Fahrenheit 9/11

Moore's film strips away the pseudo patriotic facade of the Bush administration with humor and tragedy to create a very compelling but flawed message: Bush used false pretenses to go to war while enriching his friends and letting the common people suffer the fallout. The film moves between powerfully tragic scenes( like the sound of planes flying into the Towers as the screen is blacked out to interviewing a dead soldier's mom) to parody( Bush and Cheney dressed like cowboys in a scene with Bonanza music in the background. Moore raises several provocative questions such as why did Bush sit for seven minutes in an elementary classroom without reacting? Moore suggests answers which imply Bush didn't know what to do. Moore raises questions and suggests answers which right wing critics find abhorrent. His film techniques of showing a triumphant, strutting Bush proclaiming major military operations are over and quickly cutting to a roadside bomb in Iraq exploding, showing Bush as either ignorant, stupid, or mendacious were very powerful. Moore's weakness was in trying to give his audience too many messages in a single film but he comes very close to succeeding. His success was apparent to many right wing radio hosts, who immediately declared him both a liar and antiamerican(or America hating).

8/10

I watched "Fahrenheit 9/11" at the New York public premiere late last night in the early hours of Wednesday, June 23rd, the first opportunity for anyone not connected with Hollywood or the media to see this film. I say this so that you take prior reviews (particularly those dismissing the film outright) with a hefty dose of skepticism. I am also a Marine Corps veteran of Operation Desert Storm, and thus am acutely aware of the realities of war and its intended use only as a last resort when all alternate options are exhausted.

I've seen all three of Michael Moore's films; "Roger & Me", "Bowling for Columbine", and now 'Fahrenheit.' Of the three, this current film has a far more disciplined approach. There is generally far less music, grandstanding, and general joking-around. While perhaps disappointing to his long-time audience of liberal partisans (myself among them), this more even-handed approach is truly welcome, because it instills the documentary with a sense of reason and perspective that will appeal to independents and perhaps even conservatives. Moore's audience here is not his long-time left-wing choir; it is the millions of Americans who trusted a President to be one thing and who has turned out to be quite another indeed.

The major newspaper reviewers justifiably point to the first 20 minutes and the last 20 minutes, about Bush's Saudi links and the carnage in Iraq, as the strongest segments. Indeed, the sequence where a series of minority representatives are gaveled to silence in the Congress is shocking in the extreme. Yet the film is fascinating throughout; it is sometimes inchoate and contradictory, but it constantly encourages and demands critical thinking. This is perhaps the real target of Moore's fury; the unaccepting, unthinking acceptance of authority figures and 'leaders' who have not earned that respect. He uses Britney Spears to make this point with devastating finality and grim hilarity. He asks, indirectly, which side are you on-that of unquestioning obedience to a betrayer of the nation's best interests, or the side of truth, criticism, and transparency. It will be hard for Bush supporters to muster the energy to defend their addled puppet after Moore's calmly launched but devastating salvos. Furthermore, it asks the American public to take responsibility for sending its children (mostly middle- and working-class) into harm's way for less than convincing reasons. The deaths of our servicemembers are the price we pay for this president's leadership, and Moore demands that the viewer analyze this war with a eye to its true costs and motives.

I am sad that there are so many in this country who will refuse to see this film for head- in-the-sand political reasons. Moore lets Bush and his cabal do most of the talking, and as such lets them indict themselves far more effectively than Al Franken or Howard Dean ever could. The film makes an absolute mockery of this president, and it is *richly* deserved. It is likely that this effort will finally 'screw to the sticking place' the courage of a national media that has shamefully aided and abetted this belligerent and bumbling national disgrace.

All this being said, this is not a depressing film, at least not for me. Many of the images and themes are certainly profoundly discomfiting, yet the very existence of this film (in nationwide release) is a testament to the endurance and beauty of the American system. This country has tolerated and then dismissed other scoundrels and crooks, and soon enough this current pack of liars and cranks will be added to the dustbin of history. You can thank Moore for his courage and true understanding of our freedoms, rights, and responsibilities that you have the opportunity to see this film and form your own judgment. Do that. Its high time for all Americans to become responsibly informed, and to consider anew the true ideals of American democracy and freedom which have lately become so distorted.

Election day is November 2nd. That's the most important review of all.

Whether you hate him or like him, every true American must see Michael Moore's Fahrenheit 9/11. If nothing else this film will get you thinking about our country good or bad, loving it or hating it. Isn't that what the arts are designed to do? The goal of every artist is to move the viewer and listener. Greek playwrights did that first and they did it well. See this film, discuss it, then make up your own mind, don't listen to someone else's opinions, beliefs, or ideas. Too many Americans today do not think for themselves instead that will follow someone else. We have become a nation of followers. Where have all the Independents gone? Think for yourself, if you dare.

Winner of the Palme d'Or at 2004 Cannes Film Festival and also the recipient of one of the longest standing ovations at the festival's history, the highest grossing documentary of all time generated no less amount of controversies at its time of release but there is no denying that it's a highly entertaining film that sure knows how to stir up the viewers' emotions.

Fahrenheit 9/11 offers a biting take on the presidency of George W. Bush & War on Terror and digs into the fear, paranoia, uncertainty & patriotism that was on display in the wake of September 11 attacks and which the Bush administration took advantage of to push forward their own agenda for unjust war in Iraq, and created a mess that's still ongoing in the Middle-East.

Written, directed & narrated by Michael Moore, the film takes a highly one-sided approach and is more speculative than fact-based but it also highlights rampant corruption within the United States government by showing how George Bush's administration abused the 9/11 tragedy to advance their own self-interests and wasted the public fund on a war that was totally uncalled for.

However, there are times when Moore goes overboard in presenting his critique, such as blaming Bush for continuing to read to children despite being informed about the terror attack. His voiceover narration doesn't do any good either. But there are moments when his arguments not only seem valid but also worthy of debate. It's not all gloomy though for Moore utilises humour well to simmer the emotions before flaring them up again.

The ones who benefit most from wars are the ruling party, the media & weapons manufacturers, and Moore contends that it's them who are solely responsible for the loss of so many American troops who died believing that they are doing their nation a service when in actuality their death was totally unnecessary and was all for nothing. Already amongst the most controversial documentaries in existence, Fahrenheit 9/11 is enlightening, infuriating & all things in between.

I saw Fahrenheit 9/11 at Phipps Mall in the affluent Buckhead neighborhood of Atlanta, GA, and I will say for the record:

1. Fahrenheit 9/11 attracted the most racially integrated audience I've ever seen at an Atlanta movie theater, as well as the most age-diverse audience.

2. The audience was completely in tune with what Michael Moore was trying to do. When he wanted you to be mad, people were mad. When he wanted you to be upset, people were upset, and when he wanted you laugh, people laughed. And boy, did they laugh.

3. The audience cheered (loudly) upon the film's conclusion.

Truly a satisfying moment, to feel part of a community of people, if only for two hours, who recognized that the emperor indeed has no clothes.

Is Michael Moore manipulative? Of course- he's an editorial documentarian. Does he sometimes assume too much from too little information? Of course- he's a human being. That's what human beings do. Now, you may say, yes, it may be human nature to infer too much from too little information, but as a responsible artist, Michael Moore should get his ducks firmly in a row before trying to manipulate his audience. That being said, we have libel in slander laws in this country. If Michael Moore is so far off base, where are the lawsuits and defamation of character charges? Why won't Bush or his camp respond to any of the specific allegations of Fahrenheit 9/11? Why is that, in fact, they state an unwillingness even to see the film, and yet feel qualified to have a valid opinion of it? Now who's inferring too much from too little?

What is absolutely undeniable is that a) war is horrible, b) the United States of America went to war with Iraq for spurious reasons, c) we have been conspicuously unsuccessful in capturing Osama bin Laden, in part because bin Laden has no relationship whatsoever with Iraq, d) there have been many people who have benefited financially from the war, and those people have a long and in many cases sordid relationship with the Bush family, and e) Bush has used the 9/11 attacks as a way to advance an agenda that is completely unrelated to the attacks themselves, and to infringe on our civil rights. Any attempt to dissect Michael Moore's arguments fall flat when these basic facts are irrefutable.

Fahrenheit 9/11 is ultimately a highly entertaining and justifiably scathing review of the Presidency of George W. Bush, embarrassment to himself, our great nation, and, for that matter, to the entire human race. Please help vote this buffoon out of office before he can discredit our country further.