Broken

I thought this was a very well made film, which drew obvious parallels to Saw in the opening scene...but thats where it ends, its far from a Saw rip off as previously mentioned, it does challenge your sense of morals, the "baddie" is extremely well acted as is our heroine and the characters are a lot more than one dimensional killer/victim types. The atmosphere is realistic, and this film delivers a lot of award winning aspects.

As for the films contents, I really hated this sick guy, and wanted to see him punished, which brought out more emotion than your typical slasher flick, which most I term comedies due to their predictable outlandish villains.

There's none of the annoying stereotypical bad guy gets hit by car, shot by arrows, hit by axe and still comes a chasing scene that you find in the usual run of the mill films of this ilk.

I do recommend this film for everything that you can recommend a film for, except one thing... it should never have been made, you would have to be real sick to appreciate any entertainment value in this film, its gritty and a little too close to the bone for my liking...and I assure you I'm no prude.

Well done film makers excellent execution, but make something a little more pleasant next time, whats wrong with you !!

An abysmally poor entry into the 'torture porn' genre, a British movie shot out in the Cambridgeshire woods somewhere with the writer/director's own wife playing a central role. I have two questions after watching this: who told the writing/directing team they could direct, and who told the main actress she could act?

BROKEN is the worst kind of horror film, a repulsive exercise in sadism designed to cash in on the popularity of the SAW franchise, which it rips off throughout (and most notably at the beginning). The opening credits play out over a montage of a young woman trying to retrieve a razorblade sewn inside her stomach, and if that sounds like your idea of entertainment then you're welcome to it. The repetitive self-mutilation continues for another twenty minutes or so before the film settles down into a plot less affair which tries to depict a supposedly tense relationship between hostage and captor.

The truth is that BROKEN is entirely void of original idea and intent, so instead it ups the ante in terms of on-screen gore and general nastiness. Not that the special effects are good, because they aren't, but there's a general undercurrent of depravity and sadism which makes it an alternatively gruelling and boring watch. Despite the unpleasantness, there's never any suspense or tension in any of the hackneyed scenes, and the intensely irritating Nadja Brand fails to elicit one iota of sympathy for her character's plight. The villain is a nobody, there's no motivation or backstory for any of the characters, no attempts at characterisation or realism. Just endless repetition and padding until the final, merciful moments.

I am gonna skip the synopsis and run to the review itself.

This low budgeted B-Movie is a good surprise. This British independent film has a small cast (3 actors only), very little dialog and set almost entirely in the woods. It hardly sounds like this thing can pull us up for anything good but Simon Boyes and Adam Mason have created a gory, shocking, intelligent and modern thriller.

Broken is somehow paced, I mean, could be a little bit slow for some people out there already hypnotized on clichéd/biased Hollywood horror crap, but let me tell you, this thing will throw suspense and confusion every time you think you know what's going to happen next...

Nadja Brand (Oh! What a gorgeous and sexy woman!), is absolutely fantastic while making her character very realistic and credible.

Eric Colvin is magnificent according to his character on script.

Abbey Stirling is a young actress and did a mediocre job for her first appearance. Who's to blame?

Summing all and concluding, the cinematography makes the film look a lot more expensive for a 9000 Euro cost. The editing is professional, the script good and the directing is quite an accomplishment comparing to other British indie movies of such grandness like Dog Soldiers, Cradle of Fear, Dead Meat and even Boy Eats Girl.

So, we or you will think: If it's so damn good why it's not being distributed in international theaters? Well... because it's too grim and too violent for the regular viewers... but not for me.

I bet on Broken... do you?

Saw this film at a horror festival in Scotland, while we were visiting Britain this year.

A poorly made, SAW rip-off, that makes me want to run out into a forest with cheap camera and show these guys how to make a movie.

It's amateurish, not in style (which would be clever) but in execution (which isn't clever in the slightest) which leads me to believe that the director could have recently been lobotomized, or more likely still, lack any talent or eye for film-making in any way, shape or form.

The no-budget, no-time film projects at college had more thought, script and flair than this does. How a movie like this ever got made is truly remarkable.

The director, not only has no idea of where to put the camera, the dp has no idea where to put the lights, the effects department don't do too badly, but are let down by the performances, which are utterly horrendous.

I would usually blame this on the actors, but in this case, they have been directed into the toilet.

In summary, I would like to say that I'm usually a huge advocate of low-budget films that buck the trend - but in this case, it's a low-talent film that rapes the very idea of storytelling and reduces it to simple mongoloid utterances.

The film-makers should find new careers - this one is over guys.

BROKEN (formerly THE HEARTEATER) is a taut survival thriller shot on a low budget in the UK. It's slick and simplistic story will grip you, intrigue and in some cases out right disgust you!

Hope wakes up in wooden box buried under the ground. After a day the box is dug up and she is removed by a man who ties her to a tree asking her "Will you continue?" The twisted game begins. The man has stitched a razor blade inside her which she must dig out in order to cut her ropes. Impressed by her resilience the man fixes her up but continues to keep her bound in chains and turns her into a slave, washing his pots and tending a small garden for food. Hope has no idea how she got here, or why or where her six year old daughter is.

Directors Adam Mason and Simon Boyes deliver the goods here. The film was made over a period of 18 months with Adam's own wife taking on the lead role in a bloody impressive acting turn that would shame the hell out of some big earning actors out there. The whole film has an air of reality which makes it all the more disturbing. The Man is soft spoken, polite and that makes him all the more dangerous. He could easily live next door to you.

The fact that this movie is shot on Digital Video isn't even noticeable. I know that puts off some people ( why i don't know but you'd best get used to it cause it's the future) but the story will grab you and you'll be lost for 89 minutes. And the endings a peach.

If one of your top movie of the last year or so is WOLF CREEK then BROKEN will be for you. And watch out for Adam's new feature THE DEVIL'S CHAIR.