यह रियो की बस्तियों के दो बच्चो के संघर्ष की कहानी है, जिनमें से एक बच्चा फोटोग्राफर बनने के लिए संघर्ष करता है तो दुसरा किंगपिन बनने के लिए.यह रियो की बस्तियों के दो बच्चो के संघर्ष की कहानी है, जिनमें से एक बच्चा फोटोग्राफर बनने के लिए संघर्ष करता है तो दुसरा किंगपिन बनने के लिए.यह रियो की बस्तियों के दो बच्चो के संघर्ष की कहानी है, जिनमें से एक बच्चा फोटोग्राफर बनने के लिए संघर्ष करता है तो दुसरा किंगपिन बनने के लिए.
- निर्देशक
- लेखक
- स्टार
- 4 ऑस्कर के लिए नामांकित
- 75 जीत और कुल 50 नामांकन
Leandro Firmino
- Zé Pequeno
- (as Leandro Firmino da Hora)
Michel Gomes
- Bené Criança
- (as Michel De Souza Gomes)
Kiko Marques
- Cabeção
- (as Maurício Marques)
सारांश
Reviewers say 'City of God' is lauded for its gritty realism, powerful storytelling, and innovative cinematography, often drawing comparisons to 'Goodfellas' and 'Pulp Fiction'. The film is celebrated for its complex characters, compelling narrative, and raw depiction of Rio de Janeiro's favelas. However, some find the violence excessive and the script lacking depth. The use of non-professional actors and unflinching portrayal of poverty and crime are both praised and criticized. Pacing and length are also points of contention.
फ़ीचर्ड समीक्षाएं
I have seen this movie only recently (2005) and it's easily one of the better foreign films I have seen. Actually, it's probably just about one of the best films I had ever seen.
The characters really make this movie come alive with each of their compelling personalities shining though in the backdrop of oppressive conditions and constant violence. One thing which clearly comes to mind is "Lil' Dice's" ear to ear smile - so vivid and yet so ironic since he personifies pure evil.
The City of God is a world you don't want to visit, it won't be featured on a post card, and it's said to be the city ignored by god himself. This movie makes you feel uncomfortable, puts you on the edge of your seat -- you are right into the middle of the City and you too are caught up in it's violent temptation. More importantly, it's about the triumph of the human spirit against all odds.
This movie in effect is fast paced and hard to follow (with the added stress of subtitles over Portuguese), but it's worth it; and in fact really adds to the impetuous and impulsive undertones of the movie. In addition, the quintessential Brazilian music blending into the film like a well made Caprahina makes it feel authentic like the Italian music in the God Father.
You see the flaws of these men played out in an almost fatalistic nature -- hated, greed, futility; and in it all we see ourselves, our own flaws, and our own condition.
The characters really make this movie come alive with each of their compelling personalities shining though in the backdrop of oppressive conditions and constant violence. One thing which clearly comes to mind is "Lil' Dice's" ear to ear smile - so vivid and yet so ironic since he personifies pure evil.
The City of God is a world you don't want to visit, it won't be featured on a post card, and it's said to be the city ignored by god himself. This movie makes you feel uncomfortable, puts you on the edge of your seat -- you are right into the middle of the City and you too are caught up in it's violent temptation. More importantly, it's about the triumph of the human spirit against all odds.
This movie in effect is fast paced and hard to follow (with the added stress of subtitles over Portuguese), but it's worth it; and in fact really adds to the impetuous and impulsive undertones of the movie. In addition, the quintessential Brazilian music blending into the film like a well made Caprahina makes it feel authentic like the Italian music in the God Father.
You see the flaws of these men played out in an almost fatalistic nature -- hated, greed, futility; and in it all we see ourselves, our own flaws, and our own condition.
Cidade de Deus seems to have a lot of praise on the IMDb boards, and with good reason too. It simply is, in my opinion, one of the best contemporary films ever made.
Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.
The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.
Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.
The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.
The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.
Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.
The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.
Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.
The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.
The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.
Li'l Zé and his gang is having fun chasing a runaway chicken in a Rio favela called the Cidade de Deus "City of God". The chicken comes to Rocket with his camera. Then flashbacks to the 60s tell the story of Rocket who becomes the photographer of his friends. Li'l Zé and his best friend Benny grow up to be the crime boss of the city. There's Carrot who is a criminal leader tolerated by Benny and there's Knockout Ned who turned away from crime.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
I agree with the other positive reviews here. I just saw this again after 15 years - still far exceeds anything made today when it comes to struggles of troubled youth in urban slums plagued by drugs and violence. So raw. So shocking to the system. Highly recommended!
Such an amazing film that deserves the accolades and acclaimed hype it's garnered. One of the best foreign language films there is and one of the best films personally seen recently, after a long time of being on my to see list but taking a while to get round to it due to being so busy and going through a difficult phase.
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
क्या आपको पता है
- ट्रिवियाWhen we hear Buscapé (Alexandre Rodrigues) talking to Marina (Graziella Moretto) about how "he never took a hot bath", that was not scripted. Actually, that was Rodrigues and Moretto talking off camera, during a pause in the shooting, when the boy (who lived on the slums) was telling her about his life.
- गूफ़Zé Pequeno is taken into custody by the police, Buscapé runs after the police truck. The Police truck passes by a late - model Chevrolet S10, black, circa 2001. The movie is set in the seventies.
- क्रेज़ी क्रेडिटThe closing credits shows pictures of the main actors, their name, their character's name and pictures of the real life characters (for the ones based on existing people).
- इसके अलावा अन्य वर्जनThe Indian Censor Board nonsensically deleted the visuals of frontal nudity in the motel scene and the dialogue of a woman talking about her sexual experiences for an 'A' (adults) rating.
- कनेक्शनFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- साउंडट्रैकAlvorada
Written by Cartola / Carlos Cachaça / Hermínio Bello de Carvalho (as Hermínio B. Carvalho)
Performed by Cartola
Peer Music do Brasil Edições Musicais Ltda
Licensed by EMI Music Ltda
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- सिटी ऑफ़ गॉड
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- R$33,00,000(अनुमानित)
- US और कनाडा में सकल
- $75,64,459
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $88,292
- 19 जन॰ 2003
- दुनिया भर में सकल
- $3,06,81,033
- चलने की अवधि2 घंटे 10 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें