Ginger Snaps: Unleashed

Brigitte (Emily Perkins) is going through a transformation that she is fighting, but will not be able to stop. Just when she thinks she is close, she gets locked up in a drug treatment facility. Perkins is fantastic in her depiction of someone who is fighting her own demons while no one can possibly understand them. She makes this movie and she is really fun to watch.

Also impressive is Tatiana Maslany (Eastern Promises, Diary of the Dead) as Ghost. She seems a little flighty at first and we really don't get to know her until the very end. It is that ending where she comes into her own with a surprising twist.

The was a good sequel to the first film, and it picked up right where it left off. Ginger (Katharine Isabelle) even makes a few ghostly appearances.

Well worth watching.

You know t's such a shame that neither of these films went wide release. Sure they needed a little touching up in some places but these films are definate quality material. A breathe of fresh air in the horror films which is recreating itself once again as a truly important genre. Both of these films are good, and borderline great. they take somewhat sillacious storylines and make them somewhat believable filled with aggreassive dark humor and independent film dread. This sequel is pretty much a direct continuation of the original. It leaves the last films heroine Bridget infected and fighting her illness with the cure found in the last film. She's beginning to change when she's taken in by a youth facility and locked up for drug abuse. What insues is unfortunatly unwelcome and senseless visits from the first films title charachter but a vast mixing pool of other cringe inducing twists including the fact that a male werewolf has found her and wants to mate. A sleezy hospital guard who trades sexual favors for drugs. An innocent little girl obsessed with comic books. I wish I could truly give away the ending to you. Because it was so well done and I just didnt see it coming. And that is what this film prides itself on unpredictability. It goes in a completely opposite direction of where you though it was going and it makes sense. All in all the film has much to be successful with believable performances, especially from the film's lead Bridget, a good storyline, suspenseful direction, a creepy score all adding up to a startling refreshing take on an otherwise dying genre. Don't be fooled this sequel has major bite!

After the explosively entertaining "Ginger Snaps", I had some doubts that the sequels could live up to the original. But in this one, we are greeted to a wonderful film picking up exactly where the first one left off: now with Bridget trying to stop herself from becoming a werewolf, and escaping from the rehab center she has been placed in.

If you find cutting and self-mutilation to be disgusting, then this is the film you want to either see or avoid. The opening credits are over a scene of Bridget in the bathtub, cutting herself to pieces. She continues to cut herself throughout the movie, as well as give herself injections.

The scenery is fantastic, as rehabs, hospitals and insane asylums are always great places for horror films if you know how to film them. The makers of this film know exactly what they're doing. Add secret passageways and you're set.

The new cast is also wonderful, easily making up for Ginger having a very small role. The cast now has several male staffers working in an all-girl rehab center, leading to such activities as trading sexual favors for drugs. But most importantly is a new character named "Ghost" (presumably because she's almost like an albino) who is fascinated with the occult and death and befriends Bridget after finding out she might be a werewolf.

Some interesting plot twists happen I can't reveal here, and as the wolf blood begins to overtake the human blood, things heat up. And then another werewolf shows up to try and mate.

Oh, heck. Just watch the movie. These guys have taken a worn-out horror staple (lycanthropy) and added such a new dimension to it that it's almost like an entirely new invention. Excelsior!

Brigitte now has the virus in her blood that destroyed her sister Ginger in the first film. So to prevent herself from changing into the beast she injects monksblood into her system, but after an overdose she wakes up in a rehabilitation clinic. Which now she has become so attached to the syrup and without it, the affects of the curse starts to transform within her. From the physical to the mental attributes. But also on her tail is that of a male werewolf who wants to mate with her and Ginger is keeping a tab on her by haunting her mind.

I remember when I picked up 'Ginger Snaps' I was expecting another mediocre or below-average werewolf flick. Gosh, I was wrong! Just like 'Dog Soldiers' it was more then good and added some new life to the whimpering sub-genre. And I'm happy to say it worked out again in this monstrous sequel and I was actually digging this one a tad more, though that was up until the stalling sequences involving hiding out in a house. It would've been great to see more Katharine Isabelle as Ginger too, but you can't have it all your own way I guess. I wasn't expecting anything incredibly special, but it did have big boots to fill and we all know the law of diminishing returns. Well, this sequel keeps far away form that trend and doesn't lean away from the quirky and offbeat nature of its predecessor, but it actually enhances it with a very morbid and cold-hearted appeal. It's depressing to the bone, I but I get kick out of any films that create this sort of tone! Though what made the original rejuvenating was that it had warm and natural relationships between the characters, especially between Bridget and Ginger, but also with the parents. Because of the sequel's depressing vibe, it does lack the heartache of the horrifying matter that drove the sisters even closer in the first film. Also it sorely does miss the characteristic interactions between the sisters. Although saying that they do share some screen time here, but only in small doses meaning far less impact.

The plot is an absorbing one, which doesn't break a whole lot of new ground like the original, but still comes up with enough hunger to set it out from most other horror flicks of the last decade, but also adding another dimension to the tale. Just like in the first film and like many reviewers have painted it's a metaphor for adolescent life, from angst, drugs and sex. But this cocktail is mixed with a refreshing twist involving the werewolf mythology, introducing the metaphor part of all of this. The snappy script holds up well and the story moves along pretty quickly with enough excitement initiated and the twists are far from easy to detect. No way is this story's structure predictable! The actual ending was kind of clever, but felt odd and left me feeling a little unsatisfied. The editing was swiftly sharp and potent to the pacing. It also recaptures the slickly handled production of that of the original, but it looks like it had more to work with here. That's especially because the special effects and werewolf designs were vastly better this time around and the attacks were more callous and bloodier. The isolated setting was made to great use with its cold wintry backdrop and gloomy awe. The action might have up the ante in this sequel, but so did the soundtrack by igniting itself with the Gothic and haunting tunes that made the original great. The upbeat tempo of the soundtrack bounds the mood. The spectral sound effects also worked its way into the picture and it was hard to shut out its thumping vibration throughout. The out-and-out stylistic camera-work sinuously develops some inventive shots. The direction by Brett Sullivan is above par and he hones down his skills with preciseness but adding such tautness and tension to the picture. The performances were magnificent. Emily Perkins comes out of the shadow of Katharine Isabelle here, and she made the most of it by turning in a convincing performance. Tatiana Maslany as Ghost one of the kids in the clinic provides on the humour side of things and Eric Johnson is perfectly scummy as one of the workers at the clinic. Katharine Isabelle makes some small but yet effective glimpses and adds in with some voice-overs. This production most definitely went one step bigger.

After two worthy werewolf films, I wonder if the film makers can repeat this winning formula in their third flick of the series Ginger Snaps Back: The Beginning (2004) or will it come crashing back to earth with a thud. The sequel is very much on par with the original and definitely well worth the look. Actually I would say it's a must-see if you seen the original.

I wasn't expecting to like this movie all that much. I did like Ginger Snaps, and thought that it was kind a of new twist on the tired old werewolf genre... but it didn't seem like it needed or warranted a sequel. This movie went in a direction that I wasn't expecting. Rather than just doing a retread of the first story, the filmmakers chose to follow Ginger's sister Brigitte into a mental institution after the events of the first movie. It becomes more of a psychological thriller, and focuses on whether or not Brigitte is really going to turn into a werewolf or if she might just be going crazy. Granted, that may be what a lot of people don't like about it, but I ended up really enjoying the movie. It was done with a decent amount of style and the concept was eerie enough to keep me watching. As far as sequels go, not a bad one.