The Company

There is a book by the name of "The Sword and The Shield," which details all the historical gaps that this movie may leave out. I haven't read the book titled "The Company," which this film is based on. However, this book (The Company) and the likewise named mini-series will probably be the best telling of the historical account in video format. For any Cold War buff and espionage fanatic who is familiar with the true workings of the NKVD to the KGB, they will be pleased.

This film is no James Bond type cold war thriller. After all, could you really detail the exploits of 50 some years of history in a 2 hour spy film? The main plot and character's names of this mini-series are on par with the facts that history reveals to us. To anyone who is intimately familiar with the Cold War and the espionage struggles between the Soviet Union and the USA, you will find this mini-series extremely accurate. But more so, you will find this mini-series entertaining.

The bottom line is that, this is an entertaining production that holds true to a majority of the facts. If the Cold War and real spy stories are entertaining to you, then it's suggested that you view this mini-series. Not only will the "uninformed" viewer enjoy this mini-series, but the historian will also enjoy how this mini-series doesn't vary far from the truth. This is definitely a recommended mini-series on the real spy games of the Cold War!

This is a wonderful performance piece, for Cold-War, Tom Clancy/John Le Carré lovers alike. Spying was a dangerous, heart-breaking and lonely game, and the principle characters on both sides gave up much in the way of personal life - this slowly tumbles out as the story unfolds over 4 decades.

I credit the Director with NOT revealing too much the first time you view it - I found myself wondering at certain points if the Script contained gaps -- not so. An example is the involvement of the notorious Kim Philby, a clever KGB double-agent. Everyone who has read 'Man Called Intrepid' knows who Philby is - if he breezed into this story as KIM PHILBY, we'd know what to expect. Cleverly, the character is not identified until the story is well-under way. By that time, you are as fooled as was his friend, the famous CIA counterespionage guru, James Angleton, played here with craft by Michael Keaton.

Other performers shine, and the action scenes for Hungary, and the Bay of Pigs are startling. Part 3 packed a real punch as, again, we get treated to what the counterintelligence fellas had to go through to nail suspected double-agents.

The second time through, I connected all the dots--so, the mini-series DVD has been well worth the investment. (Glad I missed it on TV with commercials).

Where to begin. The performances in the show are quite good the action is established and the historical aspect of the show is right on in most respects. The cast includes a few veteran actors and a few younger actors. Rory Cochrane from CSI Miami, and Chris O'Donnell from the Batman* movies and the Bachelor are cast in very good roles. Followed by Alfred Molina and Michael Keaton taking on the leading roles, who I might add fit there roles perfectly. Having only seen the first of the three episodes and watching the preview for the next two I see that the show will go on only to get better with the addition of even more actors and cameo's from some of my personal favorites the outlook is good. In my opinion espionage has never looked so good.

This is a compelling watch, one of the best I have ever seen on this subject, and I have seen many. The performances are wonderful, especially the three Yale friends who take divergent paths. Alfred Molina is great, as ever. I especially liked Ted Atherton as Frank Wizner.

But did anyone ever call Kim Philby "Adrian"? Maybe James Jesus Angleton: he was just weird enough. (Weird, also, to see him portrayed by Tom Hollander, who played Burgess in Cambridge Spies). And while Angleton suspected Philby, he did not send him tearing off to Moscow -- Philby returned to London, where he was interrogated by effectively cleared (by Harold MacMillan, among others) and on later to Beirut, as a journalist, which allowed him to return to working for MI6 and, presumably, the KGB. It was his MI6 friend Nicholas Elliott who finally broke him, prompting Philby to flee to Moscow in 1962. From Beirut.

But the fictional elements work well enough to make this a very watchable mini-series. And they have an artistic truth that factual manipulations do not spoil.

I dispute the comments that find the series to be anti-American. Some Americans apparently still believe that their country is without fault. There is no reasoning with such people. Having Chris O'Donnell's Jack query how "good" the "good guys" were is just realism, honesty and moral principle: it only takes two words to show that the USA is not always interested in right: Salvador Allende.

As the Hungarian revolutionary Arpad tells Jack in Budapest in 1956, revolutions are fought for three reasons: honour, fear and self-interest. He claims the first two for himself and his comrades. He shrewdly assesses the third as the principal rationale of the US. And who can honestly say otherwise? This programme, as well as Jack, endorses that view.

Michael Keaton's performance is spellbinding, astounding. I couldn't believe what I was watching. When he's on screen, he lifts the piece onto a wholly different level. Unreservedly worth watching for his screen time alone. The unnerving atmosphere he creates happily offsets the unfortunate mawkishness that marrs parts of the Berlin and Budapest stories. Alfred Molina also deserves praise for a strong, gutsy performance as a permanently booze-fueled, no nonsense old time field commander. Production values are pretty high for a television series - Ridley Scott's production presence no doubt helped on that front - and the post-war look and atmosphere of the Berlin sequences is particularly well realised. But this is unmistakably Keaton's tour-de-force.