दोस्तो का एक समूह एक गुफ़ा अभियान के लिए जाते है. लेकिन यह अभियान एक भयानक सपने में तब्दील हो जाता है, जब वे इस गुफ़ा में फ़स जाते है और कुछ अजीब नस्ल वालें शिकारी उनका पीछा करते हैं.दोस्तो का एक समूह एक गुफ़ा अभियान के लिए जाते है. लेकिन यह अभियान एक भयानक सपने में तब्दील हो जाता है, जब वे इस गुफ़ा में फ़स जाते है और कुछ अजीब नस्ल वालें शिकारी उनका पीछा करते हैं.दोस्तो का एक समूह एक गुफ़ा अभियान के लिए जाते है. लेकिन यह अभियान एक भयानक सपने में तब्दील हो जाता है, जब वे इस गुफ़ा में फ़स जाते है और कुछ अजीब नस्ल वालें शिकारी उनका पीछा करते हैं.
- पुरस्कार
- 8 जीत और कुल 22 नामांकन
Stephen Lamb
- Crawler
- (as Steve Lamb)
फ़ीचर्ड समीक्षाएं
The concept of crawling through tight, winding, unfamiliar tunnels is scary enough. But, of course, this movie moves far beyond that.
This movie has a great setup with a close group of long time friends having fun and reuniting for different outdoor adventures.
From the beginning the directing is great. You really get a sense of adventure and the anxiety/excitement that goes into exploring a cave. It portrays it well and brings home the endeavor that cave exploration is.
The story is engaging as it builds. They run into natural trouble that's bad enough. But then the dire situation becomes far worse.
This movie is genuinely suspenseful. The gore is well done. The characters are sympathetic. The emotion builds to a fever pitch.
There are some shocking elements to the ending.
It is a great movie and there is no way it should be rated anything less than an 8 out of 10.
It really is well done. With relatable characters you can actually care about. It's considered a classic by many for a reason. It's legitimately uncomfortable, suspenseful and scary. And well directed. It's just a great movie.
This movie has a great setup with a close group of long time friends having fun and reuniting for different outdoor adventures.
From the beginning the directing is great. You really get a sense of adventure and the anxiety/excitement that goes into exploring a cave. It portrays it well and brings home the endeavor that cave exploration is.
The story is engaging as it builds. They run into natural trouble that's bad enough. But then the dire situation becomes far worse.
This movie is genuinely suspenseful. The gore is well done. The characters are sympathetic. The emotion builds to a fever pitch.
There are some shocking elements to the ending.
It is a great movie and there is no way it should be rated anything less than an 8 out of 10.
It really is well done. With relatable characters you can actually care about. It's considered a classic by many for a reason. It's legitimately uncomfortable, suspenseful and scary. And well directed. It's just a great movie.
The Descent is an exceptionally good film. I just wanted to state that at the start of this review, because it is easy to dismiss a film like The Descent as having some good gore scenes, but little else to commend it from a directorial or cinematographic point of view. However, with what must have been a budget that pales into insignificance when compared to films like Ring 2, the film packs in top class gore with exquisitely detailed 'creatures' and brilliantly claustrophobic cinematography.
Films with great gore abound, for example Jason X, with the audience just waiting for the next gruesome killing to end the tedium in between. However, The Descent keeps you at the edge of your seat throughout, struggling for breath as you feel the walls in the cinema closing in. This is a film to watch in a very dark cinema with great surround sound. You almost feel the creatures closing in around you.
I would have given 10 out of 10, but some of the acting is not top class, so that brings it down to 9 out of 10 for me. That aside, this is a must watch film for those who complain that horror films just aren't scary anymore. Just make sure that whoever you take with you is prepared for the experience. Word of mouth is sure to make this film a success.
Films with great gore abound, for example Jason X, with the audience just waiting for the next gruesome killing to end the tedium in between. However, The Descent keeps you at the edge of your seat throughout, struggling for breath as you feel the walls in the cinema closing in. This is a film to watch in a very dark cinema with great surround sound. You almost feel the creatures closing in around you.
I would have given 10 out of 10, but some of the acting is not top class, so that brings it down to 9 out of 10 for me. That aside, this is a must watch film for those who complain that horror films just aren't scary anymore. Just make sure that whoever you take with you is prepared for the experience. Word of mouth is sure to make this film a success.
An interesting and differentiated horror movie in the "gore" style. It is above average for the genre. It started slowly, but after half it became interesting, maintaining a tense atmosphere, a little frightening and claustrophobic. The atmosphere is good. It can be divided into two parts: before and after the cave. You sit on the armchair during the exhibition with that feeling of agony and distress. It escapes from the usual clichés to the genre, having an unconventional and surprising ending. There are some logic flaws in the plot and the characters, but nothing that compromises the story. The curiosity is to see the cast practically all feminine. It's worth as entertainment. I recommend it to all lovers of horror art.
A friend picked The Descent as a film for us to see together and I wasn't all that excited about the choice. I was very mistaken. The Descent is a scary fun film. If you're claustrophobic or in general just don't like tight spaces then you might find this film particularly unnerving. The descent down into the tiniest caves and crevices of the earth gave me considerable anxiety. During their exploring of the caves they start to get the feeling that they are not down there alone. Something else is down there but just not sure what it is. That alone creates even more tension and fright to be down a space like that with some unknown creature around. It was at this time that for me it went in a different direction with the creatures becoming the new central element of the story. This is fine but it kind of turned into a more typical killer monster/creature thing. Sure they idea of the creatures being down there is good but the extent to which they are utilized was a bit too much for me. Despite this one criticism, The Descent is definitely a film to check out.
The Descent is a little Alien, some Predator, and quite an amount of The Texas Chainsaw Massacre. The story involves a group of cave explorers' journey through a deep cave, two miles underground. They don't necessarily make a great team-they seem unplanned, and we would go on to the third act, and figure out that they lack strategy as well. That is when some of the members become badass heroines, joining the bloodfest in the cave, where the unknown lies await.
Simplistic as it is, The Descent offers an excellent atmosphere and very creative moments. The opening shows a shocking event that becomes a minor plot device. The entire first half is a better adventure film than a horror one; the team's first enemy is the landscape. There are lots of "setup" shots showing items that will inevitably appear later. Writer/Director Neil Marshall has an impressive style, especially for some amazingly lighted claustrophobic scenes.
The thing is, these wonderful 50 minutes set my expectation high, that I found the latter half underwhelming. Fake jumpscares are a prominent element in the movie. There is so much of it that the real ones are less effective. The tone makes a 180-degree shift, changing to a lot of gory fights and killings. They should be thrilling experiences, but the problem is I simply can't see what's going on, because: 1. The scenes are extremely dark, which is realistic but unworkable for fight sequences. 2. The team all have the same gear, look, and voice. I have a hard time distinguishing them. 3. The editing makes a shift as well; the cuts are intensely quick, making my eye sore by looking at it for too long.
But The Descent is a sufficient horror movie, because it is so interestingly constructed, and Marshall has great talents. Watching the characters, the situation and the film itself descend into madness is of great fun.
Simplistic as it is, The Descent offers an excellent atmosphere and very creative moments. The opening shows a shocking event that becomes a minor plot device. The entire first half is a better adventure film than a horror one; the team's first enemy is the landscape. There are lots of "setup" shots showing items that will inevitably appear later. Writer/Director Neil Marshall has an impressive style, especially for some amazingly lighted claustrophobic scenes.
The thing is, these wonderful 50 minutes set my expectation high, that I found the latter half underwhelming. Fake jumpscares are a prominent element in the movie. There is so much of it that the real ones are less effective. The tone makes a 180-degree shift, changing to a lot of gory fights and killings. They should be thrilling experiences, but the problem is I simply can't see what's going on, because: 1. The scenes are extremely dark, which is realistic but unworkable for fight sequences. 2. The team all have the same gear, look, and voice. I have a hard time distinguishing them. 3. The editing makes a shift as well; the cuts are intensely quick, making my eye sore by looking at it for too long.
But The Descent is a sufficient horror movie, because it is so interestingly constructed, and Marshall has great talents. Watching the characters, the situation and the film itself descend into madness is of great fun.
क्या आपको पता है
- ट्रिवियाThe scene where Sarah finds Beth barely clinging to life originally featured some "truly shit" dialogue, and the actors let that be known. Neil Marshall agreed, and the three went to a nearby pub the night before filming and rewrote the dialogue on a napkin. The film's producer chewed Marshall out for it, but he also agreed the scene was vastly improved now.
- गूफ़All of the spines in the various bone piles throughout the movie have the spines intact and the inter vertebral disks still present in the spines. Inter vertebral disks, however, are cartilage, not bone, and would have decayed (especially given that there is no clothing, hair, or fur in the bone piles, meaning that the bones are quite old). The spine segments should be scattered and in pieces, not in long segments.
- क्रेज़ी क्रेडिटThe creature's snarling sound can be heard at the end of the credits.
- इसके अलावा अन्य वर्जनSPOILER: The endings of the US and European versions differ. In the end, Sarah wakes up at the bottom of the cave, crawls out, and makes her way back to the car. When she is driving away, she pulls over and vomits, and when she leans back into the car, she is startled by the ghost of Juno sitting in the passenger seat. The US version cuts to the credits here. In the European version, this apparition causes Sarah to wake up for real at the bottom of the cave, revealing her escape to be just a dream. She then has a vision of her daughter's birthday cake, which we see is just her torch. The camera backs out, the voices of the creatures can be heard again and are increasing in strength as they are closing in on her, and the movie ends. This ending was considered "too dark" for US audiences.
- कनेक्शनEdited into The Descent: Deleted and Extended Scenes (2006)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- El descenso
- फ़िल्माने की जगहें
- Perth and Kinross, स्कॉटलैंड, यूनाइटेड किंगडम(on location)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- £35,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,60,24,456
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $89,11,330
- 6 अग॰ 2006
- दुनिया भर में सकल
- $5,71,30,027
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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