IMDb रेटिंग
7.7/10
38 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA gender-queer punk-rock singer from East Berlin tours the U.S. with her band as she tells her life story and follows the former lover/band-mate who stole her songs.A gender-queer punk-rock singer from East Berlin tours the U.S. with her band as she tells her life story and follows the former lover/band-mate who stole her songs.A gender-queer punk-rock singer from East Berlin tours the U.S. with her band as she tells her life story and follows the former lover/band-mate who stole her songs.
- पुरस्कार
- 28 जीत और कुल 33 नामांकन
Sook-Yin Lee
- Kwahng-Yi
- (as Sook Yin Lee)
फ़ीचर्ड समीक्षाएं
This movie is insane. That's why I liked it so much. The plot and visuals are as twisted as the inch that Hedwig is left with after her botched sex-change. In contrast, the lyrics of the many songs in the this movie are beautiful and poetic. I'm going to search out the sound track for this movie, as the songs were brilliant and inspiring.
This movie shows that everything has two sides that some how merge together to form the truth, The beautiful woman with the ugly, scarred genitals. The everlasting love soured by betrayal and shame. The cravings for success marred by the fear of power.
The unusual story, and the wonderful music make this movie alone worth watching. The amazing acting, outrageous costumes, and fabulous wigs make it a cult classic.
Another success for producer Christine Vachon, and a definite recommend from me!!!
This movie shows that everything has two sides that some how merge together to form the truth, The beautiful woman with the ugly, scarred genitals. The everlasting love soured by betrayal and shame. The cravings for success marred by the fear of power.
The unusual story, and the wonderful music make this movie alone worth watching. The amazing acting, outrageous costumes, and fabulous wigs make it a cult classic.
Another success for producer Christine Vachon, and a definite recommend from me!!!
Without gushing, I think that this is the best film to come out of the US in several years. This is the type of movie which demands repeated viewing, and reveals itself a little each time. I'm surprised that the genius of this film didn't receive more accolades at the time, but I attribute that to the socially acceptable restraints of the mass culture.
Absolutely perfect production from top to bottom, makes you laugh out loud... then tears your heart out & puts it back in again. Multi layered & symbolic throughout.
Songwriting by Stephen Trask is sublime. But how the hell can a clown like Eminem get an Oscar & this guy was virtually ignored?! Sickening thought. Cameron Mitchell must have been born for this part... a brave & charismatic perf.
This movie achieves everything that "Velvet Goldmine" (yuck) could not... in a fraction of the time.
Anyway, anyone who's got a little freak in them will love this movie. And those who don't "get it" should be content watching the rest of American mass market trash cinema.
Absolutely perfect production from top to bottom, makes you laugh out loud... then tears your heart out & puts it back in again. Multi layered & symbolic throughout.
Songwriting by Stephen Trask is sublime. But how the hell can a clown like Eminem get an Oscar & this guy was virtually ignored?! Sickening thought. Cameron Mitchell must have been born for this part... a brave & charismatic perf.
This movie achieves everything that "Velvet Goldmine" (yuck) could not... in a fraction of the time.
Anyway, anyone who's got a little freak in them will love this movie. And those who don't "get it" should be content watching the rest of American mass market trash cinema.
10PF
The press kit touts this film as a "Post-punk neo-glam rock odyssey," based on the hit off-broadway show that ran in New York from 1998-2000. Some people have compared it to the Rocky Horror Picture Show, but that's only because it's the only other Glam Rock musical ever made into a movie.
The premise alone should make you want to see it: A rock-and-roll drag queen tells her bizarre life story, starting as a boy in East Berlin, falling in love with an American GI, and going for a sex-change operation, waking up to find nothing but a "one-inch mound of flesh" where her organ should be. The story takes more twists and turns after that, and I don't want to spoil anything.
The story is told mostly through the songs, which are perfect rock and roll gems, on par with the songs from Tommy. After only seeing it once, I walked away singing the words "Six inches forward and five inches back...I've got an angry inch!" over and over for days.
For a directorial debut with no big-name movie stars, the acting is right on the mark. These are theater people, after all, and there's none of the cringeworthy bad acting you see in a lot of independent films. John Cameron Mitchell gives the character Hedwig so much emotional depth, you forget that the premise is so silly.
The costumes are amazing, as you would expect from a movie with a drag queen as the main character. Hedwig wears no less than 41 outfits, one of which is a dress made entirely of hair.
I came away from this movie totally inspired. It positively electrified me with an energy I rarely feel from movies anymore. And I don't even like musicals!
The premise alone should make you want to see it: A rock-and-roll drag queen tells her bizarre life story, starting as a boy in East Berlin, falling in love with an American GI, and going for a sex-change operation, waking up to find nothing but a "one-inch mound of flesh" where her organ should be. The story takes more twists and turns after that, and I don't want to spoil anything.
The story is told mostly through the songs, which are perfect rock and roll gems, on par with the songs from Tommy. After only seeing it once, I walked away singing the words "Six inches forward and five inches back...I've got an angry inch!" over and over for days.
For a directorial debut with no big-name movie stars, the acting is right on the mark. These are theater people, after all, and there's none of the cringeworthy bad acting you see in a lot of independent films. John Cameron Mitchell gives the character Hedwig so much emotional depth, you forget that the premise is so silly.
The costumes are amazing, as you would expect from a movie with a drag queen as the main character. Hedwig wears no less than 41 outfits, one of which is a dress made entirely of hair.
I came away from this movie totally inspired. It positively electrified me with an energy I rarely feel from movies anymore. And I don't even like musicals!
Tard to follow (at times) but fascinating story about a transsexual rock singer named Hedwig and her quest for fame, fortune and love. Impossible to describe, but a pleasure to watch. Never stops moving and extremely well-directed by John Cameron Mitchell (who also gives a wonderful performance as Hedwig). The songs are loud and good, performed with gusto and tons of energy. A rare Hollywood film that doesn't play it safe with its sexual content and doesn't wimp out at the end. A one of a kind film and well worth seeing.
I watched this mainly because Joan Jett rocked with the star of it back in 2001 or so. So, I just expected a rock musical about a drag queen that wanted to make it big, nothing more. But, I was pleasantly surprised to find that this was so much more than that!
First off, this film is such a visual piece of art! Secondly, the songs are great! And third- and most important, this film is a beautiful bending of visual and intellectual ideas. It's quite absurdist and crude at times, but mostly, it's philosophical, spiritual and sweet. This is a twin flame movie, for sure! I loved it!
First off, this film is such a visual piece of art! Secondly, the songs are great! And third- and most important, this film is a beautiful bending of visual and intellectual ideas. It's quite absurdist and crude at times, but mostly, it's philosophical, spiritual and sweet. This is a twin flame movie, for sure! I loved it!
क्या आपको पता है
- ट्रिवियाThe story depicted in the song "Origin of Love" is from Plato's "Symposium," in which Aristophanes gives a speech about love being a product of the need to reunite with one's other half after being split into two, as punishment for conspiring to usurp the gods of Olympus.
- गूफ़On the poster advertising for auditions for a production of Rent (2005), the character of Collins is described as 'Young, Edgy, Black, Aspiring Musician.' However, Collins is actually a philosophy professor. The 'aspiring musician' of Rent is Roger.
- साउंडट्रैकTear Me Down
(Hedwig version)
Written and Produced by Stephen Trask
Performed by John Cameron Mitchell, Stephen Trask, Miriam Shor, Bob Mould,
Theodore Liscinski (as Ted Liscinski), Perry James (as Perry L. James), Alexis Fleisig and Eli Janney
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $60,00,000(अनुमानित)
- US और कनाडा में सकल
- $30,82,286
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,56,724
- 22 जुल॰ 2001
- दुनिया भर में सकल
- $36,60,081
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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