The State Within

Going into this six-part series, I have to admit that my interest at first was mostly prurient, thanks to a couple of well-placed clips on YouTube (and I'll let you guess which ones.) Rare is the occasion that my partner and I will put up with an entire series over the span of two nights, but we got so involved that we actually did it: Parts 1-3 one night; 4-6 on the following evening.

And was it worth it! From the moment a British jetliner on the way back to London explodes over Washington, DC, THE STATE WITHIN literally grabs you by the throat and won't stop shaking you until the final episode.

Now, fans of series like 24, CSI and THE UNIT should take note here: this is way out of the comfort zone of the 'casual' viewer. To their credit, writers Lizzie Mickery and Daniel Percival are not about to spoon-feed you one single detail, so mentally you'd better be 'on your toes' at all times and keeping up with all the espionage, double-dealing and a large and exceptional cast, because this train's not stopping to wait for anybody. Plus the kinetic directing styles of Michael Offer in the first three episodes and writer Percival taking the helm for the remainder, ensure that it stays moving and engaging, even when there's not a lot of things blowing up or people getting dispatched in the nastiest ways possible.

The ensemble cast, led in an unusually heroic turn by Jason Isaacs is great, as everyone brings something to the table. If you are familiar with British and Canadian television, a few faces will definitely be familiar to you, especially FOREVER KNIGHT'S Nigel Bennett playing one of his most hissable brand of baddies, and Lennie James in a surprisingly sympathetic role as a death-row inmate. Ben Daniels and Noam Jenkins are standouts as two men who are essentially on opposite sides of the same coin (and so much more.)

And definitely worth noting is Sharon Gless' performance as the steely Secretary of Defense who seems to be pulling all the strings and manipulating all the players in this nightmarish scenario, but wait! No one and nothing is as it seems in this piece, and though it feels like the first two episodes kind of leave you swinging in the wind, your patience will be richly rewarded as by Part Three, the pieces begin to fall into place. And if the story threads of WMD's, covert military operations, backroom deals and cold-blooded murder sounds a little too familiar, you better believe that it's intentional.

In fact, it's a mark of Mickery and Percival's creative skills, that when I started watching the news shortly after finishing Part 6, I felt like I was still watching the movie!

I recommend THE STATE WITHIN with extreme bias on my part. I love "thinking man's thrillers", and this is one of the best I've seen in a long time. American writers and producers should watch this and learn something....

We're at episode four - and I'm like a kid with a new book dying to get to the end and yet longing for the story to carry on indefinitely. A rare title - one that describes the film perfectly - states within at all levels; from political perversion to commercial greed to personal persuasion. A huge onion of a script!

The plot is an artistic reconciliation (thus far) - the more complex the situations become,the more clearly we can distinguish personal facets of characters. But I think that there are yet some darker horses preparing for a gallop.

The story started fairly slowly and we were able to watch as individuals were drawn into the web of lies and deceit, many simply there to be trapped and killed. However I'm not sure whether or not we've met the master weaver yet or whether that will remain a mystery even after the final title has rolled.

I'm not worried about the end being a let down - unless Britain (or any other country for that matter) suddenly produces Sir Lancelot - and I don't think that's likely to happen.

I hope you've not missed it! If you have - watch out for the second showing - this is a really big treat.

THE STATE WITHIN is a six episode series from BBC that has class, excellent writing, top notch acting and enough twists and turns of story line to keep the viewer on the edge of the seat for the six hours it plays. Written by Michael Offer and Daniel Perceval (who also directs 3 of the episodes while Lizzie Mickery directs 3 others) the script is tight, the pacing deliberately fast, and the insertion of new characters into almost every episode serves not as distracting but as additive suspense.

Mark Brydon (Jason Isaacs in one of his finest roles) is the British Ambassador to the United States. The series opens with the explosion of an airplane over Dulles International Airport in Washington DC and Brydon must respond to what appears to be a terrorist plot. But who is the terrorist and who is the country behind the plot? Brydon is supported by his undersecretary Nicholas Brocklehurst (Ben Daniels, also wholly convincing in a tough role) and they must face the US government in the person of Secretary of Defense Lynne Warner (Sharon Gless, proving that she is a fine dramatic actress) and her undersecretary Christopher Styles (the always superb Noam Jenkins). There are clues that unravel slowly, fingers that point to a small Middle Eastern country, currently beset by political problems, not the least of which involve American corporate gains. Informers and witness are knocked off right and left and there are intelligence issues in both the British and the US camps that play on the concepts that Warner is financially involved in the plot and Brydon is compromised by a relationship that is related to the little country's dilemma. It is a rush to the finish to resolve all the subterfuge and it is played out very well by a large cast of excellent actors. One comment should be made about this BBC production: as opposed to films made in this country: there is a frank and well acted same sex encounter between Brocklehurst and Styles in the first episode that sets the pace for the tenor of the story. No items of personal business are left unnoticed in this manipulation of information and the extremes that can be taken. While it is a suspense thriller, there is a lot of space for very real interpersonal relationships to unfold. Highly recommended entertainment, with special kudos to BBC for having the courage to explore topics so stringently avoided by American films.

Grady Harp

I watched the first episode last night and it is certainly gripping. There seem to be a lot of story lines weaving around the central story. There are high production values and with the mixture of UK and US stars I expect this will gain and audience on both sides of the pond. There is International terrorism a la 9/11, diplomacy, internment, gay spies, CIA, MI6. I am not going to précis the story as it is as yet unfolding. Sharon Gless (Secretary of Defense Lynne Warner), was interviewed on Radio 4 this morning and according to her you will not get the full story until the final episode. She likened it to "The Sixth Sense". Stand by for more gripping episodes.

This thriller can be described as "24" without the action but with the same wonderful twists and turns. Not until the fourth episode you get some sense what the story is about. Of course the plot seems far fetched. But if you look at Bush and his policy it suddenly is closer to home than you imagine. It is also obvious that this series is some sort of protest or at least criticism against US policy regarding terrorists and the death penalty. (The attention this sub plot got was gripping drama at best. Excellent performance by Lennie James!) We get some insight what a British ambassador does and needs to do in order to maintain his position. Jason Isaacs who is most famous for portraying villains is wonderful and amazing as the main character. Tough,diplomatic,a man of action and not afraid to show his compassion and emotion. He really shows it all. What more do you want. Good performances,intriguing plot and solid entertainment! I hope we will see more of shows like this in the future.