Flight of the Phoenix

Remake season is usually from May-August, yet for some reason Flight of the Phoenix is coming out in December, right before Oscar season. From what I saw tonight, there were maybe 15 people in the theater for a 7:50 Friday evening showing (opening night). What could Fox have been thinking? A big budget blockbuster while we're waiting for The Life Aquatic with Steve Zissou or The Aviator to come out? Does that make any sense? Well, anyway, Phoenix certainly doesn't deserve a December release (April, maybe?), but it's still pure, simple escapist entertainment. Thankfully, it didn't try to be anything more (in fact, Dennis Quaid's character made fun of the inspirational talks in the movie), allowing it to be something to see on a boring Friday night.

When an unsuccessful oil drill is abandoned in a remote place in Asia, Frank Towns (Quaid) and others are sent to fly them back to civilization. However, there's one extra person on board, Elliott (Giovanni Ribisi), causing the plane to be overweight and crashing in the midst of a gigantic random storm. Things get hairier when they realize that help probably won't come. However, Elliot mentions that he designs airplanes (of course), and now they're hell-bent on rebuilding their plane (dubbed "The Phoenix"), while going through tough weather, low supplies, bandits, and interpersonal relationship hardships.

One almost expects Jerry Bruckheimer's name on this-it's mindless fun, with any plot being stupid, any special effect being fake, and any characters being underdeveloped. The fate of this movie, in my opinion, was in the hands of director John Moore, who last made Behind Enemy Lines a hit for Fox. During the so-called "action" scenes, Moore switches over to hand-held camera (as if he tries to get the audience to get into the movie-makes us think that a situation like this could happen in real life?) and really makes the movie disjointed at those few points. However, some of the shots are pretty fantastic looking, but at other times, it's completely false CGI. I mean, it's terribly fake-and some critics have been saying that the special effects are great? It's most obviously some backlot with fake sanddunes everywhere. And yet, somehow, Moore manages to keep interest for the two hours, and, more importantly, makes it fun to watch. When you have characters just randomly be introduced (like that person of unknown Middle Eastern descent and the black guy with an eyepatch), you realize that the plot is not important, and you focus on having fun.

I've seen a few ads that talk about the "HUGE" plot twist, and although the twist at the end was pretty good, it's not really noteworthy. However, there was something about Ribisi's character-and the way he played it-that made me really like him. He's like the bad guy in movies where you want the bad guy to win (although he's not really a bad guy here). Quaid does a pretty good job here, about what's required. His character, and all the others, fulfill the stock characters. We have the All-American pilot, the hot, smart woman (who's also sassy-add an extra point), the black guy, a black guy with an eyepatch (a disability AND an extra minority-five extra points), a person from a place that we currently hate (Middle East (actually two-Britain-wow, Flight of the Phoenix is raking up the point)), the computer nerd. And that's just the character clichés. There's boatloads more, but you'll be able to guess them as they come along.

Flight of the Phoenix will probably bomb at the box office. I suppose I can see why-you don't have enough advertising, you bomb. But Flight of the Phoenix is a true popcorn movie if there ever was one. Once you've gotten everything in the Netflix catalogue, try this one on for size.

My rating: 6/10

Rated PG-13 for some language, action and violence.

I've not seen the original, before you ask, but I do know of it, and quite frankly I'm sick fed up of remakes. Yet there was something that attracted me to this story, the cast was one. A nice multi-national crew featuring Dennis Quaid, Hugh Laurie and Tony Curran, and the fact that it's a very simple story with nothing other than desert and cast to deal with. It kind of gave me the feeling of a slightly larger Ice Cold in Alex.

Unfortunately I was watching it on Sky and at my parents, that means no surround sound and the picture was cropped, damn Sky. However we didn't seem to lose much of the feel of the movie.

The cinematography value here is high. The movie looks great, it does seem as though they have high production values. The opening sequences with the plane flying over sand dunes are superb, and then when it hits the storm the effects are excellent and it's at that point the action really kicks in, before that we were introduced to the varied multi-national characters and their initial roles. The crash sequence is well filmed and edited and builds the tension superbly, all the shots here are believable, and have you on the edge of your seat. After this the action really dies down for most of the movie, only restarting at the end, when the believability also flies out the window in favour of Hollywood action.

Quaid is very good in this movie, an actor who I wish we really did see more of. The rest of the cast is an interesting ensemble from Curran to Kevork Malikyan, and it works well. I know that when I see a lone Scotsman in a movie it usually grates like hell with me, partly because they are usually played by Americans, but also because it just doesn't seem to fit, here it does because the entire cast is a mishmash of people. It really does feel like a group of remote oil workers.

The plane designer, played by Giovanni Ribisi is a terrible character, slimy, loathsome, and someone that you would expect to be a serial killer. Ribisi plays him really well, and through the movie the tension is built in a series of near clashes between characters, until the final clash which turns into a satisfying climax for the character and the movie.

Disappointingly the ending is very formulaic and makes all the Hollywood bells and buzzers flash and bleep, therefore making the Studios and their misinformed test screenings happy. Through the movie a band of vicious Nomads are mentioned, and a small clash occurs between some characters and a Nomad scouting party, but apart from this they are pretty much useless and are merely a very poor tension building device. This is surprising when the rest of the tension building moments are so much better formed.

That said, there are some idiotic moments where you just cannot believe the characters and the decisions they are making, never mind some of the outcomes. My father was almost shouting at the screen in despair.

All said it is an entertaining and effective movie, just suspend your disbelief concerning the reality of the situation after the crash, and grit your teeth through the Hollywood ending, and you've got yourself a good movie.

I'm not saying that I didn't get caught up in this a bit, but then I searched my memory for the original, which cam out when I was pretty young. It starred Jimmy Stewart, who was a good deal more balanced than Dennis Quaid. There is nothing new here, other than a Mongol hoard and Mongolia itself. The point, of course, is to build a plane from carcass of the older, larger one. I think what was missing was true characterization. While everyone seemed to wear their emotions on their sleeves, they were like worker ants with little visible personality. At the beginning, the captain would rather let everyone die than put forth some effort. The in-fighting seems really strained. The characters who wander off don't seem to have reason other than it's the right thing to do. There is an ugly scene with a nomadic tribe. As if the process of getting out of the desert wasn't bad enough. There is also a problem with wear and tear on the principles involved. They seem to stay pretty healthy despite their hard work and the hopeless nature of their predicament. I'm not saying it's a bad movie. It's just not different enough or well acted enough to make it any better than the first.

Comparing this new version to the original would be comparing a farm horse to a thoroughbred from the Kentucky Derby. This version has new actors filling the shoes of established characters, and yet none have the quality to hold the story on course, causing it to crash like their airplane. The original had James Stewart and Richard Attenborough, both with performances worthy of academy awards and established the foundations of a true classic. In addition, the rest of the cast stood of themselves and even Ronald Fraser gave a most stirring performance as Sgt. Watson. Superior veteran actors like Peter Finch, Hardy Krüger, Ernest Borgnine, Ian Bannen, Christian Marquand, Dan Duryea and George Kennedy, all gave the original solid star power and allowed the Phonix to rise from the screen into the memory of it's viewers. This new version has Dennis Quaid as Frank Townes, sympathetic enough, but far less convincing of his character. All in all, the new version falls, like most remakes, well short of the original. Sorry, but this film should have been left in the desert with the remains of the fallen airplane. **

20 July 2005. Warning: Spoiler. This movie tries to take the high road to the traditional survival story, but ends up with several low points along the way. One of the saving components of this movie was the mostly outstanding performance of Giovanni Ribisi who plays a character that seems quite out of his past range of characters as well as stereotypical one, but one that Ribisi makes his own. There are number of intellectual and explanatory narrative scenes with a number of characters using a script that attempts to elevate the level of dialogue and plot. Yet the movie at the same time suffers from manipulative script devices, continuity problems, and actions by the characters that don't seem to make much sense. There is one scene where Ribisi climbs on top of their new plane during an electrical storm. There is another scene where it's night and then suddenly it's day. There are a number of scenes where time suddenly passes and, as if by magic, the survivors' problems are solved. Various equipment, food, water many vital components just appear mostly for the sake of the script. There are a number of superfluous script plots that are incorporated just for the sake of making the movie supposedly more interesting without really allowing the characters to develop and become much more personal. The characters are themselves somewhat stereotypical even though deliberate attempts are made not to be so. One of the great scenes is when Ribisi manages to take charge as well as the twist of his true nature of his employment (though the outcome of this scene is somewhat disappointment and quite predictable). There would have been more emotional intrigue if the survivors' discovered that not all of them could leave because of weight considerations. All in all, this mostly predictable movie thanks in part to the trailer is interesting with some nice cinematography shots, slow motion, and other special effects has its moments. Seven out of Ten Stars.