Cidade Baixa

Cidade Baixa is more of an accomplished film than you might think. The locations and the camera-work are well presented, The acting is very realistic and the main actress is beautiful as well as talented. It may not be City of God or even Central Station but this film is well paced and full of energy. The Cane and Abel style relationship between the two male leads becomes integral to the film's message: should you let a woman get in the way of a friendship. Well quite frankly you shouldn't as love and lust can be destructive as well as invigorating - how this manifests itself in the film is something I won't go into so as not to spoil it for you. Anyway, I thoroughly enjoyed the film and I would recommend anybody to watch it.

Penned as the next City of God/ Amores Perros/ Y Tu Mama Tambien simply because it is the next good film to come out of South America, is to be expected. However, Lower City doesn't quite live up to its comparative brothers but does manage to create a feel of its own. I empathised with each of the characters and felt they were played brilliantly by the actors involved. There was a real sense of passion with the helplessness of the poverty/ crime lifestyle they find themselves in.

One problem with the narrative that I felt was the rather instant impact the female love interest has on this supposed solid friendship. The film doesn't really know what it wants to express: is it an incite into the underbelly of south American society or an erotic platform for the characters and their drama. The pace dips in the middle but the end delivers excitement and resolution.

As a whole, I enjoyed this film but was far from blown away

This is a mesmeric movie about the corrosive effect of an attractive and sensual woman's intrusion on the close, almost intimate, relationship between two men. Set in the seamy underworld of the Brazilian port of Salvador de Bahia, the film takes its name from the lower (baixa) quarter of that city. One of the few "touristy" shots in the movie is of the lift connecting the Cidade Baixa with the Cidade Alta, a treasure house of colonial architecture, of which we catch but one brief glimpse in the film.

To my mind the film is as notable for what it doesn't state explicitly, as for what it does. Neither of the two male protagonists refers to the fact that they are of different colours; but it is hard to avoid the thought that this plays a part in the rift which develops between them, and is foreshadowed by the savage cockfight between a black and a white bird in an early scene.

The film is uncompromising - and entirely non-judgemental - in its depiction both of the criminal activities of its men, and of the prostitution of the women. We may not approve of what we are seeing, but "this is how it is" the film tells us. The acting is of the highest standard, with Alice Braga (niece of Sonia) outstandingly sexy; and the fast-paced and close-up camera work glues the viewer to the screen.

See it!

The performances in the Lower City were quite good. All three of the leads are given an opportunity to make an impression. The script however, leaves a bit to be desired. The motives and motivations seem about as clear as mud. Why does this triangle exist? What does she see in each of the men that makes them indispensable to her? When one walks away, why does she pursue him to keep him in the fold and in the game? And finally, and most importantly, why .do men that seem to have no problem with her plying her trade of prostitution with other men, suddenly want to beat hell out of each other when one or the other of them sleeps with her? "Because the script says so" is the only answer I can come up with. That is the weakness of this film. If these questions had been answered we would have had better film and I would have been able to rate it higher. Even some hinted at answers would have been appreciated. Maybe next time....

Lower City has several problems, the primary being that the story is a tired retread. We've seen it all before..the financial desperation causing people to do anything to survive, and an old fashioned love triangle. Director Sergio Machado brings nothing fresh to these well-worn story threads. Another complaint is although the film was shot in Salvador Brazil, we barely see any of the CITY in Lower City. Most of the film takes place on a boat or within the interiors of clubs, hotel rooms, and apartments. Another major fault lies in the fact that there is little to like about the three main characters. The men practice misogyny, rob, steal, and enjoy watching a good cock fight in their down time. The woman is a career prostitute. I felt quite detached from these characters rather early in the film. The ending was one that most could clearly see coming up Quinta Avenida (Fifth Avenue).

What DID work was the sexual chemistry between the three leads. The love scenes were passionate and convincing. I only wish the rest of the film had the same energy.

5/10