Running on Karma

I feel that the plot is excellent: A Buddhist monk who is able to "see" past choices that lead to present day Karma. This was an excellent plot but... They should have made it more of a love story, i.e. a strong attachment by the viewer between "Big" and the police woman. And somehow it should have had a clearer ending. the plot had a potential for a great movie. Also it would have been nice to have a good ending. There were some interesting things in the movie...For example, the director certainly understood something about karma as explained by buddhist. I recalled in the movie when the monk says that the Japanese soldier is a different person than the policewoman, but that she is carrying his karma. That is an interesting distinction from the Hindu explanation of karma.

it has been a long time watching film doesn't leave any strong feelings to me... I left feeling conflicted, yet enlightened.. Perhaps one of the best Andy Lau's best performance in his acting career. Cecilia Cheung did a good job as well. There were some good action and a bit romantic scenes, there were some "strong' scenes that makes me freaked out as well,but I think it i necessary. The script and plot is great. Please make sure you watch the HK version not the Chinese cut. Go and watch for the experiences.

I will list three major reasons why this film should rock your world: 1. (The action.) It is a mixture of Chinese-martial and superhero choreography. The protagonist and the various "villains" he encounters are over-the-top, their abilities are by all means supernatural, there's nothing believable about them. All this exists in a contemporary Hong Kong setting. The film isn't even about kung-fu or wild action sequences. This is brilliant.

2. (Andy Lau showing off his skills with a piece of tissue.) The most original way of demonstrating martial art skills of all time.

3. (Unconventional genre mixing.) It has action, it has comedy, and it has philosophical depth. It features Andy Lau in a goddamn body-suit. There's a love story. It's a tragic love story. There's a tragic love story involving Andy-freaking-Lau in a goddamn body-suit. He does kung fu. There are cops. There's mystery. There's a detective story. This is very brilliant.

I find this film brilliant. There's no other adjective I find more fitting. Every word of that screenplay and every movement captured by the director (Johnnie To), is goddamn brilliant.

Along with One Nite In Mongkok, this was my favourite HK film of 2004.

About the movie, it's entertaining, wonderful story, fantastic make-up techniques and efforts, Cecilia Cheung has improved a lot in interpreting the young policewoman who is in search of a good life ending, good good good as a whole...

Yet, please tell me the names of the two Indians who have taken pains to act well at the beginning? Why no credits to them? I kept searching for their names both in Chinese translation or English romanization from the roller for three times but in vain. Discrimination against the Indians or Pakistani does exist in Hong Kong. But now even China is taking about something like "bridging with the international scene", please learn something from USA or Europe. On their film rollers, carpenters or people who has taken small part(s) got their names on it. That's international.

Hey, Lighten up angry folks. It's just a movie. Did you have fun enjoying it like me?

If you like martial arts, superheroes, and are intrigued by the power of mythology here's your ticket. Cecilia Cheung and Andy Lau shine like usual for you loyal fans. Loved the element of examining Karma which is lacking so much in the consequence ignoring messages of late. The gradually unraveling storyline and visual games will keep you thinking and will draw you back to examine the movie again and again.

The transitions are nice to take in as they travel from city to country and through past lives and the present. They hop along nicely from place to place to keep the story going. Andy Lau is funny as the beefcake parody and Cecelia Cheung is so herself as the unassuming pretty girl with the crush on the muscleman/superhero/monk.

I believe that people inclined to study Karma probably know more about it than the film covers so enough said on that. I'd recommend meditation, serious study and training with an expert over any film designed for entertainment.

The Asian aesthetic, over the top action, charismatic stars, creativity and a penchant for the fantastic are why I love so much of Hong Kong and Mainland Cinema and this is a fine example. More HK blockbusters please!!!