एक सफल भारतीय वैज्ञानिक अपनी आया को अपने साथ अमेरिका ले जाने के लिए अपने गाँव लौटता है, और इसी दौरान वो अपनी जड़ों को फिर से खोज लेता है.एक सफल भारतीय वैज्ञानिक अपनी आया को अपने साथ अमेरिका ले जाने के लिए अपने गाँव लौटता है, और इसी दौरान वो अपनी जड़ों को फिर से खोज लेता है.एक सफल भारतीय वैज्ञानिक अपनी आया को अपने साथ अमेरिका ले जाने के लिए अपने गाँव लौटता है, और इसी दौरान वो अपनी जड़ों को फिर से खोज लेता है.
- पुरस्कार
- 18 जीत और कुल 26 नामांकन
- Nandan 'Chiku'
- (as Master Smith Seth)
- Mela Ram
- (as Dayashanker Pandey)
- Haridas
- (as Bachan Pachera)
- Vinod Raaz
- (as Rahul Vora)
- Panch Munishwar
- (as Visshwa S. Badola)
फ़ीचर्ड समीक्षाएं
The maturity of the script, the actors and the score makes it a journey of epic proportions without it looking epic at all. The normalcy of the movie is something which might (and hopefully will) change the way cinema is seen and made in India in the future. One can only hope.
Swades is not colorful; Shahrukh doesn't appear in a GAP or POLO SPORT; there are no introductory shots; there are no romantic scenes and no fields with yellow Tulip flowers; It may be a tad slow and lengthy; But Swades hits you where your heart hurts the most; patriotic and root feelings of an individual with good intentions overcoming societal obstacle. It's brilliant, heartfelt and touching. The 'We, People' film really makes us feel like it's our film. We see in the film what we see everyday, the places as they are. It's very much contemporary and it's our story.
Compared to Veer-Zaara, it's light years ahead. Comparisons with Lagaan are bound to be there, but in some ways it's even better than Lagaan. Primarily, for the authenticity and real-life feel unlike Lagaan which was a finely crafted fairly-tale. Lagaan is all about emerging victorious and fighting against the odds. You enjoy it when you see it. Swades is about the conscience trauma of an Indian, urging him to comeback and do something for his country. It haunts you for long enough after the cinema has ended.
There's a prejudice that the film is about bringing electricity to a small village. It's not. And the most poignant scene in the film, where we see a boy selling water for 25 paisa, hits you hard. Seeing the harsh reality and we'll find it difficult to suppress our tears. It's an answer to the generation of materialistic 'we', who never shy from proclaiming our great culture and tradition, but do nothing for our country.
The asset of the film is Shahrukh Khan, looking ordinary and real but in an extra-ordinary performance. His most real since 'Kabhi Haan Kabhi Naa' and his career's best. ARR music is soulful and original. The theme song 'Yeh Jo Des Hai Mera' haunts both in terms of its visuals and wordings.
But above all, it's the good intention and the attention to detail, of director Ashutosh Gowarikar that makes wonders for this truly experimental and moving cinema.
I can and will definitely view this movie once more, to celebrate it feel and spirit. I can't predict its box office outcome, as the masses love fantasies and escapist cinema. But it's definitely a treat for those who want to see moving and believable films on a large scale. Also if we don't embrace different cinema like this or even 'the torturous but different Musafir' for that matter, we'll continue to get more 'Sarson ka Saag', 'Karva Chauths', 'Maahi Ve' filled designer romance fables from the Chopra-Johar clan!
Regardless of the box office outcome, take a bow Ashutosh, Shahrukh and ARR!
It is a long movie. But I think the rather leisurely pace of the movie is required because it gives enough time for the protagonist, Mohan Bhargava, to come to India (with his mineral water and caravan) and start to fall in love with its beauty as well as understand its incongruities which frustrate us all as well. I thought there were three moments in the movie that captured it all
1. The feeling he gets when he starts to land in India. All of us feel it. I do even today. It's called coming home. 2. The mineral water - that is a classic. In fact it is a character of its own throughout the movie and plays its own part! 2. The boy serving water at 25paise to the train passengers and Mohan Bhargava's reaction
I am saddened that Indians both in India and around the world have not liked this movie. It will be remembered as an epic. 2.
क्या आपको पता है
- ट्रिवियाFor authenticity, Ashutosh Gowariker shot a scene at Launch Pad 39A, at Kennedy Space Center in Florida, USA. This is the first Indian film to actually be shot inside the NASA research center.
- गूफ़Mohan directly attaches the plug in the AC socket for the foot massager he brought from USA. In reality the plug standards of USA and India are different and will not fit in other country's socket. An adapter must be used for compatibility.
- भाव
Mohan Bhargav: I'm only speaking of things I've experienced while living here. And that is that we keep fighting among ourselves when we must fight against illiteracy, over-population & corruption. Everyday, in our streets & homes, each one of us keeps saying their is no future of this country. This country is on the path of destruction. If we keep saying this, we will one day actually land up there. You'll need to do something about this. You too! Not just the members of the Panchayat but everyone in the village. You're blaming Panchayat for your problems. But when you step into their shoes, you'll do the same thing. This applies to me too. The dalits blame the brahmins and brahmins claim that their piety is despoiled by the dalits. The blacksmith & potter blame the moneylender. The land owners blame the peasants, but they don't give them their rights. In what way are we great then? If we have problems in the village, we point our finger at the State and the State at someone else. We all are finding fault with each other! But the true fact is that we're all to be blamed. Because the problem is us. Me, you, all of us...
Vishwa: Are you out of your mind! What are you saying?
Mohan Bhargav: All I know is that a weaver who changed his occupation by becoming a farmer can't even feed his family or give his children even some basic education. He can only watch his kids die of malnutrition.
[Mohan leaves]
- कनेक्शनFeatured in 50th Filmfare Awards (2005)
- साउंडट्रैकYeh Tara Woh Tara
Sung by Udit Narayan, Master Vignesh, Baby Pooja & Kids
Lyrics by Javed Akhtar
Composed by A.R. Rahman
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $12,23,240
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,24,804
- 19 दिस॰ 2004
- दुनिया भर में सकल
- $19,53,889
- चलने की अवधि3 घंटे 30 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1