अपने ईर्ष्यालु "दोस्त" द्वारा धोखे से कैद किया गया एक युवक भाग जाता है और अपना बदला लेने के लिए एक छिपे हुए खजाने का उपयोग करता है.अपने ईर्ष्यालु "दोस्त" द्वारा धोखे से कैद किया गया एक युवक भाग जाता है और अपना बदला लेने के लिए एक छिपे हुए खजाने का उपयोग करता है.अपने ईर्ष्यालु "दोस्त" द्वारा धोखे से कैद किया गया एक युवक भाग जाता है और अपना बदला लेने के लिए एक छिपे हुए खजाने का उपयोग करता है.
Mairead Devlin
- Partygoer No. 2
- (as Maireid Devlin)
Luis Guzmán
- Jacopo
- (as Luis Guzman)
फ़ीचर्ड समीक्षाएं
One of the most famous revenge stories, The Count of Monte Cristo is here turned into a dashing, old-fashioned swashbuckler. The plot is riddled with unconvincing coincidences and occurences (as indeed was the book), but other than that this is a well-made, enjoyable film, with some literate dialogue and believable action sequences. It is the fact that the action is believable that makes the film memorable, because in too many 2002 releases the action was so overblown and unrealistic (not to mention physically impossible) that the credibility of such films was destroyed.
Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".
Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.
Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".
Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.
I think I am a bit spoiled when it came to this film, as I have seen the made for TV version of this story starring Richard Chamberlain. This and Chamberlain's other Dumas tale (THE MAN IN THE IRON MASK) were made so perfectly that I can't help but immediately compare other versions to these nearly perfect films. In light of this, I am surprised that I actually liked this new version so much. While it's hard to say which film I liked better (the Chamberlain or 2002 version), it's easy to agree that they both are wonderful films. Much of the reason I liked this newer version so much is that it was a very romantic film--much more so than the other one. In addition, it was quite polished and beautiful. In fact, for once, I have nothing to really complain about, as it's a good retelling of the story.
It's 1815. Edmond Dantès (Jim Caviezel) tries to save his captain and seeks help on the isle of Elba. The imprisoned Napoleon Bonaparte exchanges his help with a letter secret delivery. The captain dies nevertheless. Dantès returns and gets promoted to captain. He proposes to Mercedès Iguanada (Dagmara Dominczyk). Dantès' competitive jealous best friend Fernand Mondego (Guy Pearce) gets him arrested. Chief magistrate J.F. Villefort (James Frain) covers up his father's part in Napoleon's escape plan by sending Dantès to prison. Armand Dorleac (Michael Wincott) is the sadistic warden of the island prison of Château d'If. Dantès befriends prisoner Abbé Faria (Richard Harris) who educates the illiterate Dantès. Faria was in Napoleon's army who refuses to reveal the location of Count Spada's fortune. When Napoleon escapes, Villefort schemes with Mondego to keep Dantès in prison and lie to Mercedès about his execution. Faria is killed in a cave-in. Dantès escapes. He spares Jacopo (Luis Guzmán)'s life who pledges his eternal loyalty to him. They set off to find the hidden treasure and seek revenge on all who have wronged him. He schemes to bankrupt Mondego and befriend Albert (Henry Cavill) the son of Mondego and Mercedès.
It's a traditional literary adventure ripped from the golden age of Hollywood. Some may dismiss its earnest swashbuckling ways. It is melodramatic goodness. It is just so well made with a solid cast. They may not be A-list at the time but they're A-list in talent. Jim Caviezel and Guy Pearce are terrific. They have an amazing final sword fight that is both emotional and compelling. Richard Harris comes in like a call back to another era. James Frain is a great villain and it's fun to see a young Henry Cavill.
It's a traditional literary adventure ripped from the golden age of Hollywood. Some may dismiss its earnest swashbuckling ways. It is melodramatic goodness. It is just so well made with a solid cast. They may not be A-list at the time but they're A-list in talent. Jim Caviezel and Guy Pearce are terrific. They have an amazing final sword fight that is both emotional and compelling. Richard Harris comes in like a call back to another era. James Frain is a great villain and it's fun to see a young Henry Cavill.
This is a wonderful screen adaptation of Alexandre Dumas' classic novel "The Count of Monte Cristo".
James Caviezel's (the Count) transformation from uneducated shiphand to the super-sophisticate-man-of-the-world (and he's quite 'well off', too) Count of Monte Cristo is just great!
Richard Harris plays the part of d'If mentor, Abbe Faria. What more could be said for Harris. All theater will be a lesser place without him.
Guy Pearce (Count of Morcerf) and James Frain (Chief Magistrate) play the 'heavys', the evil conspirators who thought they had sent Dantes to a dismal end.
And 'molto bravo' to the entire cast, director Kevin Reynolds and screen play writer Jay Wolpert, for bringing to the screen one of the great classics of literature; a story of life, love, hate, hope, despair, revenge, good and evil, and a lesson for all!
James Caviezel's (the Count) transformation from uneducated shiphand to the super-sophisticate-man-of-the-world (and he's quite 'well off', too) Count of Monte Cristo is just great!
Richard Harris plays the part of d'If mentor, Abbe Faria. What more could be said for Harris. All theater will be a lesser place without him.
Guy Pearce (Count of Morcerf) and James Frain (Chief Magistrate) play the 'heavys', the evil conspirators who thought they had sent Dantes to a dismal end.
And 'molto bravo' to the entire cast, director Kevin Reynolds and screen play writer Jay Wolpert, for bringing to the screen one of the great classics of literature; a story of life, love, hate, hope, despair, revenge, good and evil, and a lesson for all!
You've just rented or bought "The Count of Monte Cristo" and enjoyed it. But guess what? It gets better! If you hadn't noticed yet (hopefully you have), this movie is based off of a famous book by Alexandre Dumas. My interest in this movie was sparked because I actually read the book beforehand. I never even knew there was a film version of it until I mentioned my love for the book to a friend who informed me of the recently released movie that she too liked. I did in fact enjoy the movie, but it disappointed me slightly. The book is very much different from the movie. The plot and list of characters were simplified to (in my opinion) make the movie easier to understand and to keep it from being 3+ hours long. If you liked the plot twists and interesting characters in this movie, I must insist you try reading the book. Sure, it's very long and intricate, but if you keep on your toes and keep all of the details in check, you will absolutely love it! You will meet other characters who play a role in Dantes' downfall and a sweet love story (involving characters that do not even exist in the movie!) will unfold. Dantes will take on other roles not seen in the movie. It is truly an incredible piece of work written so many years ago by Alexandre Dumas. Again I say, the movie was indeed good, but the book is better. Please try it!
क्या आपको पता है
- ट्रिवियाScreenwriter Jay Wolpert came up with the idea, not present in the novel, that Fernand Mondego (Guy Pearce) and Edmond Dantes (Jim Caviezel) started out as best friends. His logic was that it would work better as a "buddy" film that turned sinister. Wolpert believed that when a friendship soured, the hate generated was both more terrible and more believable.
- गूफ़Edmond's eye color fluctuates between brown and blue throughout the movie.
- भाव
Edmond: Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine! Then the fates will know you as we know you: as Albert Mondego, the man!
- इसके अलावा अन्य वर्जनThe UK release was cut, the distributor chose to remove two shots of a man hanging to avoid giving children the impression that a person can hang for some time with no ill effects and in order to obtain a PG classification. An uncut 15 classification was available.
- कनेक्शनFeatured in The Count of Monte Cristo: An Epic Reborn (2002)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Montecristo
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,42,34,062
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,13,76,150
- 27 जन॰ 2002
- दुनिया भर में सकल
- $7,53,95,048
- चलने की अवधि
- 2 घं 11 मि(131 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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