कभी खुशी कभी ग़म...

Glossy emotional drama, bringing together talent across the acting generations of Indian cinema.

With a cast that reads like a Who's Who of Indian cinema, Karan Johar's film focuses on the tensions within a divided family, namely the rift between strict disciplinarian father Yashovardhan (played by Bollywood megastar Amitabh Bachchan) and his estranged son, Rahul (Shah Rukh Khan).

With Bollywood heart-throb Hrithik Roshan in the role of brother Rohan and Kareena Kapoor as sister Pooja, the A-list cast is completed by Jaya Bachchan. Following the fortunes of wealthy non-resident Indians in the UK, the film takes in beautiful locations from the British Museum to Blenheim Palace and serves as a paean to the motherland, India.

K3G (as it is more commonly known) is a glossy emotional drama, bringing together talent across the acting generations and includes the show-stopping number 'Shava Shava.'

Despite the rousing tale and fine performances, 'Kabhi Khushi Kabhie Gham...' is bogged down by its unnecessary lengthy run-time that takes much too long to get to the point and needless doses of drama.

Kabhi Khushi Kabhie Gham... seems to embody every quintessential element to be found in a Bollywood production. Films from India seem to always include energetic song and dance rituals, emotional sentimentality, a strong showcase of the country's culture and customs, and explicit emphasis on the importance of family and the bond that only blood can bring.

The last Bollywood film I was fortunate enough to see was 3 Idiots, a film that was not only a very funny comedy but an immensely effective culture experience, shedding light on the high suicide rate in the country's teen population. We were told that because of the pressure parents put on their offspring, if success is not achieved by the sons or daughters through grades, income, or upward mobility, some look to suicide as an outlet. It's a depressing statistic, and rarely would you see an American comedy (or any comedy for that matter) incorporate that fact with stupid humor. Director Rajkumar Hirani boldly crafted the film into a two and a half hour emotional roller-coaster that was always entertaining and never boring. I loved it and it was a brilliant film to begin my journey through Bollywood cinema.

Kabhi Kushi Kabhie Gham... (which translates literally to "Sometimes Happiness, Sometimes Sadness" in English) is a solid film to further the journey with Bollywood cinema, concerning the Raichand family, an affluent family in India. The household of the family is controlled by Yashvardhan "Yash" Raichand (Amitabh Bachchan), is an immensely successful businessman, living with his wife Nandini (Jaya Bachchan) and their two sons Rahul and Rohan. Rahul, the older son, was adopted at birth and learns of this at the tender age of eight.

Rahul is eventually disowned by Yash for marrying a woman of a lower socioeconomic standing then the Raichand family, and for that reason, the Raichand family is now incomplete. However, there is hope. When Rohan returns home after a decade in boarding school, he is informed of his brother's adoption and is well aware of his father disowning his younger half. Rohan then decides to try and reunite his family, making the Raichand family the complete unity it hasn't been for years.

Kabhi Khushi Kabhie Gham... seems to iterate traditionalist Indian values and ideas that a family cannot function unless a family is together at all times. There is an argument to be had in its portrayal of a family and its functionality when a link is missing. However, I am more prepared to make the argument that the film's two hundred and ten minute runtime is more than enough a complaint in itself. The film doesn't need to be this long, and lengthy song and dance routines cloud the film's overall message, which could be reiterated in two and a half hours. For a film locked in conservative family values, it makes a liberal use of its time.

However, the message rings strong - if debatable - and the performances by talented Indian actors such as Bachchan, Kajol (as Rahul's wife), along with Shah Rukh Khan and Hrithik Roshan, who play the adult versions of Rahul and Rohan, respectively. Their devotion to this material that runs at an opus-length is marvelous and never seems to diminish at any point in the film. Moreover, The song and dance rituals are always a blast. It will take a solid week for me to stop singing "Say Shava Shava," and the infectious cinematography and production values that seem to follow each number keep the film at an absurdly lively status. Kabhi Khushi Kabhie Gham... seems to have a limitless amount of energy, and given the enormity of its production, its scope, and its music, it shouldn't be completed in one sitting for a first time viewing.

Starring: Amitabh Bachchan, Jaya Bachchan, Shahrukh Khan, Kajol, Hrithik Roshan, and Kareena Kapoor. Directed by: Karan Johar.

This movie is truly a work of art, with the emphasis on art. Dazzling costumes, magnificent buildings, glitzy cars, tons of emotions. Karan Johar is a master at extracting the exact emotion that he wants from the viewer. You cannot help but weep or cry at various scenes, even though you see them coming a mile away. The storyline is cliched and has been done many times before, but NEVER has it been packaged in such a powerful way. Kudos to the director, who despite the small flaws in the script, steers the viewer away from it, and engrosses you in the myriad of artistic explosions on the screen. Amitabh Bachan plays the patriach and is fairly good in the role, although he has done it before and is starting to stereotype him. Some scenes, I thought, were a little demeaning to him [the dance with the females in the Shava song], and should have been done more tastefully.

Jaya Bachan is very good as the wife, with the amazing ability to sense her son. The scene where she stands up to Amitabh is brilliantly executed, as is the scene where ShahRukh meets her in the shopping mall in London.

Kajol is brilliant, and this is probably her best role/performance of her career. She is pure magic and fills the screen with bubbly enthusiasm and sheer excitement whenever she is in frame.

Kareena Kapoor is appropriately cast and is also excellent in the role of Poo. She is a delight to watch, and does not falter, even in the comic scenes with Shahrukh. One cannot imagine anyone else in this role.

Hrithik Roshan, to me, was the surprise of the movie. He was brilliant and just about steals the show in the second half of the movie. His performance is sincere and visually a treat. He is indeed the superstar of the future. Bulging muscles and hip dance steps aside, this guy is a brilliant actor through and through.

But for me, Shahrukh Khan is the star of this movie. He is stupendous, magnificent, brilliant. He makes you laugh, cry, dance, cringe, smile. He does all this with flawless perfection. His pairing with Kajol is magical, and it shows on screen. I can now understand why Karan Johar says that he cannot imagine doing a film without Shahrukh. The guy is amazing.

On the whole, this is an excellent movie that is worth at least 4 trips to the cinema. Thank you Karan Johar.

Kabhi Kushi Kabhi Gham is the story of Rahul (Shahrukh Khan), the adopted son of multi-millionaire Yashovardhan Raichand (Amitabh Bachchan). When Rahul disappoints his father by marrying the wrong girl, Anjali (Kajol) he is disowned. Rahul and Anjali move to London where 10 years later Rahul's younger brother, Rohan (Hrithik Roshan) tracks them down in an attempt to re-unite the family. Along the way a romance buds between Rohan and Anjali's younger sister, Pooja (Kareena Kapoor).

The story breaks no new ground here, but I have to admit I was drawn in, probably because of the actors. With a star cast like this one, you have to be entertained...Khan/Bachchan/Roshan have a wonderful three way chemistry in my opinion, and the presence of the bubbly Kajol is icing on the cake. Also admirable is Jaya Bachchan as the family matriarch who never stops longing for her elder son's return...she and Shahrukh Khan share a screen relationship that is authentically warm and completely believable.

The films weaknesses (and there are many) start off first of all with the odiously conceited Kareena Kapoor, who in spite of the costume designer's self-proclaimed "sophisticated" wardrobe looks and acts like a cheap tramp throughout the film (note to Bollywood costume designers: in England and America the only women who dress in skin-tight cleavage-revealing sequined mini-dresses when they go to the mall are PROSTITUES. Get it right!)

The second weakness is the overdone splendor of the sets. I felt the story and the cast were enough to hold the viewer's attention. We simply didn't need every scene to look like it was shot in Buckingham Palace or an interior designer's showroom.

The third weakness (and Hrithik/Kareena fans will disagree) was all the disco look-at-Hrithik's-muscles look-at-Kareena-shake-her-butt dances. I fast forwarded them after a few minutes. Tasteless and boring, IMO. Hrithik is not a bad actor, he is more than just a bulging-biceped pretty boy, but you'd never know it from these scenes. Also, again, the fact that all the NRI women in the film are dressed like hookers is just WRONG.

And last of all, although I love all the emotional exaggeration in Hindi films MOST of the time, I thought there was just a bit too much weeping in this one...a little less snivelling from Shahrukh and Hrithik would given the remaining scenes a bit more punch, I think. (But Khan is the King of snivellers, so I guess Karan Johar had to let him do his "thing")

Overall I think this is an enjoyable film, mainly because of the cast, and a pleasant diversion. I recommend it.