The Six Men

The movie title refers to a gang of six criminals that Scotland Yard is unable to pin a charge against even though they are positive of the identities.

Throughout the film the gang members are, one by one, set up and framed with a charge that ensures a decent jail term – who is pulling the strings for this to occur? It seems the only link is the 'femme' Christina, but how and why this would be an answer is not clear until the final few minutes when the whole mystery is unraveled.

This is a 'B' movie time waster and will not appear in any desirable list. The actors try hard and for the most part do very well with the available material. It is certainly worth an hour of your time, particularly if you enjoy the British B movie Crime / Drama genre.

7 /10 from me

If you like blues piano there are some good close-up shots on the bar scenes.

The first - and last - feature film made by a director with a background in public information films. This comprises a vividly photographed, tongue-in-cheek Edgar Wallace pastiche obviously swiftly polished off on half a shoestring depicting the downfall of a gang of six criminals engineered by Scotland Yard detective Harold Warrender.

THE SIX MEN is a low rent British crime film that suffers from a lack of incident and characters that you can't really warm to. It does benefit from an atypical storyline in which the six members of a criminal gang are the protagonists and the film follows their misadventures as they find themselves captured and carted off to jail one by one.

There's some mild suspense raised as to who the mysterious figure is who is orchestrating the arrests, but to be fair it's never really that gripping and you could turn this off ten minutes before the end and be forever none the wiser without too much bother (the eventual resolution is hurried and makes you shrug your shoulders in response). THE SIX MEN is the kind of film to keep you watching but it's something you'll forget about too shortly afterwards. The cast is undistinguished and lacks the usual familiar faces from the era. The only bits I really enjoyed were the goofy, randomly-inserted scenes of humour involving the bumbling detective who gets his stick trapped in the grill and suffers other indignities as the running time goes on.

A group of six villains led by Mastermind Peter Bull has been baffling Scotland Yard for years. However, someone is following them around, leading them into temptation and knocking them off one by one, as Harold Wallender's assistant, Michael Evans catches them in the act, when he's not busy pursuing beautiful actress Olga Edwardes.

With dialogue that sounds like it's from a boy's newspaper, a frenetic score by Hans Gunther Stumpf, and lighting by cameraman S. D. Onions that throws dramatic shadows on the bare walls of underdecorated sets, it's the model of a quota quickie that doesn't strain the brain too much. It's a pleasant enough time water for an undemanding audience.