Prince of Jutland

I've been waiting so long to see "Royal Deceit" that I had almost given up hope of ever finding it at any video store. Then on-line film purchasing came along and all my prayers were answered. As I sat and finally witnessed that majesty and of the original Hamlet story, I couldn't help but be thoroughly moved by it. The leading players are marvelous, Christian Bale especially. I am a "Bale-head" and have seen every other one of his films. Everything the young actor touches deserves recognition as a work of true art. He only chooses the best subject matter and scripts. He should certainly be hailed as the best and most courageous actor of the millennium. A must for any Christian Bale fan, or for that matter any fan of true artistic film.

If you have seen Babette's Feast and can appreciate the difference between a more European, understated style of film making and the slam-bang, in-your-face style the Yanks dish out year in and year out... Then this may be a movie for you.

Here is a small film by a director working in a language that is not his own. An experiment in story telling that succeeds on its own terms. Here is a film that is scored by one of the more highly rated, avant-guard classical composers in Europe. It re-tells a well beloved story by going at it by the roots in order to give it a fresh spin. The wonderful cast of British (and Irish) stars can be applauded for endorsing what must have been a modestly budgeted film.

Of course it is not Shakespeare. But it sheds new light on the Hamlet play by exploring the legend that inspired the bard to choose it as story material. For fans of history and drama.

Call this Prince of Jutland, call it Royal Deceit, the only thing tragic about this film is the terrible waste of some very talented people. Christian Bale-heads in particular will be sad to see him in this retelling of the Hamlet legend from material presumably closer to the source, but stuck with a screenplay that hasn't an ounce of poetry and cinematography that wouldn't do for a TV movie of the week. Bale applies himself manfully, as does Gabriel Byrne, but one is embarrassed for them speaking thudding dialogue. Greatest embarrassment of all perhaps is rendered the great Helen Mirren who, like her co-stars, gives it her U.K. all, but is undermined by a tackiness of production and a cast of extras who mill around like location gawkers in medieval drag. Please. Spare us.

I'm immediately thrown off by the costumes, which are all new fabric. Nothing is worn looking, all of it looks straight out of a fabric store. Leather for belts brand new. This is first time I have felt such a distraction over costume design.

The sets also seem to new to believe. New wood on boat, sail brand new material. All the pitchers on tables match along with drinking glasses. Candles all burning exactly. It is a "set" in the worst possible way.

Building appear to have been created hours before filming. Cute little community but no authenticity.

It's a shame that no one associated with the production/filming/director/actors brought up the obvious flaws in creating this movie.

I liked this. It was the only version of the Hamlet story I've ever seen that used the Saxo Grammaticus original, and I got a kick out of that. The costumes, sets and locales were authentic, for once. I particularly like the addition of a sauna. If you didn't recognize this as the Hamlet story, you might think it simple-minded, but I thought it was wonderful to see Hamlet's bare bones, as it were.