एक कामुक मुलाकात के बाद एक अज्ञात अलौकिक ताकत एक जवान औरत का पीछा करती है.एक कामुक मुलाकात के बाद एक अज्ञात अलौकिक ताकत एक जवान औरत का पीछा करती है.एक कामुक मुलाकात के बाद एक अज्ञात अलौकिक ताकत एक जवान औरत का पीछा करती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 25 जीत और कुल 44 नामांकन
Debbie Williams
- Mrs. Height
- (as Deborah Williams)
D.J. Oliver
- Police Officer
- (as DJ Oliver)
Linda Boston
- Teacher
- (as Linda B. Boston-Gilbert)
फ़ीचर्ड समीक्षाएं
That is the only way to review this film.
The goal of every journeyman film-maker from the beginning of the medium to the present, is to produce something that has the most impact per dollar spent.
Think of the first Night of the Living Dead. Shot on location with unknowns and local residents as extras. And the local butcher donated the entrails.
Think Ginger Snaps, which started as an obscure Canadian horror flick but found an audience because of the great writing and the charisma of its stars.
What we have here is another attempt to strike film gold by going for a high I/B ratio.
A small cast. Minimal special effects. No special sets or backgrounds.
A really clever idea, sort of a take off on the Ring which itself was a riff off a Japanese horror classic.
So what's the bottom line? Well done for what you get. Writer/Director Mitchell has a heck of a career ahead of him. Several "jump out of your seat" moments. And also a plot riff which you just know was contributed by some of the frat boys who crowd-sourced the film -- "you can get rid of the curse if you just sleep with someone, fast!"
The bad news? It is not in the same class as Living Dead or Ginger. There are lulls. There are gaps. There are times you start to wish you have purchased the extra large popcorn and coke.
Great career launch.
The goal of every journeyman film-maker from the beginning of the medium to the present, is to produce something that has the most impact per dollar spent.
Think of the first Night of the Living Dead. Shot on location with unknowns and local residents as extras. And the local butcher donated the entrails.
Think Ginger Snaps, which started as an obscure Canadian horror flick but found an audience because of the great writing and the charisma of its stars.
What we have here is another attempt to strike film gold by going for a high I/B ratio.
A small cast. Minimal special effects. No special sets or backgrounds.
A really clever idea, sort of a take off on the Ring which itself was a riff off a Japanese horror classic.
So what's the bottom line? Well done for what you get. Writer/Director Mitchell has a heck of a career ahead of him. Several "jump out of your seat" moments. And also a plot riff which you just know was contributed by some of the frat boys who crowd-sourced the film -- "you can get rid of the curse if you just sleep with someone, fast!"
The bad news? It is not in the same class as Living Dead or Ginger. There are lulls. There are gaps. There are times you start to wish you have purchased the extra large popcorn and coke.
Great career launch.
Greetings again from the darkness. Known for an endless stream of copycats and re-treads, the horror genre periodically surprises us with a dose of originality. Heck, we don't even ask horror filmmakers for anything too revolutionary
just give us something we haven't seen a few dozen times before. Writer/director David Robert Mitchell "gets it" and delivers a game of psycho-sexual-tag-you're-it featuring the most sinister STD ever.
A definite departure from the all-too-common teen slasher films, the slow-drip terror of this one has more in common with dread and eventuality than scream-inducing terror and "made you jump" scares. When we first meet Jay (Maika Monroe), she is a typical pushing-twenty student who enjoys leisurely swims in her suburban backyard pool, hanging out with friends, and a healthy dating scene. Well, healthy until one evening of back seat passion with Hugh (Jake Weary) sets off the above-mentioned sinistry. See Jake has purposefully "passed on" some kind of affliction that attracts a death-seeking entity who slowly, but purposefully pursues its target. Supposedly the only options are to be killed or pass it on through more passion the worst kind of "pay it forward".
Jay is supported in her ongoing attempts to avoid the entity by her sister Kelly (Lili Sepe), her neighbor and classmate Greg (Daniel Zovatto), and Paul (Keir Gilchrist) her not-so-secret admirer who would do anything to protect her. The big catch is that only Jay can see the entity making heroism quite elusive for her support group.
Lest there be any doubt of the dire situation, director Mitchell begins the movie with a very vivid example of the likely result in being "caught" by the entity, and adds the score from composer Disasterpeace an ominous throwback techno-sound that would be distracting if not so fitting. This has all the makings of a breakout role for Maika Monroe, with similarities to Jamie Lee Curtis in the original Halloween movie (1978).
The low budget caused some obvious production limitations – in particular an awkward bounce from day to night and back again, and some iffy effects. However, the suburban Detroit setting provides a nice backdrop, and of special note are the Redford Theatre (est 1928) replete with its beautiful pipe organ, and the indoor swimming pool put to spectacular use in the film's climax. As long as the audience is not expecting the typical teen slasher, this creative horror film should gain an audience while putting director David Robert Mitchell on the fast track to bigger budget films.
A definite departure from the all-too-common teen slasher films, the slow-drip terror of this one has more in common with dread and eventuality than scream-inducing terror and "made you jump" scares. When we first meet Jay (Maika Monroe), she is a typical pushing-twenty student who enjoys leisurely swims in her suburban backyard pool, hanging out with friends, and a healthy dating scene. Well, healthy until one evening of back seat passion with Hugh (Jake Weary) sets off the above-mentioned sinistry. See Jake has purposefully "passed on" some kind of affliction that attracts a death-seeking entity who slowly, but purposefully pursues its target. Supposedly the only options are to be killed or pass it on through more passion the worst kind of "pay it forward".
Jay is supported in her ongoing attempts to avoid the entity by her sister Kelly (Lili Sepe), her neighbor and classmate Greg (Daniel Zovatto), and Paul (Keir Gilchrist) her not-so-secret admirer who would do anything to protect her. The big catch is that only Jay can see the entity making heroism quite elusive for her support group.
Lest there be any doubt of the dire situation, director Mitchell begins the movie with a very vivid example of the likely result in being "caught" by the entity, and adds the score from composer Disasterpeace an ominous throwback techno-sound that would be distracting if not so fitting. This has all the makings of a breakout role for Maika Monroe, with similarities to Jamie Lee Curtis in the original Halloween movie (1978).
The low budget caused some obvious production limitations – in particular an awkward bounce from day to night and back again, and some iffy effects. However, the suburban Detroit setting provides a nice backdrop, and of special note are the Redford Theatre (est 1928) replete with its beautiful pipe organ, and the indoor swimming pool put to spectacular use in the film's climax. As long as the audience is not expecting the typical teen slasher, this creative horror film should gain an audience while putting director David Robert Mitchell on the fast track to bigger budget films.
I just recently rewatched this film and really enjoyed it. I had forgotten how well made it is. I love the way it makes you feel tense and unsettled, but does it in a way that feels like the old school classic horror films. It's got a good pace, believable characters and feels very real. Like this could happen to you, which is why I think it works so well. It definitely is thought-provoking, and has the same kind of feeling as a John Carpenter movie. On second viewing, you start to see all the creative elements going on that all work well together. (score, choice of locations, production value, props) Some have said the idea of having a curse put on you through having sex is a little silly, but I think it's a fresh approach and like that the writer was thinking outside the box. Too many people like to bash on filmmakers, but I am here to praise people for their creativity and their hard work. It's not easy to get a film made, and I commend anybody for getting it from script to screen.
This is a creepy movie. It doesn't have a ton of jump scares, it isn't bloody or gory. What is has is enough creep factor to make you start looking around the room while you're watching it. Great music to help set the tone of a sense of dread. The acting is pretty good and it isn't too long. Overall a really good creepy movie that doesn't overdo it with the "sex" theme. There is plenty of tension and it starts at minute one and doesn't stop. There were no surprises and it was done "right". Definitely should be watched in a dark room at nighttime. Oh yeah, the females in the movie are really easy on the eyes. Just sayin. Worth the watch.
Does anyone else wish this had been a short film? The mood and atmosphere are so thick for the first half hour or 45 minutes and then it just trucks along for the rest of the movie without a lot of energy. Fantastic cinematography and music, but the characters are pretty limp and it's hard to care what happens to them. Once they go into the investigation part of the film, everything falls apart and it becomes a chore.
क्या आपको पता है
- ट्रिवियाThe film's concept derives from a recurring nightmare the director used to have, in which he would be stalked by a predator that continually walked slowly towards him.
- गूफ़(at around 8 mins) In the bedroom, the camera is reflected in the TV set.
- क्रेज़ी क्रेडिटThere are no opening credits at all, and the title does not appear on-screen until the end of the film.
- कनेक्शनFeatured in Film '72: एपिसोड #44.2 (2015)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is It Follows?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Está detrás de ti
- फ़िल्माने की जगहें
- Redford Theatre, डेट्राइट, मिशिगन, संयुक्त राज्य अमेरिका(theatre interiors and exteriors)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $10,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,46,74,076
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,60,089
- 15 मार्च 2015
- दुनिया भर में सकल
- $2,18,08,393
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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