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Darkness

  • 2002
  • PG-13
  • 1 घं 28 मि
IMDb रेटिंग
5.4/10
21 हज़ार
आपकी रेटिंग
Darkness (2002)
CT #1 Post
trailer प्ले करें1:31
2 वीडियो
24 फ़ोटो
Supernatural HorrorHorror

अपनी भाषा में प्लॉट जोड़ेंThere's something in this house - Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is d... सभी पढ़ेंThere's something in this house - Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is darkness.There's something in this house - Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is darkness.

  • निर्देशक
    • Jaume Balagueró
  • लेखक
    • Jaume Balagueró
    • Fernando de Felipe
    • Miguel Tejada-Flores
  • स्टार
    • Anna Paquin
    • Lena Olin
    • Iain Glen
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.4/10
    21 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Jaume Balagueró
    • लेखक
      • Jaume Balagueró
      • Fernando de Felipe
      • Miguel Tejada-Flores
    • स्टार
      • Anna Paquin
      • Lena Olin
      • Iain Glen
    • 364यूज़र समीक्षाएं
    • 89आलोचक समीक्षाएं
    • 15मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 जीत और कुल 3 नामांकन

    वीडियो2

    Darkness
    Trailer 1:31
    Darkness
    Darkness
    Trailer 2:31
    Darkness
    Darkness
    Trailer 2:31
    Darkness

    फ़ोटो24

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 20
    पोस्टर देखें

    टॉप कलाकार26

    बदलाव करें
    Anna Paquin
    Anna Paquin
    • Regina
    Lena Olin
    Lena Olin
    • Maria
    Iain Glen
    Iain Glen
    • Mark
    Giancarlo Giannini
    Giancarlo Giannini
    • Albert Rua
    Fele Martínez
    Fele Martínez
    • Carlos
    Stephan Enquist
    • Paul
    Fermí Reixach
    Fermí Reixach
    • Villalobos
    • (as Fermi Reixach)
    Francesc Pagès
    • Driver Traffic Jam
    Craig Stevenson
    • Electrician
    Paula Fernández
    • Girl 1
    Gemma Lozano
    • Girl 2
    Xavier Allepuz
    • Boy 1
    Joseph Roberts
    • Boy 2
    Marc Ferrando
    • Boy 3
    Josh Gaeta
    • Boy 4
    Mattew Dixon
    • Boy 5
    Carlos Castañon
    • Friend 1
    Carles Punyet
    • Friend 2
    • निर्देशक
      • Jaume Balagueró
    • लेखक
      • Jaume Balagueró
      • Fernando de Felipe
      • Miguel Tejada-Flores
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं364

    5.420.7K
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    फ़ीचर्ड समीक्षाएं

    4Buddy-51

    The same old thing

    In terms of its storyline, "Darkness" is pretty much like every other haunted house movie ever made. We start off with the usual unsuspecting family of four who find themselves knee deep in ghouls and ghosts the moment they move into their new residence (the family is American and the home is in Spain in this outing). Of course, anyone in his right mind would hightail it out the door two seconds after setting foot in the house - but not this group! They want to hang around to see what "happens." It is Oscar-winner Anna Paquin, as the moody but perceptive teenaged daughter of the clan, who gets to have her name above the title here - a dubious distinction at best, I'm sorry to say.

    "Darkness" has just about all the standard accoutrement's one would expect to find in a film on this subject. In addition to the perpetual thunderstorm taking place outside and the electricity that keeps going out on cue, we also have the self-activating toys, the strange voices on the telephone, the ghostly images on photographs, the father who becomes exponentially more psychotic in every scene in which he appears, and the mysterious old man with the limp who shows up out of nowhere and seems to hold the key to everything. Seasoned veterans will be able to predict just about every hackneyed setup and cliché a full hour before it officially arrives on screen. For instance, we just know, without room for quibble, that the minute the mother brings home a box of colored pencils for her delighted little boy to play with, the tyke will start drawing strange and disturbing pictures to help push the plot points along. It's practically de rigueur when it comes to films in this vein. (However, I must say, in all fairness, that the movie does NOT include the cat-jumping-out-at-the-audience scene, which is pretty much standard issue for every horror flick these days. The filmmakers DO earn some bonus points for that).

    Paquin makes for a feisty heroine, and it isn't really her fault that her character always seems to be ten giant steps behind the audience in figuring it all out. And as to the "What the *&$%?" ending - well, it's either so brilliant that it is beyond the ken of mere mortal man to figure out, or it's one of the biggest final curtain stumbles in horror movie history. I have my own personal notion as to which of those two it really is, but I'll let you figure that one out for yourself. After all, I have to leave you with SOMETHING interesting to do while you're watching this film.
    rixrex

    Mix The Shining & Poltergeist, add Boredom & Asian Horror Rip-off, you get this Junk.

    This has got to be the absolute worst of all of the Asian horror rip-off wannabees around. It is the least terrifying and most boring of all the horror films I've seen since the year 2000, and perhaps even earlier.

    The whole plot idea is just another version of The Shining with some Poltergeist stuff mixed in for good measure. Every time the father goes wacko, I'm fully expecting him to pop his head through someplace and say, "Here's Johnny!" There's positively no suspense in this thing at all and the whole last half hour is completely obvious, so it's just a matter of, do you turn it off, or watch to see how right you are. Besides that, the story idea is beyond lame and without any depth or thoughtfulness. It's a exercise in pursuing filmic style over substance, yet here the substance is almost non-existent and the style is plagiarized.

    To make matters worse, the acting is tepid at best. The actors portraying the mother and father turn in rudimentary performances without conviction, the son is also just there for the filling. The most terrifying moments of the whole film are when watching the performance of the daughter, basically a one-note deal, with every facial expression used for effect being about the same, and a monotone voice warbling in constant teenage angst. We have characters constantly whispering for no reason regardless of their setting.

    Also, the daughter is just about the most obnoxious and bitchy teen girl ever, and attempts to present herself as the moral fascist in charge of the family. Viewers may find themselves hoping for her demise at the end just to be rid of her. And also hoping for the end to come as soon as possible so they can watch something else.

    PS: I've read every HP Lovecraft story published, and I don't see this as being anywhere close to "Lovecraftian".
    mezenov

    A real treat for horror fans

    Spain - what a great country! It gave us Julio Medem, it gave us Alejandro Amenabar, and now there's Jaume Balaguero, the man who brought us Darkness, a horror film that's clever, fresh & intriguing. An american family (Iain Glen & Lena Olin) with a teenage daughter (Anna Paquin) & a little boy (Stepnah Enquist) moves into an old house somewhere in Spain, and soon enough find out that there's something wrong with it. There are ghosts of children, supposedly murdered in this very house, there's a strange man walking around the house watching it silently, the little boy is afraid of the dark & wakes up with bruises on his body & the father, who A) has a dark secret in his past, which is somehow connected to the house & B) is not very well in the mental department, starts going a little bit crazy. Sure, it all sounds corny enough, and every person who've seen films like The Sixth Sense, A Stir Of Echoes and The Shining can smile his way through the first half of the film thinking he's seen it all already. But Balaguero has more tricks up his sleeve then just a collection of genre cliches. In fact, he enjoys playing with these cliches, because later things turn not quite the way you were dead sure they would, and the final act has even more surprises in stock. The film is genuinly scary, especially in the second half when the tension just won't let up. The visuals are good - a couple of scenes are pretty likely to haunt you days, maybe even months after watching the film. The final verdict: definitely worth seeing, maybe even more than once. I haven't received that much pleasure from a horror film in quite a while

    P.S. And please, people, stop comparing it to The Others, the two films have very little in common except for the set-up (children in a haunted house)
    8ailiaq

    Subtle yet truly frightening

    This movie is not your typical American horror flick (which makes sense since it's a Spanish film). It's a far cry from the gory, cliché-ridden and painfully explained horror movies that American audiences are used to.

    Darkness disturbed me on different levels. One of them was the family dynamics (notably the father's mental issues), and the suggested potential for violence. The other was the supernatural element, which was used in a subtle and truly frightening manner.

    I've seen thousands of horror movies in my lifetime, and this is one of the best. However, if you are not one for nuances and feel that gore is a requisite from a horror movie, then stay away from this one.
    5SnoopyStyle

    ok visual

    Maria (Lena Olin) and Mark Rua (Iain Glen) with their children Regina (Anna Paquin) and Paul move into an isolated house in Spain. Mark is troubled and has a complicated relationship with his father Albert Rua (Giancarlo Giannini).

    Director Jaume Balagueró seems to have a grasp on moody horror visuals. The movie mostly works, if somewhat a slow bore, until the last act. It's a mistake to separate Anna Paquin from the family but sending her back to the house may be a bigger mistake. The movie needs to plant the seeds of this premise a lot better and a lot sooner. The opening tells us nothing other than a 40 years difference. By that alone, we have to assume either Mark or Maria's involvement. There could be so much more done with this premise. It needs to introduce the darkness sooner. They should start killing right away. The story needs work.

    इस तरह के और

    Los sin nombre
    5.8
    Los sin nombre
    Frágiles
    6.0
    Frágiles
    They
    4.8
    They
    Películas para no dormir: Para entrar a vivir
    6.2
    Películas para no dormir: Para entrar a vivir
    Parasite
    4.1
    Parasite
    Darkness Falls
    5.0
    Darkness Falls
    Muse
    5.4
    Muse
    Alicia
    5.6
    Alicia
    Whisper
    5.7
    Whisper
    Open House
    4.3
    Open House
    Días sin luz
    5.7
    Días sin luz
    The Beast Within
    5.6
    The Beast Within

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      One of the three films that received an "F" CinemaScore from audiences upon their release in 2002, along with Feardotcom (2002) and सोलारिस (2002).
    • गूफ़
      When Paul lines up his colored pencils, a crew member's hand can be seen with an air nozzle ready to make the pencil roll under the bed.
    • भाव

      Paul: I don't like the dark here, it keeps eating my pencils.

    • इसके अलावा अन्य वर्जन
      The following scenes were cut for the US theatrical version:
      • After Maria (Lena Olin) and Regina (Anna Paquin) talk at the breakfast table about unpacking, there is extra dialogue in which Regina admits she hasn't decided if she is staying or not. Interestingly, Dimension cut all references to the family have these kind of domestic issues with the daughter.
      • Following the first scene at the swimming pool, there is a brief scene where Regina is visited by her boyfriend Carlos ('Fele Martinez') in the girls' locker room. They talk briefly about him coming over and she chastises him for sneaking into the locker room. A girl walks by in the background in a towel and no nudity is in the scene. When Mark (Iain Glen) is driving Paul (Stephan Enquist) to school, Paul asks, "Are you and Mom going to split up?" Mark responds by saying that "only families that don't get along split up."
      • After Mark arrives home from the hospital, Regina has an argument with her mom on the front porch. The US version edits a section of dialogue where the mom says, "If you don't like it here than you can just get your things together and go."
      • Following this fight, Regina visits Carlos in his apartment. She tells him about the argument while he develops photographs.
      • Following her father's row with the electrician, there is an extra scene where Regina returns to her room where Carlos is painting. He surprises her by taking a photograph (during the flash the ghost children are seen; it figures in later). She says to him, "I'm staying." When Carlos asks why, Regina tells him not to ask her and only says, "I can't leave now."
      • Regina and Carlos have additional dialogue before the scene where she tells him about her father condition at the swimming pool. She reiterates that he shouldn't ask her what is going on.
      • During Mark's second attack when he begins cutting the potatoes franticly with the knife, there are a series of flashes back to his past. After he cuts his hand, there are several close ups of the bloody hand and blood dripping onto the floor.
      • Two extra scenes appear back to back. One has Regina and Carlos in front of a computer looking up information and discovering "Ouroboros" and a website outlining some of the ritual. The other has the architect discovering the original letter with the design plans of the house while he is digging through papers. The US version cuts straight to Carlos and Regina in the library.
    • कनेक्शन
      Featured in Nightmares in Red, White and Blue: The Evolution of the American Horror Film (2009)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल21

    • How long is Darkness?Alexa द्वारा संचालित
    • What are the differences between the PG-13 and Unrated Version?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 अक्टूबर 2002 (स्पेन)
    • कंट्री ऑफ़ ओरिजिन
      • स्पेन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • Miramax (United States)
      • Official Facebook
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • The Dark
    • फ़िल्माने की जगहें
      • बार्सिलोना, केटलोनिया, स्पेन
    • उत्पादन कंपनियां
      • Castelao Producciones
      • Dimension Films
      • Fantastic Factory (Filmax)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,06,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,21,63,442
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $64,00,000
      • 26 दिस॰ 2004
    • दुनिया भर में सकल
      • $3,39,88,736
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 28 मिनट
    • ध्वनि मिश्रण
      • DTS
      • Dolby Digital EX
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Darkness (2002)
    टॉप गैप
    What is the Japanese language plot outline for Darkness (2002)?
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    • योगदान करने के बारे में और जानें
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