IMDb रेटिंग
7.1/10
36 हज़ार
आपकी रेटिंग
एक बाल उत्पीड़क 12 साल की जेल के बाद अपने गृहनगर लौटता है और एक नया जीवन शुरू करने का प्रयास करता है.एक बाल उत्पीड़क 12 साल की जेल के बाद अपने गृहनगर लौटता है और एक नया जीवन शुरू करने का प्रयास करता है.एक बाल उत्पीड़क 12 साल की जेल के बाद अपने गृहनगर लौटता है और एक नया जीवन शुरू करने का प्रयास करता है.
- पुरस्कार
- 7 जीत और कुल 21 नामांकन
Yasiin Bey
- Sgt. Lucas
- (as Mos Def)
Clara Hopkins Daniels
- Little Girl on Bus
- (as Clara Infinity Daniels)
Floriane Miniscloux
- Girl in Mall
- (as Floriane Maniscloux)
Spencer Ross
- Sportscaster
- (वॉइस)
फ़ीचर्ड समीक्षाएं
Walter (Kevin Bacon) is the new man at work. Bob (David Alan Grier) often hires ex-cons and Mary-Kay (Eve) is suspicious. Viki (Kyra Sedgwick) quickly sleeps with the new guy. His only friend is Carlos (Benjamin Bratt). He finally tells Viki that he was in prison for molesting a couple of young girls. After the initial shock, she restarts their relationship revealing her own story of molestation by her 3 brothers. Police officer Lucas (Mos Def) is abusive to the ex-con while his therapist (Michael Shannon) tries to work out his issues. He suspects the man hanging out at a neighboring park is a child molester.
The performances are terrific especially Kevin Bacon who keeps his character tightly wound. Walter following those little girls is super creepy. The camera angles of the girls are awkward. There are a lot of cringe-worthy moments in the movie but that's the point. It's suppose to be creepy but it's definitely not for everyone.
The performances are terrific especially Kevin Bacon who keeps his character tightly wound. Walter following those little girls is super creepy. The camera angles of the girls are awkward. There are a lot of cringe-worthy moments in the movie but that's the point. It's suppose to be creepy but it's definitely not for everyone.
saw the tuesday morning showing at Sundance and let me tell you, this is by far the best thing Mr. Bacon has ever done, and should garner him some acting awards this year, though since the subject of the movie deals with a tabboo subject, it might not get picked up by a major studio, and with limited release could keep him out oscar contention. I don't care though, he and his wife pull out incredible performances and if acting awards are giving to great actors, he deserves one for this movie.
I'm not going to go into the plot, basically it's based on a play that I never saw, (obviously living in the Midwest, we rarely get plays). and deals with a convicted pedofile trying to re-adjust to live after 12 years in prison, as well as confronting the demons that put him in jail in the first place. Kyra plays a woman who befriends him, and even after she finds out what his crime was, falls in love with him and assists him with his struggles. of note is a very special performance by a young Hannah Pilkes who plays a young bird watcher who temps Bacon's character and shows him that abuse is everywhere.
I'm not going to go into the plot, basically it's based on a play that I never saw, (obviously living in the Midwest, we rarely get plays). and deals with a convicted pedofile trying to re-adjust to live after 12 years in prison, as well as confronting the demons that put him in jail in the first place. Kyra plays a woman who befriends him, and even after she finds out what his crime was, falls in love with him and assists him with his struggles. of note is a very special performance by a young Hannah Pilkes who plays a young bird watcher who temps Bacon's character and shows him that abuse is everywhere.
Greetings again from the darkness. Although I am a self-proclaimed Kevin Bacon hater, let me stand up and shout that this is not only his best ever performance (by far) but also a performance that will stand up against most any dramatic turn by any actor. For the first time, Bacon is understated rather than overacting and hamming. The film and Bacon capture the emotional torment of a recently released from prison child molester as he struggles to fit in and "be normal". Bacon's remarkable acting is extremely well supported by (his real life wife) Kyra Sedgwick, Mos Def, Benjamin Bratt and a most surprising Eve. Bacon's eyes are truly haunting and we feel his pain as he struggles to find a bit of joy amidst his demons. Two weak script features were the rapidness of Sedgwick's character's acceptance of Bacon and the over the top scene in the park with young Robin. Otherwise, the realism was gritty and believable. Not one I want to see again, but the creepiness and edginess make it worth seeing.
The last film that unsettled me much like "The Woodsman" did was Todd Solondz's superb and exceedingly black comedy, "Happiness" (1998), which dealt with similar themes. But unlike Solondz, who never seems to like any of his characters, screenwriters Nicole Kassell and Steven Fechter appear to genuinely care about the people they create.
Their story's really very simple: Walter (Kevin Bacon) gets out of prison after serving a dozen years for molesting young girls. He takes a job at a Philadelphia-area lumber mill and tries to get his life back together again, while dealing with his inner demons.
What's likely to disturb many about "The Woodsman" is that Kassell and Fechter raise the intriguing question of whether someone who's done something despicable is not only capable of putting his life back together again after serving his time, but also whether society ought to allow him to do so. And to make our job even tougher, Kassell and Fechter don't turn Walter into a monster.
"The Woodsman" is aided immensely by a strong, compelling performance by Bacon. It's easily his best work, a role that requires him to underplay his character. Director Kassell isn't shy about letting the camera linger on Bacon's face and Bacon credibly brings to life Walter's suffering. It's a sensationally good performance. Bacon gives him depth and feeling and we suddenly find ourselves caring about this reprehensible man.
There are some superb supporting performances, including Mos Def as a cop, David Alan Grier as Walter's boss and Benjamin Bratt proving he really can act if he's given a good role. The most interesting supporting character is Vickie, a coworker willing to give Walter a second chance at life. Kyra Sedgwick, a gifted, yet under-rated, actress, is utterly convincing as Vickie, a woman almost as damaged as Walter is.
The Walter-Vickie relationship works because there's terrific chemistry between Bacon and Sedgwick. True, they're husband and wife, but real-life couples can fail miserably on screen. Kidman and Cruise in "Far and Away" (1992), anyone?
Bacon and Sedgwick's scenes are tender, passionate and real. Though, there's one intimate moment between Walter and Vickie that's clearly inspired by the famous Donald Sutherland-Julie Christie love scene in Nicolas Roeg's "Don't Look Now" (1973).
What makes "The Woodsman" such gripping viewing is that the film doesn't shy away from letting us into Walter's struggle. There's a particularly uncomfortable scene on a park bench as Walter comes to terms with his true nature.
"The Woodsman" is a film that deserves to be seen. It's a pity that less-than-mediocre movies, such as "Connie and Carla" and "Twisted," get widely released, while a gem like "The Woodsman" gets to very few theaters. Seek out this film. It's not an easy film to watch, but the performances are all good, the story's riveting and it's definitely one of the best, most thought-provoking films of the year.
Their story's really very simple: Walter (Kevin Bacon) gets out of prison after serving a dozen years for molesting young girls. He takes a job at a Philadelphia-area lumber mill and tries to get his life back together again, while dealing with his inner demons.
What's likely to disturb many about "The Woodsman" is that Kassell and Fechter raise the intriguing question of whether someone who's done something despicable is not only capable of putting his life back together again after serving his time, but also whether society ought to allow him to do so. And to make our job even tougher, Kassell and Fechter don't turn Walter into a monster.
"The Woodsman" is aided immensely by a strong, compelling performance by Bacon. It's easily his best work, a role that requires him to underplay his character. Director Kassell isn't shy about letting the camera linger on Bacon's face and Bacon credibly brings to life Walter's suffering. It's a sensationally good performance. Bacon gives him depth and feeling and we suddenly find ourselves caring about this reprehensible man.
There are some superb supporting performances, including Mos Def as a cop, David Alan Grier as Walter's boss and Benjamin Bratt proving he really can act if he's given a good role. The most interesting supporting character is Vickie, a coworker willing to give Walter a second chance at life. Kyra Sedgwick, a gifted, yet under-rated, actress, is utterly convincing as Vickie, a woman almost as damaged as Walter is.
The Walter-Vickie relationship works because there's terrific chemistry between Bacon and Sedgwick. True, they're husband and wife, but real-life couples can fail miserably on screen. Kidman and Cruise in "Far and Away" (1992), anyone?
Bacon and Sedgwick's scenes are tender, passionate and real. Though, there's one intimate moment between Walter and Vickie that's clearly inspired by the famous Donald Sutherland-Julie Christie love scene in Nicolas Roeg's "Don't Look Now" (1973).
What makes "The Woodsman" such gripping viewing is that the film doesn't shy away from letting us into Walter's struggle. There's a particularly uncomfortable scene on a park bench as Walter comes to terms with his true nature.
"The Woodsman" is a film that deserves to be seen. It's a pity that less-than-mediocre movies, such as "Connie and Carla" and "Twisted," get widely released, while a gem like "The Woodsman" gets to very few theaters. Seek out this film. It's not an easy film to watch, but the performances are all good, the story's riveting and it's definitely one of the best, most thought-provoking films of the year.
I know this is a controversial subject and will most likely not earn Kevin Bacon - or at least the movie makers - any good points with a lot of people, but I urge people to keep an open mind.
Walter - Kevin Bacon - is released after 12 years in prison for child molestation. He is trying to get back on track when he meets Vickie - Kyra Sedgwick - who makes him feel a bit better about himself. The movie portrays Walter's struggle with his past, his crime and his new life.
The characters and the crime are not romanticized. The movie can even a bit abrasive as it drills down to the truth and shows you the things just as they are.
I think it takes guts to portray a controversial subject like this one and I certainly think it takes guts to play a role like Walter's. Excellent performances by Kevin Bacon, Kyra Sedgwick and Mos Def.
Walter - Kevin Bacon - is released after 12 years in prison for child molestation. He is trying to get back on track when he meets Vickie - Kyra Sedgwick - who makes him feel a bit better about himself. The movie portrays Walter's struggle with his past, his crime and his new life.
The characters and the crime are not romanticized. The movie can even a bit abrasive as it drills down to the truth and shows you the things just as they are.
I think it takes guts to portray a controversial subject like this one and I certainly think it takes guts to play a role like Walter's. Excellent performances by Kevin Bacon, Kyra Sedgwick and Mos Def.
क्या आपको पता है
- ट्रिवियाAs research, director Nicole Kassell interviewed sex offenders, as well as therapists who worked with them.
- गूफ़The first time Sgt. Lucas enters the room, he notices the cherry table that Carlos brought back. The plant is already there, even though Vicki doesn't bring it to Walter until later.
- कनेक्शनFeatured in The 20th IFP Independent Spirit Awards (2005)
- साउंडट्रैकChop Wood, Carry Water
Written by Kevin Bacon
Performed by The Bacon Brothers
Courtesy of Forosoco Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Woodsman?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Un crimen inconfesable
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $15,76,231
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $53,985
- 26 दिस॰ 2004
- दुनिया भर में सकल
- $46,78,405
- चलने की अवधि
- 1 घं 27 मि(87 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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