Tapas

The flick gives a short description about lives of people under the focus of a lower-middle class neighborhood . The small, everyday stories of a group of neighbours who live in a suburb of Barcelona, and the little secrets that they hide . The tale introduces us an old marriage , as husband (Alberto De Mendoza) suffers cancer , as his wife (Maria Galiana) does business with dope , a spinster (Elvira Minguez) who falls in love for a young man (Ruben Ochandiano) , and a barman (Angel De Andres Lopez) who hires a Chinese boy expert on martial arts .

¨Tapas" turns out to be a moving drama well realized by Jose Corbacho and Juan Cruz about human relationships . This is an interesting Dramedy : drama more comedy in less than 90 minutes of length and yet with an air of naturalness and credibility . This is a thought-provoking as well as pleasant flick filmed with great sensitivity and feeling . The film knows very well inter-cross these two genres , drama with brief touches of comedy , although the most comfortable note in the enjoyable drama . It's less fun, but no less likable , though some infinite sadness follows the film at times . The film moves in fits and starts most of which would be desirable , with more traps the viewer resists any kind, and some moments of enjoyment and others quite a few disconcerting . It's an intelligent and touching story although sometimes is slow moving and tiring but is finely developed with sense of style and sensibility . Attractive drama filled with emotion , artistic scenes and plenty of sensitivity . There are moments of humor, but predominates drama and above all, there's a good feeling . The picture relies heavily on the unusual relationship between a frustrated woman and a 20-year-old shopkeeper , but it doesn't makes boring , but results to be entertaining . This is an amusing movie plenty of nice feeling , drama , stirring scenes and a peculiar love story . Interesting screenplay by the same filmmakers , including some autobiographic elements . Most of the film locations are around the Santa Eulalia neighborhood in the city of Hospitalet De Llobregat which is the neighborhood where director José Corbacho grow up.

The picture is primarily supported on two sensational players, Alberto Mendoza and Maria Galiana they give sensational acting . Both of them carry out their characters to perfection and show a look that says it all . Furthermore , stand out Ángel de Andrés López as Lolo , Elvira Mínguez as Raquel and Rubén Ochandiano as César . Support cast is frankly well such as Blanca Apìlanez , Amparo Moreno and Rosario Pardo . Emotive musical score by Pablo Sala , the soundtrack flows great with the film in every way, and creates a catching atmosphere in every moment , adding a sensitive leitmotif . The film enjoys a breeze as well as moving final , and gives us much to think about it and in which doesn't deceive or dramatize unnecessarily. Along these lines, it is clear that writers/filmmakers Jose Corbacho, Juan Cruz try to create a peculiar picture . Apart from that , it has a touch Berlanga and Azcona that always feels good . The motion picture was professionally written and directed by Jose Corbacho and Juan Cruz at their best . Both of whom presents a fresh portrait with moments to smile and laugh , but mostly so that you shrink the heart with these unfortunate people . Corbacho and Cruz have written and directed various films and TV pictures such as ¨Pelotas¨, ¨Cobardes¨ , ¨Somos Gente Honrada¨ and ¨Holmes & Watson. Madrid Days¨, among others .

First of all: if you think sex with prostitutes and recreational use of illegal drugs are always bad actions, this movie is not for you. I'm not saying this movie is drenched in all that stuff. It actually is not. But it does treat these subjects as commonplace, at least for some people. And it does not judge them, even if it makes fun at them at times. I like that.

About the story and the looks of it: This is a movie that deals with some serious realities, mostly emotional ones, but with strong humorous overtones. I understand the story happens in a neighborhood in Barcelona, Spain, but it looks like somewhere the tourists do not know. This feels deep and warm. Very nice, in short.

Far from trying to be smarter than it is, this beautiful little film actually achieves to be more honest and lyrical than most of the films on the market. It is a nostalgic, outstanding opera prima of its authors; an honest and caring photograph of a certain neighbourhood and its people. Although not neutral nor indifferent, it accomplishes to be non judgmental, and tells a story of people in different stages of life; the hidden secrets we all carry within and the solitude that accompanies us all. I highly recommend this film that is funny but never lightheaded, melancholic but never pretentious, humble but never loses its love for its characters with their imperfections and secrets. Like life itself. A joyful example of new European film making with heart and soul. 10 out of 10.

This pleasant collage by first-time directors José Corbacho and Juan Cruz is made up of three loosely interwoven stories of various people in a Barcelona neighbourhood, with a tapas bar as the central location, where most characters' lives intertwine. The title not only refers to those small appetizers Spain is famous for, but also to the Spanish verb "tapar" which means to cover up, or to hide.

I found the story of Lolo, the bar owner, the most engaging. His wife abandoned him, he is full of prejudice against women and foreigners, cannot show his emotions and has developed a deeply rooted incapability of engaging in any meaningful relationships. He needs a new chef and ends up with Mao, a Chinese immigrant who's kungfu-ing all the time but is the most efficient cook he ever had and suddenly people are flocking to his bar because his dishes are actually really good now. Some of the insights springing from this story are a bit contrived. Lolo who's learning that not all Chinese are communists or illiterate paupers seems like 40 years too late to me, but somehow the actors and the low-key filming make even obnoxious Lolo seem sympathetic and near the end of the film, I really rooted for this man.

Rubén Ochandiano gives an exceptional performance as Ruben, a teen supermarket worker who engages in a sexual relationship with middle-aged shop owner Raquel (Elvira Menquez). A very talented young actor, a natural screen presence. I hope it ensues in more prominent roles in the foreseeable future.

It's all low-key and unpretentious, with sober direction and cinematography, but surprisingly effective. Many of its characters could easily have befallen victim to stereotypes but the cast does an amazing job to give this a real breath of fresh air. Hard to resist.

Camera Obscura --- 8/10

José COrbacho is a Spanish humorist known for his gross humour sense and scatological jokes. People was frightened about the film he could do in his opera prima. Unexpectedly, he astonished everybody with this film. No comedy, no bunch of stupid jokes mixed together. We can find a correct mixture of little stories that happen in a workers town (the one the directors are from, l'Hospitalet de Llobregat, near Barcelona). Poor people with their fears and their hopes, their dreams and their desperation in order to survive in this life, always being able to face the world in an optimistic way. We can find the story of the old pair, that has to sell abuse drugs in order to pay the drags he needs for his cancer. The young pair whom only want to enjoy their lives, the barman that finds a new way of living when he contracts an Asian cooker. All these are little everyday stories, correctly filmed and with good acting. It has all the problems of the opera primas (lack of cash to spend, some scenes not totally thought) but it is a great surprise in Spanish cinema. If all his films are as good as this, I'll follow Corbacho's career as a director. A dramatic comedy of everyday stories, it is just a little film that wants to tell the existence of the "little unknown" people.