Laurel Canyon

I really enjoy reading other folks reviews of films I have seen. It is interesting to see how personal perspective is, well, personal.

I have been a paid critic in the past and have often explained to folks that opinions are just that, opinion. So I will endeavor to explain my case for this fine film.

This is a story of a journey. It is not the journey the characters think they're taking. It is the odd place they go on their way to what they thought they wanted. In that way, it is a lot like life.

You have the fish out of water aspect. A young couple wonders into his mother's life. A life he has never appreciated or enjoyed. His girlfriend, on the other hand, seems primed for the hedonism she encounters.

The mother (played to amazing life by Frances McDormand) is a record producer with a successful business life and a spotty personal one. She's in the midst of recording a record when her son descends. But it is the young man who fronts the group she's producing that has both her and her son's girlfriend in a lather.

There are emotional affairs flying about. There is moral condescension from characters who've been less than honorable.

On top of a good to great cast of principal actors, there's the soundtrack of flat-out great music.

Well directed, admirably cast, with an ambiguous and thoughtful script, plus enough sexual tension to fuel a score of teen comedies. Great flick. Bring your moral compass, and your ears.

This is an insightful and truly under-appreciated film. And, as anyone who has lived in the Hollywood/ West Hollywood area can attest, the film is also a very accurate portrayal of LA life in the biz. Bale and Beckinsale shine as well. Definitely McDormand's best work outside of "Fargo"; her versatility and talent continue to amaze and impress. The producers' choice of music is perfect and truly reflects the mood and tone of the film--it makes me want to go out and buy the soundtrack. :) Also, "Laurel Canyon" shows how frail and tenuous life's relationships can be. By straying from the "norms" of his serious, medical student world, Bale understands his mother's complexities and foibles and thus establishes the bond with her that he has possibly sought all his life. Well done!! *** 1/2

"Laurel Canyon" isn't a sharp enough barb at the music industry nor is it insightful enough about relationships, but there are individual performances and musical references to make it worthwhile.

Frances McDormand as a Queen Bee, omnisexual music producer is a prime reason to see the film, playing the opposite of her "Almost Famous" Mom. There are hints about her musical ears being passe, as her house has a lot more shelves and shelves of old LPs than the few new CDs piled up, plus the photos of her in studios with past stars. And classic rock seems to always play around her, but the excesses and record company pressures don't seem new and she is bedding a rocker 16 years her junior, basically her son's age. The realistic musical mise en scene includes appearances by musician Lou Barlow and producer Daniel Lanois, among others.

The basic tension is supposed to be her being the fascination of the abomination to her straight-laced son Christian Bale (pretty much playing the same character as in "Metroland") and his fiancee, Kate Beckinsale pretty much playing the Susan Sarandon role from "Rocky Horror Picture Show." There's also some irony about Bale's character being an effective shrink in training, with all his mother issues, and a new twist on mother-in-law issues.

But that is undercut by virtually all being drawn, a la the Rolling Stones' "Spider and the Fly" song which should be on the soundtrack but isn't, by snake-straight-from-the-Garden-of-Eden Alessandro Nivola's sexy leader of a rock band that sure looks and sounds a lot like Goo Goo Dolls or Coldplay (the film's composer is with the band Shudder to Think) and sincerely says all kinds of unbelievable things about commitment and has no problem writing a radio-friendly ballad. (I see that he's married in real life to Emily Mortimer which made me think that he was the inspiration for the cause of her character's horrific physical insecurities in "Lovely and Amazing" but he did give such a very sweet acceptance speech for her at the Independent Spirit Awards. After this movie, he could slither into pop music -- would he be the first from Phillips Exeter and Yale to take that career path?)

I have no idea why Natascha McElhone's husband-temptress is supposed to be Israeli, as her mangled accent is just odd.

There is a neat running visual leit motif about the different symbolic uses of a California swimming pool by different people, from early morning determined laps to late night skinny dipping.

The round-robin apologies (and lack of some) at the end simply make no sense and leave us finally with no catharsis or resolution.

People are often disappointed in the ones that love them or the ones that they love. This disappointment can stem from the mistakes made by parents in the upbringing of their children, or perhaps the simple differences that separate family members. It is this frustration that plagues Christian Bale's character, Sam, in the film `Laurel Canyon.' A well-made character study, `Laurel Canyon,' explores the reasons for the distress and resentment that can reside between parents and their children. `Laurel Canyon' is about a man named Sam (Bale) and his fiancé Alex (Kate Bekinsale) who move to California so he can begin his medical residency at a local hospital and she can finish her dissertation. The pair moves in with Sam's mom Jane (Frances McDormand) who is record producer who lives on Laurel Canyon Road in Hollywood. Although she is in her mid 40s, she lives the life of a rock star, smoking pot, drinking, partying, and hanging out with her rock star boyfriend Ian (Alessandro Nivola), who is 16 years younger than she. Sam and Jane are always at odds with each other as he is ultraconservative and Jane is like a teenager. The two must weed out their problems and come to terms with each other about the mistakes that Jane made while bringing up Sam. Although a bit slow at times, `Laurel Canyon' was an interesting film that has its lighthearted and touching moments. It's funny to watch the subtle changes that begin in the characters lives. Alex, although conservative like Sam, is slowly being drawn into the free spirited world of Jane's home, with her parties and rock friends always around. Sam is being tempted by the fruit of another woman named Sara (Natascha McElhone), as their share their sexual desires with each other over private conversations in a car. And even Jane is beginning to recognize her own faults-she had several lovers throughout her life is starting to feel the need to settle on just one, Ian. Every character starts to understand that they are all the extreme end of different spectrums and they must learn to meet somewhere in the middle. The acting in the film was excellent. Every actor was believable and to a certain extent, the audience can feel their pain and happiness. McDormand (`Fargo') and Bale (`Empire of The Sun') steal the show with their amazing abilities to transcend the characters in the script to the dynamic people they present on the screen. Praise must also be given to Bekinsale (`Pearl Harbor') and Nivola (`Jurassic Park 3') for their exceptional performances.

One other superior quality of `Laurel Canyon' was the music, some of which was sung by Nivola. The soundtrack holds a great deal of classic rock songs from groups such as `Steely Dan,' `Leroy' and `Mercury Rev.'

Overall, `Laurel Canyon' was a very good movie that reminds its audience to look beyond the surface of things and to see what really matters in all relationships-love. ***

I saw this film at the Miami International Film Festival and was thoroughly absorbed and entertained. I don't know if it will be as successful as the director's much-lauded "High Art" from several years ago; "Laurel Canyon" is not as serious, though it does explore some of the same themes. All of the performances are pitch-perfect. I suspect audiences will especially enjoy and identify with Kate Beckinsale's character: a studious and sheltered young doctoral student who takes to the hedonistic Los Angeles lifestyle in a big way. Frances McDormand and Christian Bale are also wonderful.

Music is almost another character in this film; it pervades the atmosphere. The music, by such artists as Mercury Rev and Clinic, complements and underscores the dynamics between the characters. It's been awhile since I've seen a movie with such an intoxicating sense of place as well: whether accurate or not, Los Angeles is portrayed as a sybaritic wonderland. The film revels in the sensuality and freedom of this rarefied realm, and it's intriguing to see the effect on the young couple.

When Frances McDormand's music producer character asks Alex her opinion on the record she's producing, Alex declines, saying she doesn't know much about popular music. McDormand responds, "Follow your instincts. It either pulls you in or it doesn't." This movie pulled me in.