Cowboy Bebop: Tengoku no tobira

I'll try to avoid echoing other comments here and cut straight to the chase: This is not perfect, but MAN it's so close. I had some trouble with the pacing, which seemed a bit slow to me--as if they weren't quite sure how to work with a feature-length timeframe; I'm still a bit hazy on just how the villain's threat was resolved, which I'm usually not after a CB episode; and gosh, *why* isn't "Tank!" on the soundtrack? Songs with words just don't cut it in a CB score. --But honestly, those seem like such small problems next to everything that's wonderful about this movie. It has all the stuff you love about Bebop the series: the brilliant, flashing action and fight sequences, the character interaction, Spike's nicotine jones =), the gorgeous cinematic visuals, and the dreamlike melancholy that underlies even the funniest moments. The villain, his grip on the fantasy/reality divide completely erased after a genetic experiment on Titan, makes a neat counterpoint to Spike, forever haunted by his dreams of the perfect future he once believed in. Jet's protective concern for his reckless teammates was never better painted than in a scene where he blusters about how much happier he was without any of them and couldn't care less where they are, only to pounce on the phone's first ring like a worried mom on date night. There's just a *little* more of Faye's skin for the fanboys (but only a very little bit more, honest! we're not talking topless here! x my heart!), Ed has a trick-or-treat encounter that would never make it to American TV, and even the Big Shot duo put in an appearance (despite having absolutely nothing to say).

It's not intended as a wrap-up or finale to CB the series; it occurs in between episodes and should be thought of that way, as an experimental episode both different from and similar to the original sessions. Kind of like an extended jam on an established theme, with improvisations, in the true bebop style.

I have to disagree with anyone who says that Knockin' on Heavens Door (Tengoku no tobira) is a throw-away movie version of a popular anime series.

I have seen this movie and I loved it. The plot is involving and keeps the viewer involved in the story.

The aspect of Vincent being the one who is searching for a way to see if he is really dreaming or awake is a nice twist from it just being Spike who wonders the question. The soundtrack fits well with the action in the movie and heightens the action and suspense.

The scenery is dynamic and the characters, the main cast as well as the new additions, carry the weight (yes, yes, I know they're not real) of the movie and the script which is well written and very Bebopish.

This movie is a perfect addition to the Cowboy Bebop series and is definitely not a throw-away.

Watching Cowboy Bebop: The Movie is kind of like reconnecting with an old friend. He's got the same sense of humor, the same style and you recognize him, but at the same time, he's matured. Perhaps he's grown sleeker, taken advantage of improved technologies, or perhaps gotten a little wide around the belly.

Everything's back in Cowboy Bebop the movie. Because of the characters and plot as we know it, the movie probably occurs somewhere in the late teen episodes or early twenties episodes of the series, which has a positive and a negative effect. If you've already watched the series, then certain things don't surprise you since you know what happens to the characters later. Furthermore, because this was produced after the series, it also doesn't get to tangle with the central storyline of the series (they mythology), where the series, which was excellent even in the anthology episodes, really shined. On the plus side, it hits where we're most familiar with the series, before things get super serious and with the characters in the state that they spent most of the series.

The story deals with a bioterror threat and the Cowboys get caught up in it, while trying to nab bounties to make a little change while in an urban city. There is no space travel or dogfights in space, but The Movie does take efforts to include a little of everything that the series has had (minus the mythos), so expect to see martial arts, gunplay, dogfights (but not in space), goofing off, hungry characters, Ed being silly and such.

Unfortunately, the story only lives up to the high standard of a stand-alone episode of Cowboy Bebop, but despite the fact that The Movie is considerably longer than an episode, it all flows along smoothly and feels like you just watched a good two-parter rather than an episode that's been dragged out. Nonetheless, since we hardly get into the Cowboy characters, the story doesn't have the same resonance of the stronger episodes in the series. Instead we get to go deeper into a pair of characters for the movie, who have somewhat interesting stories, but aren't strong enough to really carry the emotional heft of the film since they aren't the protagonists.

The art, on the other hand, is still gorgeous and the movie benefits from the widescreen aspect ratio as well as what appears to be an improved budget for the animation, as everything, from backgrounds to characters, are treated with a wonderful level of detail. There are a few scenes involving butterflies that are absolutely beautiful to look at. Furthermore, the sound benefits from a great surround sound mix, adding directionality and heft to the soundtrack. Finally, the score by Yoko Kanno is delicious to listen to and perfectly brings you back into the series while presenting some absolutely stunning new songs in the mix as well.

Overall, Cowboy Bebop: The Movie is a fun ride. Although, in the end, it's not as strong (story-wise) as the more compelling episodes of the series, the art, the sound, the music and just getting to spend a little more time again with characters you've come to know and love makes this a thoroughly enjoyable film. Recommended for Cowboy Bebop fans--but you must watch at least most of the series before watching this. 8/10.

"Cowboy Bebop: Knocking on Heaven's Door" is an animated feature based on a tv anime series (released on DVD) that has gained quite a following on both sides of the Pacific. It is interesting to note how Mr. Watanabe manages to pull off a balancing act required to satisfy both the loyal following of the tv series, to whom the introduction of principal characters and setting would be redundant, and to those who are relatively new to the "Cowboy Bebop" universe, of which I am the latter.

To those not well versed in the "Cowboy Bebop" lore, it takes some time to get familiar with various featured characters. The film begins in the same fashion as any of its self-contained tv episode would, in that not a lot of exposition is provided for grasping the setting. The characters are more or less introduced as 'bounty hunters' and that is as much of a background the film lets on before establishing the main plot.

It is not too much of a setback not to be given any opportunity to become attached to any of the characters. They are there to simply convey various scenes of the main plot and arrange them into place before they culminate into an oft-tread climax. The plot is briskly disclosed (rather literally spelled out by dialogue, no implication) and turns out to be a fairly mundane yarn that does not break any new ground in narrative nor provide any catalyst for any interesting character development or revelation.

The symbolism and nuance that are laid thick in colorful locales and poignant sceneries may merit repeat viewings to appreciate them; a careful analysis of the film brings another level of enjoyment to overall experience. Also relationships between the characters and circumstantial developments of the plot seem to rely too impulsively on coincidence, not mindful of what the viewer is meant to discern. This could be attributed to attempting to weave a credible plot involving diverse elements and subplots in a limited frame of time, or it could have been something else relevant in the context of the "Cowboy Bebop" tv series. Some have suggested that this film is nothing but a figurative dream, in which the main character confronts the guilt of his past to help him proceed to his ultimate fate in the last remaining episodes of the tv series.

If that was the case, then the film ends up being not as complete or entertaining to the "Cowboy Bebop" novices as it would have been for those well acquainted with the tv series. To that effect, it is rather disappointing.

"Cowboy Bebop" features lush animation that features some of the most impressive displays of action sequences put to cel, particularly the confrontation at the medical lab between Spike and Electra, not to mention the prolonged martial no-holds-barred showdown between Vincent and Spike. The character designs are fairly distinct and varied, although in some instances they linger a bit too long on stereotypical depiction of some races. The details given to many of the locales are unsurpassed in their variety and ambience; it is a testament to how artists went as far as to include references to mainstream culture, dotting the background with "WcDonald's" and "Kodac" (although I am lead to believe such play on words is the Japanese equivalent of product placement).

The music is another highlight of the film, which is not unexpected of Yoko Kano, who is a renowned composer of anime soundtrack who have previously lent her resourceful talents to other popular anime such as "Macross Plus" (another collaboration with the director Watanabe). The compact blend of blues and jazz heightens the urgent mood and graces slower parts with an equally effective repertoire. I don't know about others, but I did not mind the dubbing of the film too much. Maybe because the voices are supported by a script that is partially altered to bring out genuine emotion to the dialogue and to resolve colloquial barriers between the languages.

"Cowboy Bebop: Knocking on Heaven's Door" is a good standard action romp that is further enhanced by superb animation, equally enjoyable music, and more or less succeeds both as a tribute to the series' fans and a good introduction of the series to those who might be interested in one of the better anime licenses to have come ashore. Recommended.

i suspect that one of the reasons that this film has such a high score is because it contains two very important words to many anime fans: 'cowboy bebop'. and thus it gets a lot of 10's. but it is because of its title that i cant give it that high a score.

this is an ok film, better then sum (spriggan) worse than others but the problem is that it is going with one of, if not the, finest series of anime ever. the characters are there but the story and the dialogue were not. and this is a real shame. eye candy is fine but there must be more to it than this, especially when compared to the epic story lines of 'real folk blues'.

its ok, but with 'cowboy bebop' that just isnt good enough.