Willard

The movie centers about Crispin Glover a quirky and lone man about thirty years old . He lives with her ill mother and amount of mouses into his home . He has got as enemy to the office chief . Rats will help him to revenge .

The film will have to flee whom don't like the rats because they appear in everyone shots , close-ups , foreground and background of the flick . There are thousand rats and they have been made by animatronics and computer generator specials effects(FX).

Acting by Crispin Glover is excellent , interpreting to Willard as a twisted mind is fantastic , likeness to Norman Bates/Anthony Perkins of Psychosis . R. Lee Ermey as the evil and villain chief is perfect such as his acting in ¨Full metal jacket¨ , Laura Elena Harring (Mulholland drive) is cute .

Direction by Glen Morgan is nicely made , cinematography by Robert MacLachlan is first-rate and Shirley Walker's musical score is gorgeous.

It's a remake to another 1971 film featured by Bruce Davison who only appears in photography as Willard's father into this 2003 film.

Rating 6/10 , average .

New Line had only six weeks to promote this film -- according to the outstanding documentary on the DVD -- and blew it anyway. They were targeting teenage boys when they should have been targeting older people and teenage >girls<.

Glen Morgan directs in a very interesting stylized fashion almost as eccentric as David Lynch or Tim Burton, and Crispin Glover gives a knockout performance in the title role. It's a dark, twisted story, just as it should be; the original WILLARD lightened up the very strange novel, but this one takes several big steps in the direction of the novel. (Not so far as to have Willard Styles wear a rat mask, though.)

The movie does have some awkward elements; the pacing is a bit off, probably because the structure is askew a bit, but overall, it's a fascinating, creepy movie, very well made with fine performances. And either the original ending or the reshot one would have satisfied me.

Maybe self-parody isn't such a bad word in the case of Willard. While I will state that the film was funny and interesting to watch, it wasn't nearly as twisted or as scary as it could have been. But then again, it's so damn tough to scare the jaded masses of critics and movie goers anyway. However, I did find this film wildly entertaining, especially the likes of Glenn Morgan and James Wong helming the project, two guys who helped put together The X-Files and Space: Above and Beyond (a truly underrated show). The only downside to this film was the editing. It was sometimes dull, and often did little to help the plot move in a smooth fashion. However, the random close-ups of the rat/wombat "Big Ben" were hillarious, making it look like the rat would actually start talking. Also, I give a big kudos to R. Lee Ermey, who went back to his old Full Metal Jacket days, making him a scary and evil bad guy to focus on. Oh, and Crispin Glover plays the loser role perfectly.

Glen Morgan's Willard isn't your ordinary mainstream remake! Unlike the bombastic and computerized money-making films like …oh, I don't know Texas Chainsaw Massacre, 13 Ghosts and Dawn of the Dead who're merely loud updates of classic horrific tales. Willard is a modest and respectful production that lays the stress on atmosphere and scenery instead of gory effects and good-looking young flesh. Willard is the tale of an extremely introvert middle-aged man (lives with his needy mother, no girlfriend, stuck in a hopeless job) who discover his ability to control and command little rodents…rats in particular. By communicating with these rats, he finally discovers what friendship feels like and it also gives him the opportunity to satisfy his deepest feelings of anger and vengeance towards his boss – Frank Martin. But the mob of rats slowly turns against Willard as he doesn't treat them alike. Thanks to the depressing scenery (Willard's old house, the morbid factory) and the under-exposure at times, Willard often looks like a 40's chiller! There's a good and constant variation of tension and sadistic humor, with the cat-chase as the absolute highlight to state this. Crispin Glover – the man with the most incomprehensible cult following in the film industry – is brilliantly cast as Willard. His goofy – yet spooky – charisma fits his character really well. R. Lee Ermey receives the change to be his old boisterous self again as the dreary factory-owner who's out to destroy Willard life. To conclude the cast, Laura Harding is very charming as the understanding and helpful Cathryn. This film may not show as many bloodshed and eccentric slaughtering as the nowadays public demands, but it surely made an impression on me. Willard is a very atmospheric and often frightening horror storytelling with some adorable fairy-tale aspects and playfully imaginative aspects. Highly recommended. I saw this film at a during a festival-night…after a series of gory slashers. The over-enthusiast public didn't appreciate it that much but I trust in the fact that Willard will build up a solid cult reputation.

Before you let the advertising fool you, understand that "Willard" isn't exactly your normal horror flick. I know that the marketing people tried to put all the scary bits into the trailer and such, but I urge you to reconsider your views on it.

The movie itself is more of an in-depth character study. It follows the events that lead one man into the pits of insanity, taking you along for the ride. Forget "Psycho," (Which was an awesome film in its own right) though the movie does have Norman Bates/Hitchcock elements. We're taken from lonely, shy, and sad, to hollering, glaring, weeping, and finally, silent. Only one man was tailor-made for this role...and that man was Mr. Glover.

Through every blink, every wide-eyed stare, the audience is drawn into the character. We believe in his connection with the rats, and marvel at his ability to train them. And when he gets even with Mr. Martin, we celebrate.

And I loved the undoubted sexual frustration that Willard is feeling. It's more apparent in one of the deleted scenes on the DVD. But the writer didn't succumb to this frustration; he let it build.

All of this combines to form one of the greatest character movies I have ever seen, and probably will ever see. I must say that this is one movie I will not soon forget...