Bridget Jones: The Edge of Reason

But, oddly enough, I still liked this version of The Edge of Reason.

It's hard to put my finger on why -- because I'm not quite sure why some of the book's original plot lines were ommitted, and because I thought the Rebecca subplot was gratuitous -- but I did like it.

The first book was not-so-loosely based on Jane Austen's "Pride and Prejudice." The first movie left a lot of that in, and even included a lot of "inside jokes" for those of us who are familiar with that delightful book and the filmed version starring Colin Firth as Fitzwilliam Darcy. "The Edge of Reason" was not-so-loosely based on another Jane Austen novel, "Persuasion," but any overt Austen references are completely wiped out here.

The character of Giles Benwick is based on an Austen character named Benwick who has recently lost his fiancée, but that is the only Austen reference from the book left. It's a shame, too, because I liked that particular subplot in both Austen's "Persuasion" and Fielding's "Edge of Reason."

Given that I've complained about several aspects of this film, I'm still rather surprised that I liked it. Could it be because Bridget is still Everywoman and because Mark Darcy is still the Perfect Man (and probably because he's still played by the ever-dishy Colin Firth)?

Who knows. All I do know is that it was cute, it was funny and it was entertaining. You can't ask for much else.

Sometimes sequels to a very good movie do not work as well, and this one unfortunately is one that does not work as well as its original. One person in our party watching this movie in fact called it "painful".

The original Bridget Jones Diary worked very well, at least in my opinion. It worked well not only because of a good story line, great casting and great acting, but the script and direction made the film also both witty and fun. In a sequel, often we are promised just part of that formula – the basic story line and a similar cast. Yes, this film does have a similar story line and a similar cast, but the script and the direction fall far short of the original. Hence instead of a witty fast paced fun movie where we laugh along with Bridget Jones, we have a slow moving non-funny movie that mostly seems to laugh at Bridget Jones and not with her.

The movie seems to lack the new elements that would make a sequel like this interesting. Instead it seems to fall back and simply exaggerate some of the elements of the first movie. It is "Over the Top" as one in Britain might say. Unfortunately this exaggeration tends to make things less funny and not funnier. In the first movie businessman Hugh Grant is mostly a businessman but is occasionally selfish and occasionally sexually selfish. In the second movie he spends less time as a businessman and more time just seeming out for himself. In the first movie, Bridget sometimes has low self-confidence. In the second movie, she almost always has low self-confidence. In the second movie, the Colin Firth character seems to try to be even more nerdy than in the first movie. In the first movie Bridget is plump. In the second movie, she is plumper. Now, I could afford to lose a few pound myself, but hopefully you get the idea. The second movie exaggerates the first trying for more laughs. But on the path it loses itself and is much less witty and funny.

Now, one cannot blame the actresses and actors for this. I felt that Renee Zellweger, Hugh Grant, and Colin Firth did their usual great jobs. For that reason alone, this movie may be well worth watching for you. It was because of the actresses and actors that I wished to see it. To make the movie great, however, it needed a script and direction to match.

First, the positives – Colin and Hugh are still hitting their marks. Even though he might not know why, Mark positively adores Bridget. Colin gets that and twinkles, melts and warms in all the right places. Same goes for Daniel– he's drawn to his Bridge for some inexplicable reason. Hugh Grant really ought to be looking for a patent for that mojo he works so well. All of the original actors are back as Bridget's parents and her "dating war command" of pals and all have a natural, easy chemistry that works. But, the negatives, they are a-plenty.

Biggest problem here was the complete tone change. In the first film, we were on the ride with Bridget...seeing things through her eyes, groaning as she put her foot in her mouth again and cheering for her to finally get it right. However, in this movie, it feels like someone stuck her up on a stage and spent 2 hours throwing pies and tomatoes at her cause it seemed real cool. She's not in on the joke here, she IS the joke. Her few extra pounds are no longer just a part of the package – they are the end-all of her worth as a person. It feels like the folks behind this film don't even LIKE the character – they just think it's real cool to humiliate her as often as possible. It doesn't even look like they bothered to send Renee to makeup or wardrobe – she (as Bridget) was pleasantly plump in the first film, but never dowdy. The character is downright frumpy in this movie with a perpetual case of bed head and clothes that look like castoffs from Mayberry. And Renee plays into it with her acting choices – Bridget was frazzled in the first movie but still retained her dignity most of the time. She's a perpetual victim in this one, though, and even though Renee is still cute as a button and incredibly endearing, some of Bridget's spark is gone.

What happens after the happy ending? Couple realizes that they are each real, flawed people. And the movie makes it seem like Mark is at that point – never tries to change Bridget, never gets angry and her constant mishaps amuse more than annoy. But, as each of Bridget's tantrums unfolded, I kept asking myself why in the WORLD the man was still there. Bridget's keen on him but doesn't trust him. She likes to be with him but is suspicious of his actions without any real cause. Now, we know she's an insecure character and feels like she's not classy enough to fit into his world. And if the movie built from that, maybe we'd have a different story. But the obstacles they face are external. The characters never make decisions on their own – something or someone else makes them feel a certain way or forces them into a course of action that decides what will happen next. And Bridget's reactions almost make it seem like somehow, over the course of the last 'six weeks', she's regressed to a girl in the schoolyard stomping her feet when her boyfriend does something she doesn't like.

Another problem – the utter lack of subtlety. Why include one fat joke when 3 or 4 plus a butt shot can fit into the scene? Why spend most of the movie dropping hints about a reveal when you can beat the audience over the head with it in one of the final scenes? Why have Daniel make one joke about stealing Mark's wife when he can drop another one 30 minutes later? Oh look, matching Christmas jumpers – how cute. Most of the funny in this movie comes from certain 'episodes' as opposed to the dialogue. I loved the ski trip and Bridget's 'magic mushrooms' in Thailand. But, when the characters are actually talking to each other, they just aren't that funny. Most of the jokes are reruns from the first movie that feel stale. The naughty jokes are kicked up a notch but everyone in my packed theater, including me, either grimaced or sat stone-faced through most of them. Note to filmmakers: dirty has to actually BE funny to be funny.

This feels like a movie about a woman made by men who think wet clothes, girl-on-girl action and butt close-ups get it done. I read some interviews that said that Renee would only do a second film if it took care of Bridget and held up the standards of the first. I almost wonder if someone slid her this script on the first day of shooting as a rewrite once she'd already signed on the dotted line. This felt like a bleached, harsher version of the first– the warmth is gone. I know there was a different director and I really don't think the new kid gets why Bridget was/is such a phenomenon. As much as I was looking forward to this film, I wish they'd never done it.

Oh, and also, as a P.S. – if I was a Thai woman right now, I'd be suing Working Title and Miramax for defamation of character for their version of 'Fun with Stereotypes'.

I saw the first Bridget Jones movie and thought it was around average. My Mum loved it, and when the DVD for Bridget Jones:The Edge Of Reason came out on DVD, she went i bought it right away. So, without much hope or agenda, I decided to watch it.

This film is absolutely AWFUL. The story bares no resemblance to the book, and the story was unbelievable. Poor acting all around. Why didn't they get the director from the first film back? She was marginally better.

Do yourself a favor, and just read the book, which is actually witty and well-written.

Oh the expectations are high and the studio is bumping up the release date but what about the film? In the case of Bridget Jones: The Edge of Reason, it was inevitable that the freshness and sheer pleasure of a funny, heartfelt love story of Bridget Jones's Diary, would be a hard act to top much less follow. While entertaining in its own way and filled with enough charm and wit to keep things moving and interesting, it is a step down for the Helen Fielding heroine. No Oscar nominations are forthcoming this time.

Not a couple months have passed as our favorite British journalist (played with gusto by Renee Zellweger) is dating her dream beau, Mark Darcy (Colin Firth returns as a noble steed). Slowly, our Bridget notices a young female clinging to her man on a regular basis, and with life full of its insecurities, doubts and suspicions are thus born. Enter handsome Daniel Cleaver (Hugh Grant is as dashing as ever) who wants to rekindle an earlier romance with Bridget who wonders if he has mended his philandering ways. That pretty well sums up the main storyline. There are a few other minor story threads such as Bridget's parents getting remarried, but they are few and far between.

Zellweger is always appealing even as an overweight, accident-prone romantic. Fans may be a bit startled to see her appearance after a few years of terrific performances in slimmed down roles. Firth, who was handpicked by author Fielding, duplicates his steady, straightlaced lawyer while Grant spices the sexual scenery with his bad boy ways. You will recognize returning supporting characters from before including James Broadbent as Bridget's dad, a role that is minimal at best.

While the screenplay has some nice bits of dialogue and one-liners, the whole thing just doesn't come together as a satisfying whole. There are no real surprises here in the story even though it contains a couple of mild shocks in plot line. The direction is not as crisp as before-this time Beeban Kidron(Thanks for Everything Julie Newmar) takes the helm in not quite inspired fashion. Where is original director, Sharon Maguire? Maybe frequent scribe Richard Curtis would have been perfect. Just one of his story lines in Love Actually is as good as or better than anything in Edge of Reason.

Perhaps the biggest problem with this film is that it is a chore to find anything truly engaging or to feel any sympathy and concern for Zellweger's character. In addition, there was an absence of really funny situations without seeming to be contrived. Maybe that's being picky, but that's the level of satisfaction Bridget Jones's original incarnation has engendered.