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Brown Sugar

  • 2002
  • U
  • 1 घं 49 मि
IMDb रेटिंग
6.5/10
11 हज़ार
आपकी रेटिंग
Taye Diggs and Sanaa Lathan in Brown Sugar (2002)
Trailer
trailer प्ले करें0:32
2 वीडियो
28 फ़ोटो
फील-गुड रोमांसकॉमेडीड्रामाम्यूज़िकरोमांस

अपनी भाषा में प्लॉट जोड़ेंFriends since childhood, a magazine editor and a hip-hop record executive stumble into romantic territory.Friends since childhood, a magazine editor and a hip-hop record executive stumble into romantic territory.Friends since childhood, a magazine editor and a hip-hop record executive stumble into romantic territory.

  • निर्देशक
    • Rick Famuyiwa
  • लेखक
    • Michael Elliot
    • Rick Famuyiwa
  • स्टार
    • Taye Diggs
    • Sanaa Lathan
    • Yasiin Bey
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    11 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Rick Famuyiwa
    • लेखक
      • Michael Elliot
      • Rick Famuyiwa
    • स्टार
      • Taye Diggs
      • Sanaa Lathan
      • Yasiin Bey
    • 69यूज़र समीक्षाएं
    • 37आलोचक समीक्षाएं
    • 58मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 जीत और कुल 18 नामांकन

    वीडियो2

    Brown Sugar
    Trailer 0:32
    Brown Sugar
    Brown Sugar
    Trailer 0:34
    Brown Sugar
    Brown Sugar
    Trailer 0:34
    Brown Sugar

    फ़ोटो27

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 22
    पोस्टर देखें

    टॉप कलाकार63

    बदलाव करें
    Taye Diggs
    Taye Diggs
    • Andre Romulus 'Dre' Ellis
    Sanaa Lathan
    Sanaa Lathan
    • Sidney 'Syd' Shaw
    Yasiin Bey
    Yasiin Bey
    • Chris 'Cav' Anton Vichon
    • (as Mos Def)
    Nicole Ari Parker
    Nicole Ari Parker
    • Reese Marie Wiggam Ellis
    Boris Kodjoe
    Boris Kodjoe
    • Kelby Dawson
    Queen Latifah
    Queen Latifah
    • Francine
    Wendell Pierce
    Wendell Pierce
    • Simon
    Erik Weiner
    Erik Weiner
    • Ren
    Reg Wyns
    • Ten
    • (as Reggi Wyns)
    Melissa Martinez
    • Meghan
    Aaliyyah Hill
    • Young Sidney
    Marc John Jefferies
    Marc John Jefferies
    • Young Dre
    Venida Evans
    Venida Evans
    • Older Woman
    Breece Wilson
    • Woman
    Brette Taylor
    Brette Taylor
    • Woman 2
    Donna Duplantier
    Donna Duplantier
    • Woman 3
    Rosalyn Coleman
    Rosalyn Coleman
    • Trish Hofmann
    Robin T. Kirksey
    • Bartender 1
    • निर्देशक
      • Rick Famuyiwa
    • लेखक
      • Michael Elliot
      • Rick Famuyiwa
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं69

    6.510.7K
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    10

    फ़ीचर्ड समीक्षाएं

    10a_shiman

    A woman's love for hip hop grows as she ages and learns the significance behind it as well as who it represents.

    My summary of the movie is my opinion. I love this movie because I feel that Sidney Shaw is using a metaphor throughout the whole movie. She is comparing Hip Hop to her best friend Dre, both of which are alike. I find this movie amazing because of all the metaphors found within the movie, that only one can find if they look closely.

    For example, when Sidney and Dre are in the store looking at something to buy for her new place, they come across a "vase" and the woman at the store explains to them that many couples enjoy that piece. Later within the movie, you see that that vase is in Sidney's house.

    I also enjoy this movie because everything that is said, and everything that is done within the movie has a meaning behind it. Foreshadowing is found everywhere, you just have to look closely enough for it. Nothing in this movie is done without a reason.

    Every line said within the movie is said beautifully and has significance behind it. My favourite line within the movie, that I've carried with me ever since I heard it is, "So what is the difference between rap and hip-hop? It's simple. It's like the difference between saying you love somebody and being IN love with somebody. Rap is just a word." When I heard that line, I fell in love with this movie and I had to watch it over again, and I have watched it many times. Each time I find more meanings that I missed the first time. What I like even more about this movie is that they use actual artists in the movie that state their opinion on "When they first fell in love with Hip Hop." "Brown Sugar" spoke to me. It's real. Nothing in it is fake like in the majority of movie's these days which is why I think I enjoy it so much. I recommend this movie to anyone who has a passion about something or to anyone who looks for significant meanings behind anything.
    9bless1

    One of the best love stories on film!

    This movie is ultimately one of the best love stories i have seen on film.You don't even have to like hip hop to enjoy this movie. It will make you laugh, and it will even make you cry(tears of joy). Lathan and Diggs light up the screen together. It's a beautiful love story which sends a message of how to friends can really fall in love. It will certainly make you think twice about that friend of the opposite sex, that you have known for years, that you find attractive, that doesn't have a mate. It's just a wonderful movie to see, its not too raunchy on language or sex scenes. It's kind of funny how something like hip hop music can join two people together.
    9Headbiscuit

    Good in oh so many ways

    A delightful film from the beginning to the end. I liked this film for so many reasons. The primary reasons are the following:

    1) A creative and deep look at the impact of hip hip as a music and culture on individuals 2) Beautiful chemistry between the characters Sidney and Dre. 3) Mos Def - period 4) Sanaa Lathan - for her essense as an actress in this film, as well as her amazing beauty. 5) Hip Hop Cameos

    The start of the film was especially interesting with the old school (and some new) artists explaining their love of hip hop. I've grown so tired of seeing these new rap films with phony actors like Master P, Snoop, and the Roc-A-Fella crew. It was rewarding to see hip hop artists in a film IN THEIR ELEMENT. With that, I'd like to point out that Mos Def has established himself as one of the few rappers who has sucessfully crossed into the film industry without totally insulting the quality of movies (2pac, Will Smith, Ice-T to some degree, and Eve are a few of the better acting ones).

    Aside from the hip-hop aspects, the romantic part of the movie worked very well for me. I really enjoyed the up and down relationship of Sidney and Dre. It helps that I love Sanaa Lathan no doubt, but overall it really was an enjoyable romantic comedy in that aspect. Taye Diggs was cast well as Dre, and I thought he showed a good perspective on the being-real v. getting-money battle that so many in the industry go through.

    The Cameos were great with everyone from Russell Simmons to good ol' Angie M. up in the New York Studios. Personally surprising to me was seeing one of the assisant basketball coaches at my univeristy appear as a bartender. Questlove, Kool G. Rap, De La Soul all had good comments.

    I can't refrain from commenting on Mos Def's character hitting up on Queen Latifah. hahaha, what a great series of scenes. Also cool was the reappearing blue vase (notice that?).

    If you haven't seen the film, go out and rent it. Enjoy! 9/10
    7jransom

    A hip-hop culture/romantic comedy that avoids the gags of both genres

    Brown Sugar (2002) could have been retitled Love & Hip-hop if only to simplify matters. Like Love & Basketball, it marries the tried-and-true romantic flick formula to the emergence of mainstream "black" culture. Because of these similarities and the presence of Sanaa Lathan, most viewers will quickly lump Brown Sugar into one of two pools. They will either see it as yet another "black" film about a lifestyle that was once counter-cultural and is now, thanks to MTV, cliched or as one more in a long line of romantic comedies.

    This film fits into both categories but is far better than most of its fellow films. The hip-hop culture is a childhood background that has turned into a profitable lifestyle for Dre and Sid, the two main characters. Their careers are products of the American craze for pop culture but their love for hip-hop is strong enough to allow them the hope that they can somehow make a difference in the business. Films with black stars tend either to drown them with imagery of the ghetto (a la Menace II Society, Baby Boy, etc) or completely ignore the African-American element, dress the characters in business suits, and absorb them into the "white" corporate world of success. Brown Sugar does neither. Hip-hop is natural to Dre and Sid and is present in their conversations without being obtrusive. Writer Michael Elliot is wise to let them lead their lives in the corporate world without ever losing their childhood backgrounds.

    In the other camp, romantic comedies generally sacrifice character development and plausibility to accomodate the dreaded near-misses, love misunderstandings, and the climatic scene where the man publicly confesses his undying love. For the most part, Brown Sugar steers clear of these pitfalls and remains true to its characters. The movie never pretends that any of its characters are perfect or indeed that any of them are ever sure of any of their emotions. This is not a fairy tale movie where characters have sex because they are in love. This film is more realistic. The characters are young and romantic at heart and for one reason or another, they find sex first. That then leads them to at least the misguided pretense of love. As one character explains it, "put a man and a woman together for long enough and something's bound to happen." Infidelity is shown as a sign of emotional uncertainty not of villainy. Even the best of the characters eventually considers it. But neither Famuyiwa's camera or Elliot's script vilify them for it. The characters earn the viewer's sympathy despite their mistakes and when confronted by their angry spouses, they do try their best to be honest and direct.

    The script also avoids the kinds of contrived jealousy traps that most romantic comedies rely on. When one character finally falls for another and acts on his feelings, he is not lead astray by a misunderstanding. He arrives early enough to realize that she has managed to find love elsewhere while he was making up his mind, but too late to do anything about it. Even the public pronouncement of love is cleverly flipped. All in all, this movie should be watched by anyone who has seen one too many weak romantic or African-American comedies and needs to be reminded that a string of bad movies does not ruin a genre.
    rbritton

    I hope the movie industry continues to make african-american movies like this!

    I just loved this movie!!!! It brought back the "old-fashioned" love story. Everyone was so good in it but I thought the actor who stood out was Mos Def especially with his "Humphrey Bogart/Casablanca" analogy. It was just too funny and yet it made a lot of sense. Also his conversation with Boris Kodjoe in the kitchen was also very funny. This (to me) seems to be the first piece of film work that took hip-hop seriously and beautifully incorporated it into a love story. I was also impressed with the fact that there was no nudity and hardly no profanity.

    इस तरह के और

    The Wood
    7.0
    The Wood
    The Best Man
    6.7
    The Best Man
    Love & Basketball
    7.2
    Love & Basketball
    The Brothers
    6.3
    The Brothers
    Soul Food
    7.0
    Soul Food
    Love Jones
    7.3
    Love Jones
    Two Can Play That Game
    6.1
    Two Can Play That Game
    The Best Man Holiday
    6.6
    The Best Man Holiday
    Waiting to Exhale
    6.0
    Waiting to Exhale
    How Stella Got Her Groove Back
    5.7
    How Stella Got Her Groove Back
    Poetic Justice
    6.1
    Poetic Justice
    Just Wright
    5.9
    Just Wright

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Nicole Ari Parker and Boris Kodjoe are not only married in real life, but also play love interests on Soul Food (2000).
    • गूफ़
      During the scene where Sidney and Dre are walking through The Mall in Central Park, you can hear someone giving set directions.
    • भाव

      Dre: It's when you talk like that, that's what makes me think that you're jealous.

      Sidney 'Syd' Shaw: What?

      Dre: Yes. Jealous!

      Sidney 'Syd' Shaw: [throws a cookie on the table] No wonder you two are married, you're both crazy! Look here, contrary to what you and your wife may think, I don't spend my nights thinkin' about you, okay?

      Dre: Shh! Lower the voice.

      Sidney 'Syd' Shaw: I got a man who's fine, intelligent, successful, and gives it to me on a very, very regular basis and the s**t is the bomb!

      Dre: So! I don't care what -

      Sidney 'Syd' Shaw: Dre I need you to be happy for me. I need you to be there for me, just like you asked of me. So - so I can have tea and eat cucumber sandwiches with the crust cut off!

      [throws more cookies on the table in frustration]

    • क्रेज़ी क्रेडिट
      Both "De La Soul" and "Method Man" are credited in the opening credits and not in the end credits. Therefore, the IMDb ordering uses the opening credits first and fills in the rest with the end credits.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Red Dragon/Punch-Drunk Love/Welcomg to Collinwood/Brown Sugar (2002)
    • साउंडट्रैक
      Act Too (Love of My Life)
      Live and studio versions

      Written by Common (as Rashid Lonnie Lynn), James Poyser (as James Jason Poyser), Tariq Trotter (as Tarik L. Collins), Leonard 'Hub' Hubbard (as Leonard Hubbard), Questlove (as Ahmir Thompson)

      Performed by The Roots

      Courtesy of MCA Records

      Under license from Universal Music Enterprises

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is Brown Sugar?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 अक्टूबर 2002 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • I Used to Love Her
    • फ़िल्माने की जगहें
      • Central Park, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Fox Searchlight Pictures
      • Evergreen Productions
      • Heller Highwater Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $80,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,73,63,891
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,07,38,882
      • 13 अक्टू॰ 2002
    • दुनिया भर में सकल
      • $2,83,16,451
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 49 मि(109 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

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