Tôkaidô obake dôchû

The first yokai movie, 100 Monsters, didn't have enough monsters for my liking, and the second film, The Great Yokai War, featured a pair of irritating kids and was aimed at a much younger audience. The final film, Yokai Monsters: Along with Ghosts, doesn't feature many monsters AND it features a cute little kid, but I actually found it to be the best in the trilogy, with a much stronger story, better fight scenes and a creepier atmosphere.

When members of the Higuruma crime syndicate ambush men carrying an incriminating document, they also kill Jinbei (Bokuzen Hidari), the elderly guardian of the Onizuka shrine, ignoring his warning that they will be cursed for spilling blood on sacred ground. Witness to the murders is seven year old Miyo (Masami Furukido), granddaughter of Jinbei, who runs into the woods with the document, pursued by the killers. With his dying breath, Jinbei tells Miyo to go to Yui to find her father. Meanwhile, ronin Hyakutaro (Kôjirô Hongô) is out to avenge his master's murder by the Higuruma thugs.

Most of the film revolves around Miyo trying to avoid capture, her search for her father, and Hyakutaro's vendetta, with very little time dedicated to silly spook shenanigans, and to be honest, the film is all the better for it: there's no puerile comedy and the monsters, when they do appear, are far more menacing than before. I still wouldn't go so far as to say that this is an unmissable classic of Japanese cinema, but it is a far more satisfying film than the others in the trilogy, delivering excitement, danger, pathos and a cute child character that isn't annoying.

I found this to be the weakest in the trilogy because I found this to be pretty plain. The story isn't that impressive with criminals trying to track down a little girl who has some kind of documents that want while she is trying to find her missing father. It gets pretty repetitive with them catching up with her and her getting away from them. I didn't find the plot all that interesting and is predictable on who the girl real father is. As for the yokai, they barely appear in the movie at all, and their actions happen pretty quickly to leave an impact. Also, a lot of the actions aren't suspenseful or intense.

The movie also isn't bizarre or interesting compared to the previous movies because the yokai barely appears, and most of the weird stuff isn't that memorable.

Along with Ghosts is the weakest in the trilogy that I didn't enjoy at all, and the first two movies are more enjoyable than this one.

Unlike Daiei Film's previous two 'yôkai' films (Yôkai hyaku monogatari (1968) and Yôkai daisensô (1968)), the monsters/ghosts/apparitions are not the central characters in this tale. Instead, we get a reasonably interesting samurai/gangster story about a crime boss trying to recover an incriminating document that was found by a little girl who is trying to find the father who abandoned her when she was born. The boss' henchmen kill an old man at prayer (the girl's grandfather), a desecration that arouses anger in the spirit world. The cursed gang-members are tormented by the yôkai as well as pursued by a rival gangster whose boss was murdered at the shrine. The entire supernatural subtext seems to be an afterthought and certainly is not necessary to the actual story. Lacking the permeating hallucinatory imagery of the first two 'yôkai' films, "Along with Ghosts" (Tôkaidô obake dôchû), while watchable, is not nearly as original or entertaining.

If I had to rank this odd little Yokai Monsters trilogy, I'd say the second instalment, Spook Warfare, was the best, followed by this one, followed by the still decent 100 Monsters.

This third one makes me wonder if it's even a trilogy, because the monsters here are definitely different than the ones from the first two, but oh well. While they're cool, they're also not in it a lot- maybe even less than the first one.

Thankfully, the rest of the movie - all the non-supernatural stuff - is pretty decent. Nothing great, but a moderately interesting storyline that feels like a historical/samurai drama with a few brief ghost appearances as icing.

It's pretty serviceable, mostly enjoyable stuff, but it's definitely not great. That being said, and to avoid being too negative, it is more than worth watching if you enjoyed the first two in any capacity.

It's about protecting a young girl and a precious document. The yokai do their thing. The samurai ronin do their thing. It does not end well for some samurai.

They meet an old man who warns them not to use violence on this path where there are many aspirations aka Yokai. The samurai obviously ignore this and attack the old man for just 'getting in the way'.

This old man is a pivotal component for the rest of the storyline. It's a romantic story and a story with treachery and early special-effects. This is not the most amazing film but it is well-made for the time and the romance of the story makes it interesting. It's part of Arrow Video's Great Yokai Collection.

Worth a watch! 7/10.