Shoot First and Pray You Live (Because Luck Has Nothing to Do with It)

A revenge western which has a lot going for it. Really liked the music. Cinematography, props, sets, all this takes money and effort. Actors and makeup very good. Some talent went into this film and I notice that as of this writing over one third give this film a 10. I suppose a lot of us understand about the "weighted average" so I won't go into that. If you are the type that enjoys escapist films such that you don't pay much attention to the story itself, you might really enjoy this film. However, those of us who are more picky, who tire of stories that seem to have been written by an 10-year old, might prefer to have this film in the background while doing something else or pass on it altogether. Very illogical storyline with really nothing to redeem it, inconsistent characterizations, and terribly clichéd. Really now, they should have hired me to tweak (considerably) the story, and the result would have been much much better at essentially the same cost. On the message board "nice but failed attempt . . . " lists some of this film's many flaws.

Wife & I both agree this movie just is horrible - as another wrote "a lot going for it but" its all show & no go what a dud

Sets up for many good scenarios but left us hanging even the end left us clueless.

We can not suggest you waste your time.

First of all this TRIED to be like the spaghetti westerns of old in the 60's but it PALED in comparison to those! The story jumped from place to place ...the ending was absolutely AWFUL ....and the show was just overall DUMB!

I should have known when the words came up that it was a totally fictional movie.... OF COURSE IT WAS! Why did they feel they had to state the obviuous? But I did not know how it was going to go.... The westerns I have seen.actually had a PLOT to them, this plot jumped so much you could not make out what the plot actually was.

Not to mention the horrible acting to go along with the non exsistant plot! I will never get back the minutes of this movie I watched which is a shame because watching grass grow would have been better than this!

I just watched the first gunfight in the bar where Red outdraws 2 men. The movie shows the replay.

FIRST SHOT: shoots one guy's thumb off.

SECOND SHOT: got the other guy between the eyes.

THIRD SHOT: finishes off the 1st guy whose thumb got shot off, who the director apparently didn't notice the guy forgot to hide his real thumb: CLEARLY visible, pointing up, with the fake severed thumb stump behind it. Unless he had two thumbs on his right hand, I'm pretty sure it's a goof. (Did the editor even watch the movie? I can't see how he/she missed that.)

Going to keep watching to see if the movie gets better. If not, I won't add to this review, but my hopes aren't very high so far.

[Edit/Continuation: Ok, I watched the whole movie. I later realized that between the 1st & 3rd shot at the beginning gunfight, it was about 1 second apart, yet the replay shows the guy had several seconds to nurse & complain about his thumb getting shot off. Unless he's the Flash, bad editing. The rest of the movie had its moments, but very few. The filming was ok, but the bad acting, cheeziness, bland scenes, poor mimicking of a mixture of "Kill Bill" & "Good, Bad & Ugly" styles & bad ending makes me wonder if a better option would've been to watch the weather channel.]

Jeff Hephner is a top gunslinger. He's been one ever since he got into a gunfight with James Russo, and both men crawled away, breaking Russo's... luck? Since then, he's wandered, looking for the man he wishes to wreak vengeance on, and trying not to be killed by people who wish vengeance on him, or perhaps just wish to be thought of as the best with a fast draw. The motivations are murky, because no one mentions i, except third parties who tell the tale. What do they know of the constant pressure, the fear, the hope?

It's based on a novel by Max Brand and shows a grim, bare west, where women are scarce and superstition is everywhere. Cinematographer Bruce McCleery shoots a west that's bright and well defined, working with natural light, a far cry from his work in the artificial worlds of science fiction and superhero movies he's best known for. Screenwriter/director Lance Doty allows his audience to draw their own conclusions about what is going on and where it will lead.