Yau doh lung fu bong

I have gone into this film very excited as I have become a Johnnie To fan only recently. After seeing both Election movies and PTU, I have been totally amazed at the quality of director he is and how good his films can be. Throw Down continues my fan-ship of Mr To in style. I have always felt that wires and stunt doubles ruin films, no matter what the genre, and this is something Mr To seems to share with me. The fighting style of Judo is perfect for the physical aspect of the film. The actors can get close and throw each other to the ground without need of propelling themselves over bamboo trees, which is great.

The three main leads, Sze-To, Tony and Mona are pretty good. Though Mona seems to aimlessly wonder through the film and really only serve as a third wheel at times, she is a nice enough support for the muscle of the film. Louise Koo is amazing as Sze-To, the former champ turned club owner. His drunken and dazed, followed by angered and determined emotions are all portrayed brilliantly. I was even surprised by Aaron Kwok, who is great as the eager Judo fighter, travelling from fight to fight, and spurring Sze-To into his renewed sense of fight.

The photography is spot on. The massive fight in the club is so perfectly filmed and cut with the Japanese vocal that it was a joy to watch. Even the simple scenes of clubs, night life, computer games room, restaurant, are all magnificently shot. And then, as if the film were not good enough already, the soundtrack, sound editing, production design (such as the Ext Judo Championship scene) and the screenplay are all as good as you could want. The first hour and ten minutes had me on the edge of my seat. The following twenty minutes had a more mysterious, what can happen now, feel, but it is all just perfect.

If you haven't seen a Johnny To film, this might be a good starting point, but be warned, he makes no excuses and feels no obligation to explain anything about anything, it's often left to the viewer to determine the why and the how. This, for me, is what film-making is all about.

When I saw Throwdown at the video store, I didn't think it would be that great. However, I had never seen a judo movie before, so I decided to give it a try.

First of all, the action scenes in the movie are great. I think people who are knowledgeable about ground fighting (eg Brazilian jiujitsu or judo) will appreciate the fight scenes. The fight scenes display both take-downs (throws and trips) when the fighters are standing up and ground fighting (joint locks and chokes) when the fights go to the ground. The transitions between the judo moves also flow very well. The actors in the movie even demonstrate proper techniques to break their falls when they get thrown to the ground.

In addition to the fight scenes, I love how the characters all have obstacles in their lives that they must overcome. I love how judo is used as a metaphor for the lives of these characters. When practicing judo, a person will fall many times and find it hard to continue. To be successful, the person must get up after falling down and continue to train. Similarly, a person will experience hardships in life and often find it difficult to continue living. Despite these hardships, one must put in his best effort and continue doing what he has to do.

If you're expecting this movie to have actors flying in the air like Crouching Tiger, Hidden Dragon, you might be disappointed. But if you want to see a movie with more realistic fight scenes and an inspirational message about perseverance, I recommend this movie.

Akira Kurosawa's first film was a martial arts film: Sanshiro Sugata. This is almost never seen in the west; and I confess I haven't seen it. But I know what Akira Kurosawa did in film, and I have more than a general sense of his style and his concerns - what makes a Kurosawa film identifiably Kurosawa.

Johnnie To's tribute to Akira Kurosawa comes as a very splendid surprise. Not really a martial - arts film, this is the story of champion judo wrestler who, going blind, wallows in drink, gambling, petty theft and jazz (do these all go together?) Anyway, although the final 20 minutes of the film gets a little heavy, for the most part this is a humorous look at some Hong Kong low-lives, and how their redemption comes through the personal discipline necessary to learn judo. Even if you don't like judo, you will enjoy this film - very professionally crafted and acted.

Anyone who watches a Johnnie To movie only for the fight scenes is rather missing the point by a few country miles. This is a director with an impeccable dramatic sense, for whom the violence is purely a by-product of the fallibility of his characters. How on Earth can anyone watch a movie in a language they do not understand, without subtitles, and expect to come away with any feeling but disappointment? It would be like watching The Godfather in Croatian. The point with Throwdown, as with most of Johnnie To's movies, is the CHARACTERS! This may not be his all time greatest film (I would still go for All About Ah - Long), but it is still a great piece of drama. I would recommend anyone to check this out, the subtitled version, not the mainland Chinese pirate version, which is all they sell in Pacific mall, and enjoy a very entertaining piece of film making from one of Hong Kong's masters.

For some reason this year, Johnnie To has hired actor that rarely or even be seen in his dark artistic movie. Just like Breaking News, this movie start Louis Koo (who work with him in Love FOr All Season, great movie BTW), Aaron Kwok, Cherrie Ying and Tony Leung Ka Fai.

In this movie he prove he can make a bad actor act good in this, has for the case of Aaron Kwok. Louis Koo unlike most of his film, rarely smile, has he portray a dark character he done a decent job. The movie contain the same moody feeling of late his other night hong kong like The Mission, PTU etc. The film revovle around the character, like those film and the judo was a prop. The judo fighting was film pretty impressive and enjoyable. Cherrie Ying for some reason, does not look hot in this movie, but her appearance scene (where she eating noodles and the owner keep throwing her stuff out the house) was special. I believe Louis Koo doesn't want to fight because he lost his passion. Nothing satisfy him anymore, not even money or booze.

I have to say this movie was better acted and the ending is better than breaking News.