They

They isn't a horror film for fans of horror who like gratitious gore and is more of a plot-thought provoking film where if you ever did suffer from the mental disorder known as Night Terrors as i did as a young child then this movie will strike a chord within you and leave chills running up and down your spine. If you never had horrific nightmares as a kid then it probably won't do much for you as the acting really isn't that great and I really didn't feel that sympathetic towards any of the adult charachters once They got them. They afterwards spooked the living crap out of me as for several weeks now I've had to close my closet door before i go to sleep as I have visions of the very well executed They monsters in the back of my mind.Definatley rent the DVD as the alternate ending offers more of an explanation as to what They is but it also takes away from the horror movie aspect of the film and makes it a film in just psychlogical terror instead. *** out of *****

Rating: *** out of ****

In this era of modern horror, it's really the little films that come through and surprise me the most, so I'm glad to include They among this recent bunch (which also includes the terrifically frightening Dead End and the surprisingly funny Monster Man). I must admit to having relatively low expectations; the film was promoted with the heading "Wes Craven presents" and the film's director, Robert Harmon, hasn't done anything worth mentioning in years.

But the movie works, and if it's not particularly original or outstanding, it's at least very well made and makes smart decisions (i.e. a more atmospheric, quietly creepy approach) that lesser films would have avoided. In fact, the movie is so low-key I'm surprised it wasn't just given a straight-to-video release, as nothing in this picture screams box office success the way a noisy, thrill ride approach that Darkness Falls employed might.

They stars the very cute Laura Regan (sporting an adorable haircut!) as Julia Lund, a psychology grad student who's contacted by an old friend of hers. They reunite in a coffee shop, with the friend mentioning some half-comprehensible blather about "they," then kills himself right before her eyes. At his funeral, Julia meets a couple of his more recent friends (played by Ethan Embry and Dagmara Dominczyk), and upon a few conversations, discover they all have something in common. They've experienced night terrors as kids and believe something in the dark that once branded them as children is now back to collect.

Even running at a scant ninety minutes, it could be debated They still runs too long. The subplot with Embry and Dominczyk doesn't really go anywhere and only provides the opportunity for two lengthy sequences where we know these two are going to meet a particularly horrifying fate. Had these two scenes been less effective, I might have complained, but these setpieces are directed with the right amount of build-up, tension, and atmosphere, making the pay-off worth it. And at least those two aren't as fundamentally useless as Marc Blucas, who plays Julia's disbelieving boyfriend. It's a cliché role and nothing about him stands out in the slightest (see The Grudge for a very similar role).

As the lead, Laura Regan proves a very competent performer who's sympathetic and likable. The little discoveries she makes are creepy and intriguingly enthralling. There's hints of an alternate "universe" these creatures live in and the brief views we get of this world are among the film's most visually engrossing moments.

The monsters themselves are mostly kept out of plain sight, kept hidden in shadows and darkness so that what little we can see only enhances the scares. The sounds they make also build a nice sense of unease, a trilling noise that gives the creatures an otherwordly feel to them, not unlike the mysterious creatures in Signs.

The film is mostly a collection of effectively frightening setpieces. Most of the concepts the movie introduces are left both satisfyingly and frustratingly unresolved; there's just enough to fascinate, but maybe just a few more answers or theories would have been appreciated. They comes to an abrupt end, but that works in favor of the movie, finishing things off on a startlingly high note.

THEY are our childhood fears haunting our adult lives. THEY shun the light, living only in shadow. THEY've marked their victims as children, returning years later to claim them.

One big complaint about this movie is the darkness. No, not the atmosphere, the actual darkness that makes many scenes difficult to see. Sorry, squinting won't help.

RECOMENDATION TO VIEWERS: Watch this movie in a dark room with the video brightness set at 100%. Then, you might be able to make out what's happening, especially in the scenes containing the monsters. Having watched it this way, it was more visible and enjoyable. However, you may need sunglasses for the brighter sequences...

While preparing for the examination of her Master Degree in Psychology, Julia Lund (Laura Regan) is called by her friend from childhood Billy Parks (Jo Abrahams) to meet him in a bar. They both had nightmares when they were children, and Billy is totally disturbed with demons from the dark that would be chasing him and commits suicide in front of Julia. The traumatic experience, plus the meeting with two friends of Billy, Sam Burnside (Ethan Embry) and his girlfriend Terry Alba (Dagmara Dominczyk), in the funeral make Julia having nightmares again. When Sam tells her that they four have been tagged in their childhood, and demons are coming to get them to the darkness, Julia becomes afraid of the dark and asks for help to her boyfriend Paul Loomis (Marc Blucas).

"They" is a promising good movie that fails in the conclusion, which is not satisfactory. This movie is not totally bad, but I prefer "Fear of the Dark" (2002), which explores the same theme using the psychological factor of the common fear of the dark that children might have. The option in "They" of making the demons real, with reasonable special effects, is sillier, unexplained and not so scary. My vote is five.

Title (Brazil): "Habitantes da Escuridão" ("Inhabitants of the Darkness")

Well-crafted thriller that plays upon night terrors and the old "monster in the closet" legend. An ambitious, sensible young psychology student is occasionally frightened by memories of old childhood nightmares. She, along with a group of strangers, eventually come together believing they were all traumatized and "tagged" as children by mysterious night demons, the very same demons who may be returning to complete some ominous, unfinished business. Occasionally spooky thriller holds your interest the way it should, but it never really tops its effective opening sequence, or gets informative enough to be really satisfying. **