Hak se wui: Yi woo wai kwai

Spooky? Funny? Yeah!

In 2006 HK Cinema, few movies warrant a second viewing, but clearly Election 2 is one that improves in its 2nd running. Johnny To is a versatile director and needless to say, whatever tension that is lacking in its sequel, Johnny makes up for it with twice the brutality and further destruction of those in power. While the first film emphasis on one struggle for power and its ability to corrupt even the most ingenious of humanity, the second one further this notion, that the only way to secure power is through eliminating all its challengers. Perhaps Bush is right - "you are either with us or against us" as this notion is never proved so strongly correct. Needless to say, Election 2 is already fast becoming of the finest work from the little territory this year.

One of the most memorable yet shocking scenes is without doubt the chopping sequence of arms, legs and body parts of a living person and then churning it out into dog food. Fear is a factor that allows those in power to control the masses. It is at that moment that Louis Koo becomes a greater evil than Simon Yam. His goal is money, not triad power and glory. The saying goes: "money is the root of all evil" and at that moment, Koo have metamorphoses into a wild animal – crazy and no longer human. It is crazy to imagine what one can do for money as Koo's silent assassin screams out: "Add money" repetitively even the moment before he die, is both humorous yet bitterly ironic. In dicing a human into dog food, Johnny alludes to 90s' human pork chop movies and most notably – The Untold Story starring Anthony Wong. Luckily, Election 2 does not exactly show the vivid scene in full detail, or else it will probably break even the most carefree of censorship boards.

Like in the first film, the only way to survive in the dark underworld is to remain in power, as the Chinese saying goes: "one mountain can not shelter two tigers." Unlike the 1st film, Simon Yam takes a back seat, despite showing some quite credible acting chops. His expression upon kicking the old man down the stairs is calculatingly evil and so is the memorable expression as he holds on to the leader baton, with the type of grin hiding behind an ambitious smile. He is ultimately ambitious, yet an extremely flawed character. Louis Koo takes on the leading role, this time around in full force and perhaps one of his finest performances in years since Bullet Over Summer. His aim for business and money is noteworthy and the ambition hidden within the scene where he chops up arms and legs is equally startling to watch. A much underrated actor deserves to appear in more material like this. Other appears here and there and Lam Suet is once again funny in a cameo role. As usual Nick Cheung is fast becoming one of the coolest actors in HK cinema.

Following Neo's statements above of this being 2006's finest work isn't really an understatement, despite the poor quality of productions in most HK films. To have been able to embark a sequel that matches the original is alone a heck of an achievement. It is a beautiful piece of work and along with the ironic trademark finale, Johnny is back on the circuit. With many more productions ahead, one can only expect heaps better stuff to be made. Yes, to be perfectly honest, it is disgusting, but at the same time, it is really good to endure. (Neo 2006)

I rate it 9/10.

• www.thehkneo.com

Aka Election 2 -- continuation of crime drama

It's Election time again , and this time the lead candidates are Kun - the Baton retriever who served jail time for running over cop , and Jimmy - the leading money-maker in the Wo-Sing and Society Favorite ..

Jimmy doesn't want to run for prez , he wants to go clean as a businessman . But after getting busted in undercover sting, he's coerced by the head Inspector to become the new Chairman if he has any dreams of running business on his grounds .

Lok on the other hand , doesn't want to give up power either ,, and is plotting a second term which is against Society rules ... As the time ticks closer things get more and more antsy

9/10

I recently saw this at the 2007 Palm Springs International Film Festival and I had never seen the first film of this series but this still stands on it's own without the benefit of seeing the first film Election. This being distributed as Triad Election although in the opening credits is called Election 2. This is the story of a large Hong Kong crime syndicate that has it's hand in several business dealings from bootleg compact discs to government contracts in Hong Kong and on mainland China. Ten of the actors reprise their roles here from the first film. Lok is the head of the crime family of which was elected to serve a two year term and now his term is up. He wants to hang on to his power and not go into semi-retirement as an elder or uncle within the Triad. Jimmy is the odd-on favorite to win the election this time around but he is a reluctant candidate. He only wants to be a underworld businessman which he never will be unless he accepts the position as the elected one term leader of the crime family. Veterna director Johnny To is back as the director as well as the screenplay team of Nal Hei Yau and Tin-Shing yip, cinematographer Siu-keung Chang and production director Tony Yu. This is a violent film and many comparisons have been made with the Godfather and other American gangster films. Not knowing anything about this or it's predecessor film I didn't really know what to expect here but this is a well-polished film with a good story and plenty of interesting characters. I would give this an 8.0 out of 10.

"Triad Election" takes viewers deep into a ritualized world of the Triad Society crime organization which is full of betrayal, backstabbing, and power-grabbing moves for power. The movie contains complex characters, scheming political machinations, and explosive action sequences that creates balance against Jonnie To's unique directorial style and subversive plot twists. "Triad" is the sequel to the wildly successful "Election" (2005), which earned a number of awards and nominations including Best Film, Best Director, and Best Screenplay at the Hong Kong Film Awards in 2006. The "Triad" storyline expounds from its predecessor with a political subtext: the candidates here, elegantly played by Koo and Yam, are not only trapped by their own lust of power or wealth, but also by the mainland Chinese government's omniscient influence. To merges an intelligent screenplay with the hardball tactics of the Hong Kong underworld which contains political undertones and transcends an otherwise conventional crime drama storyline.

The slow burn caper maintains a business-like atmosphere, while its general sense of tranquility is interrupted with sudden bursts of intense violence. Noticeably absent is the trademark two-fisted gun play, sunglasses, and highly stylized action sequences so prevalent in Woo's films. To underplays the spectacle of violence -- he's more interested in the how the escalation reveals the character of the candidates. The majority of "Triad Election" is about the political maneuvering of organized crime, but when the conversations end, make no mistake, the blood flows mightily. "Triad Election" strongly resembles "The Godfather Part II" (1974), but it's resolutely a Chinese story, reaching back to the origins of Hong Kong crime syndicates, and showing how they struggle to keep a foothold in a modernized world. There are great modern crime movies out there -- Michael Mann's "Heat" (1995), Martin Scorsese's "Goodfellas" (1990), and Andrew Lau and Alan Mak's "Infernal Affairs" trilogy. "Triad Election" unquestionably belongs with such illustrious company.

Election 2, like its predecessor and the acclaimed "Infernal Affairs", seems to usher a new wave Hong Kong crime cinema. Highly stylized and almost completely devoid of the typical "action" sequences that HK gangster pictures have become associated with, Election 2 is also one of the coldest films in recent memory.

The plot is somewhat unremarkable and predictable, but in this case its how the film is told that makes it stand apart. The underworld depicted by director Johnny To is populated by sullen, disaffected thugs in expensive suits, with no loyalties held sacred but to their insatiable greed. The isolation of these men, (and Louis Koo as Jimmy in particular), as they trade away the remaining scraps of their humanity is a chilling thing to behold. The lighting, music, and sparse sets all echo the overwhelming emptiness and dread radiated by these characters, excellently performed by an ensemble of talented actors. Characters carried over from the first film seem to have developed in the two year interim to Election 2, and have become much more realized than the rather thin caricatures of the original.

Johnny To also seems to have a better grasp of the subject; wisely opting for a more serious approach, he injects a political theme that elevates the material out of the typical power fantasy of gangster films. Although the film certainly has its share of violent scenes, they are a good deal less gory than the majority of "shock cinema" today, and somehow even more harrowing. One particularly chilling scene is almost completely silent, save the blood-freezing soundtrack's eerie drone. Presented in such icy fashion that it becomes savagely artistic, Election 2's violence will stay with you long after the credits run. Despite the fetishistic renditions of violence and Triad traditions, these power obsessed sociopaths are hardly glamorous; their quiet panic becoming palpable as the realization sets in that greed has condemned them all. It is a testament to the director's talent that even without a single likable character for the audience to root for; the film remains compelling right to the bitter end.

Election 2 is an uncompromising film; violent, serious, politically controversial, and spectacularly unsympathetic. It also depends in large part on the viewer having seen its prequel, a similar if inferior examination of the same subject and themes. It is also one of the most interesting crime dramas in some time. Special note must be given once again to the score, which raises the tension significantly, and gives it a unique flavor more akin to a horror movie than a gangster film. Johnny To has shaped a bleak monster out of the typical conventions of crime noir; it leaves the viewer with much food for thought on subjects many would find distasteful, but anyone with an interest in the shallow, ruthless underbelly of organized crime is recommended to give it a look.