batman back to the silver screen.

The 1989 Batman is the original Dark Knight and Tim Burton's Classic Dark Knight film. This is my number 1 personal favorite Batman of all Batman movies this is my movie and I love this film to death! Jack Nicholson was well-cast as The Joker he was a wonderful in his lead role performance. Michael Keaton was just great as Bruce Wayne/Batman, he acted like the role of Batman was written on his skin. Kim Bassinger did a wonderful performance as her role Vicki Vale. I think Vicky Vale is very underrated character from all other female lead characters in all Batman films. Michael Gough did a wonderful job as the butler Alfred Pennyworth Batman's helper. Seriously Alfred for me will be always Michael Gough not only that he acted much better than Michael Caine did he even showed more heart and caring in the whole Batman franchise than Michael Caine did. The acting in this film is awesome, the character developments and the story plot are TERRIFIC!

Michael Keaton caused an uproar when he was casted as Batman as fans boycotted the idea yet in Christmas 1988 when the trailer hit theaters the silence was shut as it was a nice teaser. This movie was the most hyped movie of 1989 as months audiences including fans had waited even with a second trailer that showed up in the spring of 1989 and merchandise was everywhere as it was the year of the Batman, hell even TV stations had reruns of the 60's Batman show to cash-in on the phenomenon. This movie opened on June 21st 1989 and became one of the highest grossing movies of all time and the biggest movie of the year earning acclaim and making Batman cool again just like Frank Miller and Alan Moore did. The Action and fights sequences were great and awesome. At least so much better than they were in Batman Begins (2005). It was my first Batman film I ever saw and this movie just absolutely Kick Ass. The Batwing that appears by the end of this movie is awesome by using to combat the Joker. When the Joker launches a deadly Smilex gas attack through balloons, Batman came in the Batwing and destroyed the balloons, angering Joker. Awesome! Batman then fired off several missiles and two mini guns, killing many henchmen but missing Joker, who in turn shot it down with one bullet from his long barreled revolver. The Joker Thugs are amazing. The main theme score by Danny Elfman was just amazing and really beautiful. I absolutely love this movie. I would never compare all other Nolan batman films with this masterpiece. Except The Dark Knight that it is the best Batman film. I will say it again this movie is AWESOME! The Batsuit designed by Costume designer Bob Ringwood who turned down the chance to work on Licence to Kill in favor of Batman was AWESOME! Ringwood found it difficult designing the Batsuit because "the image of Batman in the comics is this huge, big six-foot-four hunk with a dimpled chin.

Gotham City, a big city where crime has been occurring lately and a mysterious caped crusader named Batman (Michael Keaton) is wiping streets clean of criminals, it leaves the police especially commissioner Gordon (Pat Hingle) baffled. A gangster named Jack Napier (Jack Nicholson) was dropped into a vat of chemicals which leaves him disfigures with paint-like white bleached skin and ruby-red lips plus green hair which makes him clown-like as he now calls himself Joker, he begins to terrorize the city of Gotham and stalk a sexy photographer named Vickie Vale (Kim Bassinger). Bruce Wayne who is Gotham's richest man falls in love with Vickie yet she doesn't know his true secret that he's Batman, but can Bruce deal with romance and battling with Joker at the same time?

Batman is a 1989 American superhero film directed by Tim Burton and produced by Jon Peters, based on the DC Comics character of the same name. It is the first installment of Warner Bros.' initial Batman film series. The film stars Jack Nicholson, Michael Keaton in the title role, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough, and Jack Palance.

The Dark Knight of Gotham City begins his war on crime with his first major enemy being the clownishly homicidal Joker.

This is definitely my favorite classic Action film from the 80's it was always my favorite childhood movie and it will always be. The action scenes are just fantastic and how Batman saves Gotham City from the Joker balloons of a deadly Smilex gas attack was amazing. Burton's Batman is my number 1 favorite film of all times and it will always be and I love it to death! 10/10

Michael Keaton will be the only Batman for me!:P.

Although today it can be seen as something of a flawed work - compromised somewhat by continual studio interference - Burton's first Batman film (1989) remains a surprisingly vivid comic-book style action adventure film, peppered throughout by the director's continual quirks and characteristics, which for me, makes the experience all the more unique. I know it's almost the accepted opinion these days to reject Burton's vision, post Batman Begins (2004); with many critics dismissing this as closer in tone to the retro 60's TV series, which is bull, as we all know. At the time, this was considered the darkest knight of all, and the continual shift into more violent and lurid psychological territory presented by its sequel, Batman Returns (1992), saw Burton dismissed from the series indefinitely. Although Nolan's subsequent Batman films have attempted to take the franchise into more credible areas - and with great success - they for me lack that certain spark of imagination and subversive sense of humour that made the Burton films so radical and so much fun.

Here, the world of Batman - as presented by Burton - gives the film much of its power. Whereas previous adaptations of the character had placed him within the context of a recognisable present-day environment, this Batman creates a dark, Gothic underworld that is part Metropolis (1927), part Gilliam's Brazil (1985). You could also argue that there's a touch of Blade Runner (1982) presented here as well, with the retro-futurist look of distressed exteriors and Art Nouveau creating an odd juxtaposition; suggesting an almost timeless setting that is falling rapidly into despair. With these references in place, Burton goes wild with strokes of German Expressionism and references to film-noir, as he plays not only with an excellent use of shadow and composition, but also with a sly and irreverent use of colour. For example, with this presentation of the Joker (still a contentious factor for some viewers), Burton gives us a screaming, pop-art inspired lunatic - again, part Warhol, part Edward G. Robinson - with the typical charm and caddish likability that only Nicholson could truly convey.

I have no problem with this presentation of the joker. Ledger's variation exists in a different world with a completely different tone, so such comparisons are ultimately faulty! The only similarity is that in both films the Joker dominates the proceedings, more so than Batman himself. In Nicholson's hands, the Joker is dangerous *and* amusing; his charm combined with his insanity making him even more fascinating. He is, as he proclaims, an "artist"; someone willing to disfigure their own fiancé for the purposes of creative expression. "I create art until someone dies", he says, and we believe him. The introduction to the Joker - post-transformation - is still a completely iconic scene, as he aggressively demands a mirror from his plastic surgeons and then smashes it in a fit of mad giggles and inevitable hysterics. This scene - like the following one in which he reaps revenge on a former partner that betrayed him - is straight out of the best of post-war Noir. Admittedly, Batman, by comparison, seems less interesting; with the limitations of a character who essentially hinges around the absurd idea of dressing up in a rubber costume and fighting crime, always requiring a great leap of faith on the part of the audience, as he is forced to become even more brooding and serious in order to remain somewhat plausible.

Regardless of what more obsessive comic-book fans might suggest, I thought the style of this film - with its use of framing and composition - was pure comic-strip. It's not a graphic novel adaptation, but a proper comic book style adventure; with the skewed angles and tight editing creating that feel of reading from one panel to the next. It benefits from the team that Burton surrounds himself with, from the cinematographer Roger Pratt, who shot the aforementioned Brazil and turned the seedy side of London into a screaming inferno for Neil Jordan's great film Mona Lisa (1986), as well as composer Danny Elfman and the late production designer Anton Furst. The only thing that really lets us down are a couple of somewhat dated optical effect shots, such as the introduction of Batman looking down on the city from a high-rise tower block, to some obvious miniature work that probably ties in with Burton's fondness for the work of Ray Harryhausen or director Mario Bava. Nonetheless, these are minor flaws that we face in numerous films and ones that are easily overlooked.

Ultimately, the argument of realism offered by many detractors of Burton's Batman films makes very little sense; again, we're talking about a film in which a billionaire playboy dons a head-to-toe rubber costume and fights crime at night - how much more plausible can this get? Burton's approach to Batman, drawing on some of the more revisionist comic book works of Frank Miller and Alan Moore, conveyed a darker, more personal slant to the character, but still retained that sense of colour, fun and imagination that the more recent Batman films seem to have lost. They're still great films, but for me, the two Batman projects from Burton capture the spirit and tone of the character perfectly, as well as conveying a naturally intuitive approach to film-making that resulted in some genuinely interesting cinematic work. The follow up, Batman Returns would be even better, and remains probably my favourite Batman film, if not my favourite Tim Burton film of all time.