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शैल में भूत

ओरिजिनल टाइटल: Kôkaku Kidôtai
  • 1995
  • UA
  • 1 घं 23 मि
IMDb रेटिंग
7.9/10
1.7 लाख
आपकी रेटिंग
लोकप्रियता
1,834
11
शैल में भूत (1995)
2029: A female cybernetic government agent, Major Motoko Kusanagi, and the Internal Bureau of Investigations are hot on the trail of "The Puppet Master," a mysterious and threatening computer virus capable of infiltrating human hosts. Together with her fellow agents from Section 9, Kusanagi embarks on a high-tech race against time to capture the omnipresent entity. Director Mamoru Oshii's award-winning cyber-tech thriller, based on the comic book by Masamune Shirow, has established itself as one of the leading Japanese animation films of all time.
trailer प्ले करें2:03
2 वीडियो
99+ फ़ोटो
Sci-Fiअपराधआर्टिफ़िशियल इंटेलिजेंसएक्शनएडल्ट एनिमेशनएनिमेएनिमेशनकॉप ड्रामाडायस्टोपियन साइंस-फाईड्रामा

एक साइबर्ग महिला पुलिसकर्मी और उसका साथी पपेट मास्टर नाम के एक रहस्यमय और शक्तिशाली हैकर को पकड़ते हैं.एक साइबर्ग महिला पुलिसकर्मी और उसका साथी पपेट मास्टर नाम के एक रहस्यमय और शक्तिशाली हैकर को पकड़ते हैं.एक साइबर्ग महिला पुलिसकर्मी और उसका साथी पपेट मास्टर नाम के एक रहस्यमय और शक्तिशाली हैकर को पकड़ते हैं.

  • निर्देशक
    • Mamoru Oshii
  • लेखक
    • Shirow Masamune
    • Kazunori Itô
  • स्टार
    • Atsuko Tanaka
    • Iemasa Kayumi
    • Akio Ôtsuka
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.9/10
    1.7 लाख
    आपकी रेटिंग
    लोकप्रियता
    1,834
    11
    • निर्देशक
      • Mamoru Oshii
    • लेखक
      • Shirow Masamune
      • Kazunori Itô
    • स्टार
      • Atsuko Tanaka
      • Iemasa Kayumi
      • Akio Ôtsuka
    • 399यूज़र समीक्षाएं
    • 122आलोचक समीक्षाएं
    • 76मेटास्कोर
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    • पुरस्कार
      • 5 जीत और कुल 7 नामांकन

    वीडियो2

    Official Trailer
    Trailer 2:03
    Official Trailer
    Ghost in the Shell
    Trailer 0:25
    Ghost in the Shell
    Ghost in the Shell
    Trailer 0:25
    Ghost in the Shell

    फ़ोटो114

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    टॉप कलाकार56

    बदलाव करें
    Atsuko Tanaka
    Atsuko Tanaka
    • Kusanagi Motoko
    • (वॉइस)
    Iemasa Kayumi
    • Ningyô tsukai
    • (वॉइस)
    Akio Ôtsuka
    Akio Ôtsuka
    • Batô
    • (वॉइस)
    Kôichi Yamadera
    Kôichi Yamadera
    • Togusa
    • (वॉइस)
    Yutaka Nakano
    • Ishikawa
    • (वॉइस)
    Tamio Ôki
    • Aramaki
    • (वॉइस)
    Tesshô Genda
    Tesshô Genda
    • Nakamura buchô
    • (वॉइस)
    Namaki Masakazu
    • Urisu hakase
    • (वॉइस)
    Masato Yamanouchi
    • Gaimu daijin
    • (वॉइस)
    Shinji Ogawa
    • Gaikôkan
    • (वॉइस)
    Mitsuru Miyamoto
    • Daida Mizuho
    • (वॉइस)
    Kazuhiro Yamaji
    • Seisô kyokuin
    • (वॉइस)
    Shigeru Chiba
    Shigeru Chiba
    • Seisô kyokuin
    • (वॉइस)
    Hiroshi Yanaka
    • Kenshi-kan
    • (वॉइस)
    Ginzô Matsuo
    • Ossan
    • (वॉइस)
    Takashi Matsuyama
    • Jikkô-han
    • (वॉइस)
    Sanryô Odaka
    • Gishi
    • (वॉइस)
    Masamichi Satô
    • Untenshu
    • (वॉइस)
    • निर्देशक
      • Mamoru Oshii
    • लेखक
      • Shirow Masamune
      • Kazunori Itô
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं399

    7.9167K
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    फ़ीचर्ड समीक्षाएं

    tiyung

    At the top of its genre...

    I was a huge anime fan in highschool but as time progressed, my interests and focus in media have changed. A few days ago I re-discovered my forgotten anime collection. Behold, Ghost in the Shell.

    Watching this fine piece of animation again brought back the reasons why I was attracted to anime in the first place. It is obvious that a lot of work went into Ghost in the Shell; the attention to graphic details creates some remarkably realistic animation.

    Though the major reason to see this film is for the animation, there are also other fine points to consider. It has a fairly complex plot. The science it focuses on is definitely modern though, albeit, fantastic.

    I recommend the subtitled version because the dubbed dialog is sometimes over wordy and odd-sounding (as are most dubbed versions).

    Some viewers may be turned-off by the many scenes that aren't accompanied by music, especially the action sequences. The music, however, is outstanding. There are a couple of scenes that are basically slide shows of various themes. These are accompanied with music and no dialog. The animation, to say the least, is beautiful and seems to be the focus.

    In summary, Ghost in the Shell is very satisfying.
    10dee.reid

    It found a voice... and a following

    "Ghost in the Shell" is an intricate masterpiece of cyber-punk fiction and storytelling, successfully melding intriguing philosophical ideas with a coherent, well thought-out (albeit) confusing plot.

    Even more, it's a nightmarish vision of a society that's dominated by cyberspace and looking back now, is eerily prescient of today's computerized times. Many of the characters in the film are enhanced, someway or another by machines, to help them get the advantage in a vastly changing society.

    I'll avoid going real deep into the plot simply because there's a whole lot to grasp and even I got more than a little confused trying to follow it. The story is that a team of high-level government operatives are hot on the trail of a notorious computer hacker called the "Puppet Master," who is wanted for various crimes in cyberspace and has taken a particularly fond interest in the team's tough, female cyborg leader.

    Not surprisingly, as with the stigmas surrounding Anime', "Ghost in the Shell" is not short of nudity and graphic violence. But it's far from being gratuitous, and does not slow down the movie at all.

    "Ghost in the Shell" was one of the first Anime' films to skillfully blend traditional drawn animation with computerized imagery. This helps to give the film a surreal, yet beautiful look. And the dialogue helps sometimes too, with helping to sort out the confusing plot and many of its mythical ideas about personal identity and human evolution.

    This film is also even more revered today, in 2004, since some of this film's core themes helped to develop the plot basis of the insanely popular "Matrix" films, and some scenes from "Ghost in the Shell" were even homaged to in the first "Matrix" movie. The Wachowski Brothers certainly do owe a lot to this movie for the success of their work in America.

    I think that to understand "Ghost in the Shell," it would help to accept that Anime' is much more complex and daring than traditional American animation. Most Japanese animation films, like this one, "Akira," or Mayazaki's "Spirited Away," are on a level of sophistication that will never be matched in America.

    It has been said that the majority of American audiences would be afraid of Anime' because of the many stereotypes surrounding it, but that's why it's boundless - it's been given free reign to use those stigmas to its advantage in developing truly remarkable pieces of art that have gone largely ignored here in the U.S. "Ghost in the Shell" could very well be a mere reflection or a parable of a doomed society that's probably already accepted its dark fate. Most American animation would never touch up on this sort of subject matter.

    "Ghost in the Shell" is my #3 choice Anime' film (behind "Spirited Away" and "Akira") because it's so full of ideas and is masterful in telling a dark story about our times.

    10/10
    AMIO-PatricioMunoz

    A Visually Stunning Anime for Adult Audiences

    Wonderfully executed anime classic.

    It is a darker anime tale aimed towards a more mature audience. I enjoyed the amazing realism of this film. The attention to detail is definitely enjoyable to see.

    The DVD has a rather enjoyable documentary on the making of the film. Any fan will enjoy the structure and content of the documentary. It is quite informative on the process of making the film.

    Like most Anime, there is a lot of character development and dialogue mixed with stunning visuals.

    I think the most captivating element that this film has to offer is its creative "cinematography" and attention to detail. There are numerous memorable shots in this film.

    This is not an anime for everybody. Attention to story is critical and I am guilty of rewinding certain areas just to keep up with the story.

    Thankfully this is not a mindless science-fiction/anime tale filled with crazy action sequences. The Ghost in the Shell proves to be quite philosophical in nature by questioning the meaning of life.

    I would love to venture deeper into this story and its message but I think it is better for you interpret it on your own.

    Remember to watch this movie with your heart, not with your mind. Reflect on it later. This is the best way to enjoy this type of film.
    8TheMovieDiorama

    Ghost in the Shell is one of the most heavy philosophically themed films ever.

    There are many many many MANY themes to take away from this cinematic experience, perhaps it is abit too heavy for its own good. The story includes a cyborg agent investigating "The Puppet Master" which is a virus capable of infiltrating human hosts. So already we are presented with questions such as: What is reality? Could everything be a simulation? Do memories define us or do we define memories? We have creationism, ideology, afterlife...this is not for your average moviegoer. In fact films like The Matrix took inspiration from this, bear in mind this wasn't entirely accessible to western audiences at the time of its release. It's very heavy going and the script doesn't help. It feels mechanical, which makes sense considering it's a techno thriller and that our protagonist is an emotionless cyborg, but it's so mechanical that it just doesn't flow.

    The lead characters are memorable, from the no nonsense cyborg Major Motoko Kusanagi to her fellow agent Batou. I loved the fact that many of the humans have cybernetic enhancements and is something that could easily be real in many years to come. I adored the computer systems, it was very green and rather cyberpunk-ish...perfect for a film from 1995. The animation was fluid, although not Studio Ghibli, and still has aged well. There are some scenes with just background music and images of the cityscape, this really drives the technological style at its core. The English dub was good apart from Major's voice actress...didn't really work for me. This is a good hard sci-fi anime, although hard to follow it's themes and style pushes this above your average animation.
    10Speechless

    A stunning and complex cinematic warning

    Ghost in the Shell is a masterpiece. I would go so far as to say that it's the second best science fiction film I've ever seen (behind 2001, of course), but no one knows about it. I find it terribly unfortunate that the only American viewers familiar with Ghost in the Shell are anime fans, many of whom overlook the film's complexity and see only its nudity and violence. The movie kind of gets in its own way-- within the first five minutes we see the heroine's nude body as well as a very messy head-exploding scene, and many of the viewers who would otherwise end up enthralled by the film's abundant style and intelligence immediately dismiss it as exploitative anime trash. Every time I show this movie to non-anime fans I have to explain beforehand that Ghost in the Shell is a serious work of science fiction and that everything in it, including the adult content, is part of the point the movie makes about where our society is headed.

    The film is stylish, artistic, and beautiful. Masamune Shirow's stunningly believable vision of the future makes the jump from manga to anime remarkably well. As brilliant as the comics are, I really prefer the film version, which eliminates the nearly pornographic T&A (the film has nudity but it's clearly not meant to be titillating) and all of the exaggerated comic relief which only detracted from the manga in my opinion. The film's action sequences are strikingly different from the overly stylized symphonies of destruction seen in most action films. Gunfire, martial arts combat, and car chases are depicted exactly as they would occur in the real world-- without fast music or Armageddon-style hyper-editing or any of the needless cinematic baggage we've come to expect. But it's the movie's ideas that make it great, particularly in the last half hour, when thoughtful viewers learn what this story is all about-- the emergence of a new kind of life form, an intelligent and self-aware intelligence that can live indefinitely without ever inhabiting a physical body. The film argues that this will occur within the next thirty years, and the superbly ambiguous ending inspires us to come up with our own ideas of what will happen to humanity once this new life form begins to reproduce. This is filmmaking that should be seen and discussed.

    And now the disclaimer. All of the above comments refer to the subtitled Japanese version of the film, NOT the English dub. Simply put, the dub ruins everything. A good example is Kusanagi's wry comment at the very beginning of the film. An officer who is communicating with Kusanagi through a kind of electronic telepathy tells her there's a lot of static in her brain. In the original Japanese version (as well as in the manga) she replies that "It's that time of the month," but in the dub her comment is inexplicably changed to "Must be a loose wire." It's completely insane-- do they think that, in a film with considerable nudity and graphic violence, people are going to be offended by a PMS innuendo? The whole movie is filled with such intelligence-insulting changes; please do yourself a favor and watch the subtitled version.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      In ordinary anime, characters would at least blink to create the feeling of "being animated", but in this movie, Motoko's eyes intentionally stayed unblinking many times. Director Mamoru Oshii's intention was to portray her as a "doll".
    • गूफ़
      The car underneath the spider tank changes in size relative to the tank between shots.
    • भाव

      Major Motoko Kusanagi: If we all reacted the same way, we'd be predictable, and there's always more than one way to view a situation. What's true for the group is also true for the individual. It's simple: Overspecialize, and you breed in weakness. It's slow death.

    • क्रेज़ी क्रेडिट
      On the Special Edition DVD of the film, the Manga Entertainment logo appears shaded cyberspace green and surrounded by circuitry.
    • इसके अलावा अन्य वर्जन
      The original Japanese version has the song "Reincarnation" played over the ending credits. This song was replaced with "One Minute Warning" by Passengers (a collaboration between U2 and Brian Eno) for the English version.
    • कनेक्शन
      Edited into Wamdue Project: King of my Castle (Roy Malone Remix) (1999)
    • साउंडट्रैक
      See You Everyday
      Composed and Arranged by Kenji Kawai

      Lyrics Pong Chack Man

      Vocals Fang Ka Wing

      Chorus Junko Hirotani

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Ghost in the Shell?Alexa द्वारा संचालित
    • In what year does GITS take place?
    • Are all humans in this future cybernized?
    • What are the differences between the Original Version and the 2.0 Version?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 18 नवंबर 1995 (जापान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
      • यूनाइटेड किंगडम
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • Kôkaku Kidôtai
    • उत्पादन कंपनियां
      • Kodansha
      • Bandai Visual Company
      • Manga Entertainment
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • JP¥33,00,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $8,89,074
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,736
      • 4 फ़र॰ 1996
    • दुनिया भर में सकल
      • $9,68,116
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    • चलने की अवधि
      1 घंटा 23 मिनट
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      • 1.85 : 1

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