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The Brothers

  • 2001
  • R
  • 1 घं 46 मि
IMDb रेटिंग
6.3/10
5.2 हज़ार
आपकी रेटिंग
The Brothers (2001)
Theatrical Trailer from Screen Gems
trailer प्ले करें2:23
1 वीडियो
13 फ़ोटो
Romantic ComedyComedyDramaRomance

अपनी भाषा में प्लॉट जोड़ेंFour friends begin to question women and relationships when one of them announces impending nuptials.Four friends begin to question women and relationships when one of them announces impending nuptials.Four friends begin to question women and relationships when one of them announces impending nuptials.

  • निर्देशक
    • Gary Hardwick
  • लेखक
    • Gary Hardwick
  • स्टार
    • Morris Chestnut
    • Shemar Moore
    • D.L. Hughley
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    5.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Gary Hardwick
    • लेखक
      • Gary Hardwick
    • स्टार
      • Morris Chestnut
      • Shemar Moore
      • D.L. Hughley
    • 47यूज़र समीक्षाएं
    • 40आलोचक समीक्षाएं
    • 50मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 8 नामांकन

    वीडियो1

    The Brothers
    Trailer 2:23
    The Brothers

    फ़ोटो13

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 7
    पोस्टर देखें

    टॉप कलाकार31

    बदलाव करें
    Morris Chestnut
    Morris Chestnut
    • Jackson Smith
    Shemar Moore
    Shemar Moore
    • Terry White
    D.L. Hughley
    D.L. Hughley
    • Derrick West
    Bill Bellamy
    Bill Bellamy
    • Brian Palmer
    Gabrielle Union
    Gabrielle Union
    • Denise Johnson
    Tatyana Ali
    Tatyana Ali
    • Cherie Smith
    Jenifer Lewis
    Jenifer Lewis
    • Louise Smith
    Tamala Jones
    Tamala Jones
    • Sheila West
    Clifton Powell
    Clifton Powell
    • Fred Smith
    Susan Dalian
    Susan Dalian
    • BeBe Fales
    Marla Gibbs
    Marla Gibbs
    • Mary West
    Julie Benz
    Julie Benz
    • Jesse Caldwell
    Vanessa Bell Calloway
    Vanessa Bell Calloway
    • Dr. Thelma Woolridge
    Angelle Brooks
    Angelle Brooks
    • Judge Carla Williams
    Kimberly Scott
    Kimberly Scott
    • Redena's Mom
    Aloma Wright
    Aloma Wright
    • Helen Palmer
    Sean P. Young
    • Tyrel Palmer
    Nicole Rubio
    Nicole Rubio
    • Female Bailiff
    • (as Nicole Cummins)
    • निर्देशक
      • Gary Hardwick
    • लेखक
      • Gary Hardwick
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं47

    6.35.2K
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    फ़ीचर्ड समीक्षाएं

    nikki77

    Good Report

    I think this was a great movie. I think it depicted positively things that are happening now to Black people. I also think that it was not a men's version of Waiting to Exhale. I thoroughly enjoyed it. I thought that Morris Chestnut played his role superbly. It was a nice role for D.L as well. I think that more could have been done with Bill's character but overall I was quite pleased with the result of this movie.
    bob the moo

    Distracting film with some good moments but generally a frustratingly uneven tone

    Four professional young black men have a strong friendship that has lasted through relationships and work – even if sometimes it just means getting together for hoops and then drinks at the club. Jackson has commitment issues, Derrick is married, Brian is out for bodies only while Terry is respected for his sexual exploits. So when Terry announces his engagement to new girlfriend BeBe it is met with a mixed reception – cynicism, disbelief and happiness. As Terry prepares for his wedding, the others are having their own relationship issues that will brings changes to all of their lives.

    It is rare to find a film about a group of black men where the only clear sight of a gun is in a white woman's purse and is met with a black man asking it to be removed from his house. Such is the overwhelming force of gangsterisms, guns and machoisms in black culture that I felt I was almost duty bound to see a film that tries something different. However "different" is no guarantee of quality and indeed this film is frustratingly uneven and inconsistent. The basic plot offers a good chance to get inside the heads of four men (regardless of colour) and at times it manages to do this in interesting ways as well as providing some genuinely funny and reasonably realistic banter. However for every moment that is like this there seems to be two where it'll head off into sentimentalism, soap opera drama or outright dumb plot device. It is a shame because generally the film is distracting mush that isn't too sentimental but is still basic to the point where it washed over me – it was only these bad moments that stuck in my throat for one reason or another. The conclusion is suitably mushy and is a fine summary of the film – unconvincing, mushy, unlikely, melodramatic but still reasonably fun forgettable stuff.

    The cast are mixed but mostly match the level of the material by being predictable and a bit unimaginative. Chestnut is probably the best of the cast and makes for a nice leading man – good looks, a bit of charm and the ability to say his lines naturally all help. Hughley is funny and, although he doesn't make a convincing character and is a bit of a caricature but is still fun and his scenes have energy. Bellamy and Moore are somewhat non-events, with the latter very wooden and failing to make an impression on me. The females are generally young and attractive but lack the material served up to the men (which itself isn't that great). Union is sexy but her character doesn't convince and she doesn't know what to do with it. Jones works well with Hughley but Ali, Dalian, Lewis and others generally just hang around with basic lines and no characters to speak of – Ali in particular gets nothing to work with and seems to be there just to draw a laugh from hearing the innocent young Fresh Prince star talking about her "pu**y".

    Overall then a distracting and reasonably amusing film that has some good moments but annoys in the ease with which it just slips into sentimental melodrama etc. The performances are mixed and none of them really help lift the material to something that could have been amusing and interesting. Forgettable fluff that isn't bad but just generally isn't that good.
    7TamPalm

    Funny, Well-Cast, Relatable = A Quality Film

    I can't believe this movie has received a 5.4 on IMDb. Ratings like that make me lose trust in IMDb critics. This movie is NOT a Tyler Perry, low-quality movie and VASTLY deserves a higher rating than a 5.4! Come on now!

    When I first saw this movie years ago, I was impressed. As I've caught it recently on the cable movie channels, I realized my first impression was not a fluke. This really IS a quality film. (DISH Network agrees, it gets 3 out of 4 stars on their rating system.) Funny, but not slapstick. Great acting (I have to admit I was surprised at how well the cast did, especially Gabrielle Union who at the time was a newcomer and DL Hughley whose specialty is comedy.) "Real" characters, real dialogue. Good drama. Even some unpredictability. This movie comes across as genuine and broaches the issues of relationships and friendships and even family much more realistically than does say the self-prescribed relationship flick, "Why Did I Get Married?"

    Even if I hate to (at the risk of adding to the unfairly low rating of this movie), I have to offer honest criticism so that this critique can have integrity. There were some parts of the storyline that were too manufactured and soap opera-ish (enter the girlfriend who just happened to date the father of the man she's fallen in love with) and other parts that were a little too cheesy for what was otherwise a realistic, relatable expose on relationships (enter the two main characters end up together after the overused "man begs for woman back after woman has 'moved on'). Other parts wrap up a little too neatly as well, as all the characters get their happy ending, most of the conflicted characters come around and miraculously see the light, lol (like the unaffectionate mother of Bellamy's character somehow realizing the err of her ways and *gasp* hugging her son for the first time and professing her love, or Moore's character suddenly wanting to be with the woman he just essentially stood up at the alter again.)

    But those knocks on the film are not significant because the film at its essence is a feel-gooder. It's not deep, it doesn't offend, it doesn't make you uncomfortable. It makes you laugh and think a little and smile after it goes off. That's what it sets out to do and the mission was accomplished. You will enjoy your movie-watching experience.

    7.5
    megaman821

    Insightful..No, Entertaining...Yes

    Wow i saw this movie and thought is was quite fun to watch, and then look at the ratings here and see the majority of them are ones. Serious black films get critique harder then other films because black viewers want to have a great black film. So a movie with like this with well-to-do men, exagerated characters, and lots of mood lightening humor wont win any academy awards. But thats not to say this is a bad film. Its very good at what it tries to do. This film is enjoyable whether you are white or black.
    10gwitherspoon

    Props to the middle class "black" man

    I agree with the user who said that the low rating of this fine film could be due to the fact that a number of white viewers are unused to the portrayal of black males as normal, upwardly mobile Americans. The black middle class is treated as nonexistent in real life and the focus is on economically and educationally disadvantaged members. That seems to be the image most Americans are comfortable with and find acceptable. There have been black doctors and lawyers for decades now so there is nothing unusual or new about these young men's careers or lifestyles.

    Having said that, I'm glad to see black men portrayed in a normal, honest, and introspective light. We've all known young men like this but as females, we weren't privy to their private conversations. It is refreshing to know that they have worries, problems, and as many insecurities as their female counterparts and feel comfortable enough to voice them with each other.

    It felt good to hear another "brother" chiding one of his friends for always referring to women as bitches, and pointing out that there was something wrong with HIM, not the women he was attempting to demean. I also liked the fact that Jessie let Brian know that ALL women expect good treatment and respect from a man and that she was no more willing to put up with his shallow, immature behavior than a black woman would. I don't think she was a ditz at all and she didn't take any mess from Judge Carla either.

    Maybe one day soon we can have a movie about middle class black people without making a big deal over their race and view it as just a middle class "people" movie.

    All of the "brothers" learned something about themselves and grew as men and individuals.

    I thought Jenifer Lewis was exceptional in this part and I'm not even a fan. She was so convincing that I actually believed she was Louise. She was a strong, outspoken female who was a good wife and mother. She fought for what she wanted. She wanted her husband back and she got him too - and even got "ole boy" to have a second wedding at that! I found Jackson's parents relationship more interesting than his and Denise's. I was rooting for the mom and dad to get back together and I really didn't care if he and Denise did.

    इस तरह के और

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    6.1
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    6.7
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    7.0
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    6.5
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    5.6
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    5.6
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    Soul Food
    7.0
    Soul Food
    Deliver Us from Eva
    6.0
    Deliver Us from Eva
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    7.3
    Love Jones
    The Best Man Holiday
    6.6
    The Best Man Holiday
    Waiting to Exhale
    6.0
    Waiting to Exhale
    Jason's Lyric
    6.6
    Jason's Lyric

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Morris Chestnut, Gabrielle Union, and Tamala Jones starred in the romantic comedy Two Can Play That Game, which was also released in 2001.
    • भाव

      Derrick West: I don't play, woman. I quit school 'cuz of recess!

    • क्रेज़ी क्रेडिट
      The end credits feature out takes.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Say It Isn't So/Wit/The Brothers/The Tailor of Panama/The Gleaners and I (2001)
    • साउंडट्रैक
      Love Don't Love Me
      Written by Eric Benét

      Performed by Eric Benét

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    Everything New on Prime Video in June

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    अक्सर पूछे जाने वाला सवाल20

    • How long is The Brothers?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 23 मार्च 2001 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Brothaz
    • फ़िल्माने की जगहें
      • लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Screen Gems
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $60,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,74,57,409
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,03,02,846
      • 25 मार्च 2001
    • दुनिया भर में सकल
      • $2,79,58,191
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 46 मिनट
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      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
      • DTS
      • SDDS
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    The Brothers (2001)
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    What is the French language plot outline for The Brothers (2001)?
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