Bicho de Sete Cabeças

Until I watched this movie, I considered Rodrigo Santoro to be a gorgeous, yet average talented soap opera actor. Today, after being forced to admit to my mistake and recognize the extent of his gift, it even upsets me when people give more emphasis to his looks than to his performance. Santoro is clearly a star on the rise, and the sky is the limit.

If for nothing else, "Bicho de Sete Cabeças" would be worth watching simply to witness Santoro's performance. But there is more to this movie than its Leading Man. Based on the autobiography of Austregésilo Carrano, this is a courageous, heartfelt move about a young man's journey into the Hells of public Mental Institutions and his struggle to maintain his sanity. A must-see to all of those who have ever feared losing their minds... and all of those who haven't!

Bicho de sete cabeças is a kick in the gut. Documentary style scenes constitute the skeleton of the movie, and makes the movie approach the status of masterpiece. The acting of Rodrigo Santoro is really good. I've seen him on Abril Despedaçado before, and I can say I see a bright future ahead of this guy. He's handsome and talented. I hope to see such great movies of his in the future. The madman called Ceara in the first mental institution is also showing signs of a PERFECT acting. I've never seen any actor that can act a crazy guy so well before. I was absolutely stunned by his performance! It's really sad how a young man is turned into a wacko by his revolting father's stupid strategies. What's worse is that, he experiences all that just because he doesn't take his father's tyranny, and smokes weed occasionally, like loads of people at his age. And what's even worse is that, this is a real life experience. I'd really like to sit down and have a coffee with that guy one day, and listen to his experiences in his own words. The movie made me want that.

The Brazilian cinema is the rising star of these days, and I sure hope it'll keep up the good work. A country with such a diverse culture, people experiencing extreme incidents in different walks of life, and great filmmaking skills to show those things to us. For this particular film though, I strongly doubt only Brazilian mental institutions are like this. Most likely, several terrible places like that exist all over the world. It's not certain that you're mad if you go there, but as this film depicts, it's almost certain for you to leave mad, if ever. Also make sure to see Abril Despedaçado with the same actor if you can. Brazilian movies rule!

9/10 for this all in all great movie.

Shocking. This is how I felt when watching this movie. It is a raw picture of the mental institutions system of Brazil and the ignorance by the parents and relatives about dealing with the subject of drugs. Is the act of putting someone in public mental institution the best solution or the easiest ? The madness of our society leads the family to take the easiest solutions instead of giving love. Medicine instead of friendship. This astonishing movie shows us all these kind of conflicts. Conducted by a fantastic music composed by Arnaldo Antunes.

"Bicho de sete cabeças" is based on a true story, but it somehow resembles an overlong advertising spot with documentary posturing. Director Laís Bodanzky tries to make it look harsh and real, but few situations ring true, not the least those related to the young. This is quite obvious when the filmmakers try to find a cinematic equivalent to the perceptive alterations of a person under the influence of drugs. Back in the 1960's one could pass such naiveté as a Roger Corman joke in the face of lack of budget, but today it seems rather clumsy. Although he is too old for the leading role of Neto, Rodrigo Santoro gives a startling performance. As a matter of fact, it is his work that holds the movie together. Unfortunately, he has to deal with a weak script that opts for stereotypes: this is not a bad option per se, but it clashes with the film's intention to create a documentary climate. When the family visits Santoro in the sanatorium, for example, incoherence reigns, sister makes dumb remarks, mother smokes, while father bursts into his usual rhetoric. Poor Othon Bastos does his best to bring a bit of humanity out of his role as the father, loaded with clichéd dialogues. Hugo Kovensky's cinematography is also outstanding but in the end the script and the direction betray the intentions of the rest concerned. 6/10

Alternative (and artistic said) direction is a tradition among Brazilian movies, and Bicho de Sete Cabeças does not escape from it. The first thing you notice when watching it that the image is not of a very high quality; a cheaper type of film was used. That can be explained by the fact that the movie industry is not very sponsored in Brazil, forcing some cuts on the budget. But that can also be a consequence of the constant fight of Brazilian moviemakers to never do things in the conventional way. That is also noticed on the unusual takes and camera movements.

Normally, that is the exact reason why Brazilian people themselves dislike Brazilian movies. It is rather unpleasant to watch. Some scenes even create a certain dizziness. And for that reason, this alternative direction is a nuisance for the beginning of the movie, where we see Neto living his everyday life. It may not be an ordinary one, but his personal decadence could have been shown using modern filming techniques, that wouldn't create in the audience the feeling that they're watching an amateur movie, something homemade. However, when it comes to the scenes that occur inside the madhouse, this alternative directions fits exactly with the horrible climate that fills the place. It transmits to the audience the point of view of the character; a normal person who's under the effect of heavy drugs and is surrounded by mad people. That uncommon filming enters the audience mind, as if they were there, living that situation. It makes them feel uncomfortable, but that's the purpose.

The poison for some is the balm for others. So the lesson here is that nations should exchange their techniques and use them to best fit their movie, instead of keeping fighting against what is foreigner.