Extras

After The Office and the superb Christmas Special, Extras had a lot to follow. Once I'd got over the newness (to me at least) of the other key actors, and the shock of seeing Ben Stiller playing himself as such a horrible person, I really liked it. The "Herman Munster" bit with the guy with the club foot had me laughing despite how cringe-worthy it was. Ricky's character is easy to sympathise with and the level of "shallowness" seems just right to me. However, on the BBC on Thursday, Extras is followed by Catherine Tate and Absolute Power with Stephen Fry, and both of these were on a par with Extras. That's 90 minutes of 1st class TV entertainment, lucky us!

What is it about irony that tickles us so? In some ways it reminds me of films that I find delightful in their atrocity: "Doom", "DOA", "Snakes on a Plane" are some recent prime examples of Goodness By Antithesis; films that are so brazenly and proudly bad that you have to like them. Irony, as we like to see it, is similar in that it is Humor By Antithesis: situations and events that are so mundanely tragic, so cringe-making and excruciating that we just have to laugh. It is a bizarre logic, it's a twisted logic, but it's also worth noting that it's a line so fine that only the cleverest and subtlest of writers can really make it work. America's Larry David is one. England's Ricky Gervais is the other.

In creating a follow-up series to "The Office", Gervais risked destroying a damn-near flawless career. It's hard to imagine there wasn't a niggling in his ear telling him to quit while he was ahead. What would really be the harm in letting the world remember him as David Brent? Apart from the nature of the character, the real harm in this would have been that to deny us Andy Millman would be to deny himself status as one of the world's most brilliant comic minds. "Extras" doesn't just further establish Gervais' incredible comedy prowess, it deepens it.

On the surface, the series patiently shows us the mundane and rather fruitless life of a working film Extra, Millman (Gervais), who fancies himself a "real actor" but has never gotten any real acting work. He bitches about this to his friend, confidant and fellow Extra Maggie (Ashley Jensen), who also shares her problems with him. Deep down, however, "Extras" is a deliciously satirical look at the ambitions of the human heart, the ironic overthrow of those ambitions and the emotional chaos of breaking the unspoken rules of society (such as 'Don't Lie To A Catholic Priest About Your Nonexistent Catholicism', and 'Don't Tell Your Best Friend's Colleague That Your Best Friend Said He Was "Too Gay"').

Other reviews have called "Extras" a watered down "Office", and I think this is a fair observation, but not at all a bad thing. After all, despite sequential order "Seinfeld" is much more diluted than "Curb Your Enthusiasm", but the former is still a far superior show. Not that any inferiority between Gervais' shows is being inferred, of course. Where "Extras" is softer than "The Office" is not in humor, or intelligence, merely in character. Andy is really quite a nice guy; insensitive at times, but only in a mild, charming kind of way. Your pity for him is genuine, and not the result of a deeper emotion such as bewilderment or frustration.

The David Brents of "Extras" are not Gervais at all but the transient side characters, and often (brilliantly, fantastically) the celebrity cameos. In short, and this is said with no inflation whatsoever, Celebrity Cameos as a film/television device has its worth made and sold in "Extras". We thought we'd seen self-parody work before. We were wrong. The sheer reckless abandon with which Gervais and the gallant celebrity meat send themselves up (and up and up) practically creates fireworks. Ben Stiller, Kate Winslet and Patrick Stewart are not only the draw cards but the dazzling high lights. They are forever heroes in my eyes.

Maybe it's this ultimate irony that galvanizes "Extras"' brilliance: the celebrity personalities who live the life Andy dreams of reveal themselves exclusively to him as being petty, irresponsible, greedy, insensitive, sexually perverted megalomaniacs, while he, the nobody Extra, cops all sorts of cosmic flack for, mostly, trying to do the right thing. Naturally, this kind of thing borders on cruel, but just before we begin to feel bad for laughing at his hopeless misfortune he lets us know it's alright by cracking a smile himself, telling a joke to Maggie and shaking it off. Then Cat Stevens washes us clean with "Tea for the Tillerman". Yes sir, Ricky Gervais knows how to make it work.

Gervais had a big task on his hands with this project- The Office has now entered into comedy history, and people had very high hopes for his follow-up. The documentary style has been ditched, and Gervais has given his character just a little more dignity than he gave David Brent, so the comedy is a little less squeamish. The changes in direction and style are daring and pay off- the show doesn't feel like a desperate follow up or imitation of The Office. In fact, it's highly original.

It's a pitch black satire, which follows the efforts of Gervais's character as he attempts to progress from being an extra to actually getting a real acting job, or at least a line. The shows also charts his female friend's unsuccessful love-life, his deadpan agent and parodies a celebrity every week. This week it was the turn of Ben Stiller, who was mocked as an evil dictator of a man, who constantly reminds those around him of the box office of his movies and insists that kissing Cameron Diaz "still counts", even though it was for a movie. Stiller is a good sport for joining in, and has fun messing with his image.

Overall the show is gently paced, well written and shows extremely high potential for character study. Definitely one to watch.

STILLER: DO YOU KNOW WHO I AM!? GERVAIS: Starsky or Hutch- I can never remember. STILLER: Was that supposed to be funny? GERVAIS: You were in it- you tell me.

Every so often, England hits the comedic mark and creates a benchmark to which all else must aspire; Monthy Python, Dad's Army, Fawlty Towers, Only Fools and Horses and, of course, the simply faultless "The Office". The writing team of Gervais and Merchant crafted in that series some of the most achingly funny and desperately well observed depictions of the human condition ever committed to film. "The Office" struck a particular chord with me because I have spent most of my adult life in sales and they nailed the highs and lows of that career brilliantly.

Moving on then to their new offering; "Extras", I am happy to report that the observational skills have not deserted them. This time the central character (Andy Millman) is again played by Ricky Gervais, only, unlike his David Brent character, Millman is astute, caring and worth the time of day. Unforutnately, like Brent, he is also trapped in a spiral of underachievement.

Andy Millman is an film extra, a background artiste, who aspires to a real acting role and the central theme of each episode is his quest for a "line" in each film in which he appears in the background. Along side him is his (seemingly) only friend, a frustrated thirty something woman, Maggie Jacobs (superbly played by Ashley Jensen), whose sole aim seems to be to find a husband / longterm partner. Add into this mix a chronically crap agent (Merchant himself), a nemesis in the shape of another extra who seems to be getting lines and a liberal sprinkling of cameoing "A" list guest stars and you have a wonderful platform on which to build a spankingly funny series.

And wow... do they hit a home run! Every second of each episode is deliciously funny and acutely observed. Highlights to look out for are the Ben Stiller/Dodgeball opening weekend grosses scene - the Golly scene in Maggie's apartment - the "Are you really a Catholic scene" and, above anything you will have ever seen in a TV comedy, the entire Les Dennis episode.

Les Dennis will be lost on Americans but for those of us who have followed his plunging career, you can only weep for this superbly written and judged performance. Pathos doesn't even begin to cover it.

Also, anyone who can look at Kate Winslet again without thinking of that "phone sex" scene is a better man than me.

Please, please, watch "Extras". It may, for some, be an acquired taste but once you have that taste, its like a piece of Swiss chocolate - exquisite.

And no laugh track either - yay England.

In love with Maggie. I wanted to bash anyone who hurt her feelings. Jensen plays this character with such vulnerability and respect.