Cheaper by the Dozen

The film deals about a happy family , the father (Steve Martin) is a notorious coach and the mother (Bonnie Hunt) is a writer and with twelve sons (Tom Welling, Piper Perabo, Hilary Duff..) . He receives a new offer as a trainer of a famous football team . She obtains her dream for the publishing the book titled : ¨Cheaper by the dozen¨. With the new job , they must change from a small city to the big town . Steve Martin ought to keep the familiar order involving in his own home while at the same time training the team .

The picture is pretty entertaining and amusing , the film contains bemusing scenes and continuous laughters and various chuckles with lots of fun . It's a new version of the classic film with similar title featured by Clifton Webb and Myrna Loy adding episodes from ¨Home Alone¨ as when Ashton Kutcher (uncredited) , being the Pier Perabo's boyfriend , suffers numerous jokes and misfortunes in charge of the brothers , likeness to thieves from former film . The picture belongs to numerous family sub-genre whose maxim representation is ¨Yours , mine and ours¨ with Henry Fonda and Lucille Ball and recently remade with Dennis Quaid and Rene Russo . Steve Martin , as always , plays as excessive manner , making an authentic recital , if you like Martin's crazy interpretation , you'll enjoy this one . Besides , there appears as sons , known and young actors as Tom Welling (Smallville) , Hilary Duff (LizzyMcGuire) , Piper Perabo (Bar Coyote) and Ashton Kutcher(Guess) . The motion picture was well realized by Shawn Levy and with the same equipment was shot the second part . The flick will appeal to familiar films enthusiasts and Steve Martin fans.

While the CHEAPER BY THE DOZEN opening titles credit the authors of the best-selling book the original 1950 film was based on (Frank B. Gilbreth Jr. and Ernestine Gilbreth Carey), don't expect to see a remake of the charming, early-20th century comedy about two efficiency experts (Clifton Webb and Myrna Loy) running a complex but happy family...and this is not a BAD thing!

While the 1950 production is a minor classic, the thrust of the earlier film was with the parents, and oldest daughter (the late Jeanne Crain). Clifton Webb was a gifted, acerbic actor, best known, previously, as 'child hating' author Lynn Belvedere, who proved he was as adept at raising children as he was at EVERYTHING he attempted, in the 1948 hit, SITTING PRETTY. The film was such a success that two sequels were made, and Webb would do several more 'family' comedies before his death in 1966. Playing Frank Bunker Gilbreth, the father of twelve, was a 'natural' for the actor, and the 61-year old Webb 'stole' the film with his self-effacing, 'scientific' approach to child rearing. As his wife, Lillian, Myrna Loy, who had graduated from being 'Nora Charles' in the "Thin Man" series, to being Hollywood's favorite wife/mom, shared Bonnie Hunt's sweetness, sense of organization, and dry humor, but lacked a sexual chemistry with Webb that would have actually produced twelve children (perhaps because of the less 'permissive' time the film was made, or perhaps because of Webb's screen persona). Jeanne Crain, one of 20th Century Fox's favorite ingénues for over six years, had a large fan base, which the studio capitalized on (She was actually second-billed in the film, behind Webb). Her scene at a 1920's prom, with Webb as her 'date', is a film highlight. While the eleven other children were given 'moments' in the film, they barely registered, individually.

Would 2003 audiences have gone to see Martin in a period comedy set eighty years earlier? I doubt it. And had the original story had been simply 'updated', would it have been truly faithful to the source, even in spirit? Unlikely, as so much has changed over the years. Ultimately, the film makers erred, I believe, in using the title of the earlier film, but not in the approach of making a 'family-friendly' comedy about a household of massive proportions.

With Steve Martin, who has become Hollywood's quintessential 'Dad', as a loving, unconventional father/football coach given an opportunity to head his alma mater's team, he displays the same kind of sensitivity that made PARENTHOOD such a wonderful film. Bonnie Hunt, as his wife, is completely believable as a successful author who could handle her large family and still-frisky husband equally well. She is, as always, a treasure!

The children are really the stars of the film, though, and each is special, and individual, from the eldest daughter (Piper Perabo), who, at 22, wants the family to accept the guy she's living with (Ashton Kutcher, in a funny, brief role), to the youngest pair of twins (Brent and Shane Kinsman), who make an art out of wreaking havoc. Tom Welling is quite likable, and proves that he is more than just 'Clark Kent' (For you trivia fans, Kutcher almost got the part of 'Superman' in an upcoming film, which would have put two 'Men of Steel' in the cast). The only discordant note is Hillary Duff's annoyingly brittle second daughter; she may be a 'teen idol', but she is more grating than endearing.

Director Shawn Levy's previous film, JUST MARRIED, was a loud, unpleasant, clichéd bore; in CHEAPER BY THE DOZEN, he redeems himself with a more enjoyable, richer film.

While the movie will never earn the 'classic' status the earlier film achieved, it stands very well on it's own merits!

There is some resemblance to the original movie in this film (as well as some elements borrowed from the sequel "Belles on their Toes"). The writers did include various ideas such as the move for the father's job, the family council, the father being offered the opportunity of his dreams, the father being a somewhat eccentric and unusual character, the mother being the calm one, etc. It also borrows just as much from sixties family comedies such as "Yours, Mine, and Ours" (i.e. the son that feels left out in the family group, the older brother who give "cool" advice to the younger ones, the kids trying to "sabotage" various events, etc.).

This version lacks something that the original one had. The original moved along with the pace of the changes in the family's life as normal life does. It also seemed to capture better the idea of trying to raise such a large group of children and the sacrifices and choices one has to make. There is also some semblance of what it is like to be a child in this family by keeping that focus on only one of the children, while still giving us glimpses of what the other ones are like.

The film, however, seemed to be more of a showcase for the comedic talents of Steven Martin than anything else. It also didn't move along in the same way that the original making the story somewhat unsatisfying.

Frank Gilbreth never lost the idea that his family was the most important thing where as Steve Martin's character has to be brought back into the fold. It is understandable that he would want something for himself, but to get him to the point where he sees his children as a burden and a liability is a problem. Thankfully in the end he comes back to being a part of his family, but the fact that he had to be causes the story to loose some of its charm.

The thing that made Frank and Ernestine Gilbreth want to write about their family was the joy that they knew in living in it despite the trials and tribulations. In this version of their story the joy seems to be lost and has to be recaptured. The director and writer are lucky enough that at least a little bit does.

Tom (Steve Martin) and Kate Baker (Bonnie Hunt) had big career dreams and big family dreams. The family wins out and they leave the big city. The kids don't stop coming until number 12. The oldest being played by Piper Perabo, Tom Welling, and Hilary Duff. There are also twins, lookalike girls, sad little boy, other girl, cute boy, chunkier boy, and smaller cute boy. Tom is a high school football coach who gets a chance at a bigger job. The family is forced to move to the city for his job where Nora (Piper Perabo) lives with her boyfriend Hank (Ashton Kutcher). With less time with the big job, Tom has to deal with everything else after Kate gets a book tour to NYC.

Let's be obvious. There are too many kids. It becomes chaos not just in the house but in the story. It's just a series of wacky slapstick. It's general harmless family fun. If you don't have enough fun, the characters will keep smashing things up until you laugh. It's a lot pratfall fluff and not a lot of seriousness. There are some good silly fun pushing Kutcher around. Steve Martin and Bonnie Hunt are definitely game for all the craziness.

Let's see if this film has all the necessaries of a modern film.

1) Classic title 2) Dad is an idiot 3) New script bearing no resemblance to the original. 4) Male lead cannot droll without instructions from female 5) Children are out of control 6) The man is incurably stupid 7) Mother is a wise saint 8) Father has no clue about his own home (have I covered that already??) 9) Large families result from irresponsibility

I saw and loved the original. I held no illusions that this would be nearly as good. In fact I knew it would require some updates. The world of the 1950s when the original was made and the 1920s when it was set are dramatically different.

The story is weak, the comedy is poor, the new plot is bigoted.

In the original, Clifton Webb play an efficiency expert Frank Gilbreth. In fact, Frank Gilbreth's principles are still taught in course on efficiency in industry. He was a real person. And a competent one. His son John Kenneth Gilbreth, went on to become one of the world's leading economists. To this very day.

In this one, Frank Baker (Baker's dozen ... get it? Hit me over the head with a joke why doncha?) is a small time football coach who is so inefficient that he can't get breakfast on the table and wipe up a spill at the same time. And it's hard to imagine his wanna be drop out son becoming anything but a bum.

The scene from the original where the woman from Planned Parenthood came to the door to humorous results was morphed into the yuppy neighbors, the Shenks, essentially scolding anyone who has or wants more than two kids. Tina is so obsessed with having only one that Bill is portray as sexually frustrated ... he ain't getting none lest she conceive again.

I grew up in a family of 13. While my Dad was not the modern hands on type, he was aware of where things were and how things worked. He could cook and do the laundry and get us off to school on time. And he worked hard to be able to pay for us all to go to Catholic school. He had to be efficient; every 18 months or so, Mom was squeezing out another sib.

We were well behaved. We had to be. If not, 13 children turn into the unruly mob shown in this stupid film. I knew other families like ours. From nine to fifteen kids. They were all self disciplined families. I cannot tell you how many people, my sister-in-law included, who have asked me if it was "that way in your house." People came out of this movie thinking that large families are rude and out of control.