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Velvet Goldmine

  • 1998
  • R
  • 2 घं 3 मि
IMDb रेटिंग
6.9/10
40 हज़ार
आपकी रेटिंग
Jonathan Rhys Meyers in Velvet Goldmine (1998)
Trailer
trailer प्ले करें0:26
1 वीडियो
99+ फ़ोटो
DramaMusic

वर्ष 1984 में, ब्रिटिश पत्रकार आर्थर स्टुअर्ट, 1970 के दशक के ग्लैमरस सुपरस्टार ब्रायन स्लेड के करियर की जांच पड़ताल करते हैँ, जो अपने करियर के शुरुआती समय में कड़ी मेहनत करने वाले और विद्रो... सभी पढ़ेंवर्ष 1984 में, ब्रिटिश पत्रकार आर्थर स्टुअर्ट, 1970 के दशक के ग्लैमरस सुपरस्टार ब्रायन स्लेड के करियर की जांच पड़ताल करते हैँ, जो अपने करियर के शुरुआती समय में कड़ी मेहनत करने वाले और विद्रोही प्रवृति के अमेरिकी गायक, कर्ट वाइल्ड से बहुत प्रभावित थे.वर्ष 1984 में, ब्रिटिश पत्रकार आर्थर स्टुअर्ट, 1970 के दशक के ग्लैमरस सुपरस्टार ब्रायन स्लेड के करियर की जांच पड़ताल करते हैँ, जो अपने करियर के शुरुआती समय में कड़ी मेहनत करने वाले और विद्रोही प्रवृति के अमेरिकी गायक, कर्ट वाइल्ड से बहुत प्रभावित थे.

  • निर्देशक
    • Todd Haynes
  • लेखक
    • James Lyons
    • Todd Haynes
  • स्टार
    • Ewan McGregor
    • Jonathan Rhys Meyers
    • Christian Bale
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    40 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Todd Haynes
    • लेखक
      • James Lyons
      • Todd Haynes
    • स्टार
      • Ewan McGregor
      • Jonathan Rhys Meyers
      • Christian Bale
    • 338यूज़र समीक्षाएं
    • 91आलोचक समीक्षाएं
    • 65मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 4 जीत और कुल 12 नामांकन

    वीडियो1

    Velvet Goldmine
    Trailer 0:26
    Velvet Goldmine

    फ़ोटो160

    पोस्टर देखें
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    + 154
    पोस्टर देखें

    टॉप कलाकार67

    बदलाव करें
    Ewan McGregor
    Ewan McGregor
    • Curt Wild
    Jonathan Rhys Meyers
    Jonathan Rhys Meyers
    • Brian Slade
    Christian Bale
    Christian Bale
    • Arthur Stuart
    Toni Collette
    Toni Collette
    • Mandy Slade
    Eddie Izzard
    Eddie Izzard
    • Jerry Devine
    Emily Woof
    Emily Woof
    • Shannon
    Michael Feast
    Michael Feast
    • Cecil
    Janet McTeer
    Janet McTeer
    • Female Narrator
    • (वॉइस)
    Mairead McKinley
    • Wilde Housemaid
    • (as Maraid McKinley)
    Luke Morgan Oliver
    • Oscar Wilde (8)
    Osheen Jones
    • Jack Fairy (7)
    Micko Westmoreland
    • Jack Fairy
    Damian Suchet
    • BBC Reporter
    Danny Nutt
    • Kissing Sailor
    Wash Westmoreland
    Wash Westmoreland
    • Young Man
    Don Fellows
    Don Fellows
    • Lou
    Ganiat Kasumu
    • Mary
    Ray Shell
    Ray Shell
    • Murray
    • निर्देशक
      • Todd Haynes
    • लेखक
      • James Lyons
      • Todd Haynes
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं338

    6.939.5K
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    फ़ीचर्ड समीक्षाएं

    nadyalec

    great & campy fun...

    i really enjoyed this movie. the person who reviewed it so negatively seems to have missed the point. yes, it is over the top, campy & sometimes corny. but come on! you were expecting a restrained movie about david bowie and iggy pop?

    i loved the camp, outfits, and excesses, and was unexpectedly moved by the story. using a queer, ex-fan reporter to frame the movie--so as to emphasize the effect that this bi-positive bi-posing rock star had on queer kids, and how upsetting his betrayal of them was--worked brilliantly. the use of arty-fairydust moments to capture the importance of fantasy to this scene worked wonderfully. i really appreciated jack fairy, as a character and as a link from glitter to the drag scene--this is not usually acknoledged. and whenever the movie veered too far into preciousness, the iggy pop/kurt wild character showed up to redeem it. his origin story--18 months of electroshock after being caught having sex with a boy--was a much-needed dose of reality in the midst of the glitter. and whenever the movie needed testosterone and directness, he appeared to supply it.

    well, i think it's pretty clear that i'm the demographic for this movie--i'm the right age, i'm a fag, and i love both punk and glitter. but my straight boyfriend adored it too. if you ever enjoyed glitter or punk, keep an open mind & check it out, i think you'll like it. even if you don't, you can always look at the pretty outfits.
    6moonspinner55

    "Do you wanna touch me...oh yeah!"

    Todd Haynes' fantasy rethinking of an era in rock history, as a David Bowie-like singer in the early '70s burns out and disappears, and one of his most ardent young fans--now a music journalist--interviews friends and colleagues hoping to get at the truth. Past-and-present collage isn't given a very pointed treatment (once the narrative has gone a certain distance, a flashback dating back even further in time drains the immediacy out of the proceedings), though the design of the picture and the personalities involved are very colorful, as is the soundtrack, a mix of newly written tunes and classics. The U.K. truly got a colorful slice of the glam-rock era (as opposed to the U.S., which pretty much missed the boat--and the musical point), and the film, mostly set in England, nails that distinctive time and place with embracing accuracy. Haynes is also shrewd enough to remember the particular talents impersonated here were not the originators of the scene--that all musical trends date back, and nothing is ever truly original or lasts forever. The cast is uniformly excellent: sexy, decadent, kinetic, nervy. Haynes isn't a master of the outré (like, say, Ken Russell), but neither is he a junky or disrespectful filmmaker, and even in the lowest moments of their lives, this crazy collection of hedonists still look and sound pretty great. **1/2 from ****
    Infofreak

    A confused, self-indulgent mess of a movie.

    After watching 'Velvet Goldmine' for a second time I still have absolutely no idea what Todd Haynes was trying to achieve. He could have approached it as a straightforward biopic of Bowie and 70s glam (with the names changed to protect the "innocent" if need be), OR as a surreal, camp fantasy equal parts Ken Russell, Russ Meyer and Grant Morrison (Zenith, Doom Patrol, The Invisibles). But by doing both, or rather, neither, it's ends up a confused bore that pleases nobody. As an Eno fan I was happy to hear quite a lot of his (and Roxy Music's) songs used on the soundtrack, and some of the Bowie pastiches were very good also, but I find 'Velvet Goldmine' to be overlong and ultimately unsatisfying. I also think Haynes not entirely accurate equation of glam rock equaling homosexuality sheds more light on him than the actual era. The movie is more a post-Morrissey look at glam than a truthful document of an exciting and innovative musical period. 'Velvet Goldmine' contains a few enjoyable moments but not enough to recommend it. A great movie could be made about Bowie but this isn't it.
    7MadameGeorge

    Style always wins out in the End.

    I saw Goldmine years ago and it remains one of my favorites. Everything about this movie is amazing- from the music, to the costume and the actors.

    Here we get a young Christian Bale as a struggling kid trying to grow up in the age of glam rock. The confusion of trying to be who you are and the confusion of trying to figure out who that person is, something that is understandable to anyone who has ever been a teenager. Like so many, he finds himself in music- that of Brian Slade. Meyers is outstanding as a lowly boy who makes it with the big boys. He plays the climb to fame brilliantly and the demise of glam rock with emotion. Toni Collette adds the flare that is necessary and shows the true strength in what a woman will do/put up with for love. She is a delight and she plays well with Meyers. Ewan McGregor is also terrific as Curt Wild, the perfect half to Slade's glam.

    The music is what Goldmine is really all about. Meyers and McGregor sing some of the tunes themselves, but the addition of Radiohead's Thom Yorke to the mix as well as the boys from Placebo are an excellent addition to an already great soundtrack. Adding Lou Reed seems like over kill, but I'll take it- if there is anything that I learned from watching Goldmine many times- is that the bigger the better.

    This is a great coming of age movie- it is a bit adult. There are heavy issues here such as drug abuse, alcoholism, adultery, homosexuality, orgies...be aware-
    9arichmondfwc

    Put The Blame On Wilde

    It is quite an extraordinary experience to sit through this film years after its controversial outing back in the distant 1998. Like many of the great pieces of art, or wine for that matter, time gives it that extra something that evolves its taste into something that you crave. The erotic innocence of the story is very much Oscar Wilde territory. Innocence, yes. - I've been arguing about it with some people about the inclusion of the word, if not the feeling, innocence in this context. I insist the word is perfectly fitting because at the end of this rainbow there is the longing for love. Ewan McGregor's cock is already famous the world over - and with reason - here it dangles across his frame like a child, unaware of his own nakedness. Jonathan Rhys Mayer is a delight. Strange to see him in feathers after "Match Point" and yet it makes a lot of sense. Christian Bale one day, will leave behind the pouting arrogance that is rapidly becoming his trademark - even as Batman - and come back to the glorious promise he insinuated here. All in all a triumph, Todd Haynes style.

    इस तरह के और

    I'm Not There
    6.8
    I'm Not There
    Far from Heaven
    7.3
    Far from Heaven
    Safe
    7.1
    Safe
    The Velvet Underground
    7.3
    The Velvet Underground
    Metroland
    6.3
    Metroland
    Poison
    6.3
    Poison
    Laurel Canyon
    6.4
    Laurel Canyon
    All the Little Animals
    6.7
    All the Little Animals
    Wonderstruck
    6.2
    Wonderstruck
    Hedwig and the Angry Inch
    7.7
    Hedwig and the Angry Inch
    Desserts
    7.0
    Desserts
    My Own Private Idaho
    6.9
    My Own Private Idaho

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film was originally supposed to feature some of David Bowie's music, hence the title, which was a Bowie song from the 1970s; however, when Bowie learned that the script for the film was partially based on the unauthorized biographies "Stardust: The David Bowie Story" written by Henry Edwards and Tony Zanetta and "Backstage Passes" written by Bowie's ex-wife Angie Bowie, he threatened the producers with a lawsuit. Bowie's songs were, therefore, not used, and the script was partially re-written to avoid unnecessary resemblance between Bowie and the Bowie-style character Brian Slade.
    • गूफ़
      Arthur figures out the mystery of what happened to Brian Slade by seeing Shannon on TV. He however had no idea what she looked like so seeing her on TV a decade after the events that led to Brian's "death" could not have happened.
    • भाव

      Brian Slade: Man is least himself when he talks in his own person... Give him a mask and he'll tell you the truth.

    • क्रेज़ी क्रेडिट
      The solid background color behind the credits changes several times as they play.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Meet Joe Black/I'll Be Home for Christmas/Dancing at Lughnasa/I Still Know What You Did Last Summer/Velvet Goldmine (1998)
    • साउंडट्रैक
      Needle in the Camel's Eye
      Written by Brian Eno and Phil Manzanera

      Performed by Brian Eno

      Courtesy of Caroline Records, Inc.

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल22

    • How long is Velvet Goldmine?Alexa द्वारा संचालित
    • Did David Bowie really threaten legal action?
    • What does Brian mouth to Curt in the recording studio that makes Curt so angry?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 23 अक्टूबर 1998 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
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      • Lyceum Theatre, Wellington Street, Covent Garden, लंदन, इंग्लैंड, यूनाइटेड किंगडम(Reporting outside at about 6 mins 40 secs in)
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $10,53,788
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $3,01,787
      • 8 नव॰ 1998
    • दुनिया भर में सकल
      • $10,54,291
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 3 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Jonathan Rhys Meyers in Velvet Goldmine (1998)
    टॉप गैप
    By what name was Velvet Goldmine (1998) officially released in India in English?
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