BA_Harrison
जून 2001 को शामिल हुए
नई प्रोफ़ाइल में आपका स्वागत है
हमारे अपडेट अभी भी डेवलप हो रहे हैं. हालांकि प्रोफ़ाइलका पिछला संस्करण अब उपलब्ध नहीं है, हम सक्रिय रूप से सुधारों पर काम कर रहे हैं, और कुछ अनुपलब्ध सुविधाएं जल्द ही वापस आ जाएंगी! उनकी वापसी के लिए हमारे साथ बने रहें। इस बीच, रेटिंग विश्लेषण अभी भी हमारे iOS और Android ऐप्स पर उपलब्ध है, जो प्रोफ़ाइल पेज पर पाया जाता है. वर्ष और शैली के अनुसार अपने रेटिंग वितरण (ओं) को देखने के लिए, कृपया हमारा नया हेल्प गाइड देखें.
बैज5
बैज कमाने का तरीका जानने के लिए, यहां बैज सहायता पेज जाएं.
रेटिंग6.5 हज़ार
BA_Harrisonकी रेटिंग
समीक्षाएं6.9 हज़ार
BA_Harrisonकी रेटिंग
Piglet is bad. Worse than Winnie the Pooh: Blood and Honey; worse than Peter Pan's Neverland Nightmare; and worse than any of the recent Popeye horror movies. And that's saying something.
I'd assumed that Piglet would take place in the same twisted 'Poohniverse' as Blood and Honey, but it's actually a standalone movie that has nothing to do with Pooh. The killer in this one is simply a man wearing a rubber pig mask that he conveniently finds in a drawer. The lame plot sees this mask-wearing nut-job killing off a group of young women who have rented a cabin in the woods for the weekend.
The script is pure excrement (seeing as it's by the same genius who wrote Popeye's Revenge, that's no real surprise), the direction is weak, and the acting is dreadful. It's hard to tell where the film is supposed to take place: one of the characters talks about moving to Salt Lake City, so it would seem safe to assume that it's America, but the cast are clearly British or Eastern European (they might be attempting American accents, but they ain't fooling anyone). The kills are terrible - unimaginative with pathetic practical effects and plenty of unconvincing CGI blood. And director Andrea M. Catinella even has the audacity to rip-off The Texas Chain Saw Massacre with a really lame dinner table scene, but he's no Tobe Hooper. Not even when Tobe Hooper was crap.
Unfortunately, this trend for subverting childhood favourites seems to be continuing unabated; it's hard to see how they could get any worse than this one, I suppose. I rate Piglet 1/10.
I'd assumed that Piglet would take place in the same twisted 'Poohniverse' as Blood and Honey, but it's actually a standalone movie that has nothing to do with Pooh. The killer in this one is simply a man wearing a rubber pig mask that he conveniently finds in a drawer. The lame plot sees this mask-wearing nut-job killing off a group of young women who have rented a cabin in the woods for the weekend.
The script is pure excrement (seeing as it's by the same genius who wrote Popeye's Revenge, that's no real surprise), the direction is weak, and the acting is dreadful. It's hard to tell where the film is supposed to take place: one of the characters talks about moving to Salt Lake City, so it would seem safe to assume that it's America, but the cast are clearly British or Eastern European (they might be attempting American accents, but they ain't fooling anyone). The kills are terrible - unimaginative with pathetic practical effects and plenty of unconvincing CGI blood. And director Andrea M. Catinella even has the audacity to rip-off The Texas Chain Saw Massacre with a really lame dinner table scene, but he's no Tobe Hooper. Not even when Tobe Hooper was crap.
Unfortunately, this trend for subverting childhood favourites seems to be continuing unabated; it's hard to see how they could get any worse than this one, I suppose. I rate Piglet 1/10.
In Shredder, a group of friends - assorted hot girls and cool dudes - go to a disused ski resort for a spot of partying and snowboarding (or shredding, as they call it); however, their fun is interrupted by a killer dressed in black ski gear, who has a grudge against shredders, and whose motive is connected to the death of a young girl years before.
This early 2000s slasher is a bit like a live Scooby Doo episode, except that there's no talking dog, the mystery gang were never killed off in gory fashion, and neither Daphne nor Velma stripped off to have sex in a jacuzzi. As the bodies pile up, the surviving pals slowly unravel the mystery behind the killings; unfortunately, sloppy storytelling and some truly nasty MTV-style editing make for an incomprehensible mess - way too convoluted for what is essentially a dumb slasher. A very dumb slasher.
The promising opening features a very gory near decapitation, but it is the best scene in the entire film, which makes everything that follows feel extremely disappointing. The other deaths are weak by comparison, the exception being the death of the killer, who, having been unmasked, is reduced to red mush by a big snow plough. If only there had been more creative gory deaths like these throughout instead of the film being bookended by the only decent demises.
This early 2000s slasher is a bit like a live Scooby Doo episode, except that there's no talking dog, the mystery gang were never killed off in gory fashion, and neither Daphne nor Velma stripped off to have sex in a jacuzzi. As the bodies pile up, the surviving pals slowly unravel the mystery behind the killings; unfortunately, sloppy storytelling and some truly nasty MTV-style editing make for an incomprehensible mess - way too convoluted for what is essentially a dumb slasher. A very dumb slasher.
The promising opening features a very gory near decapitation, but it is the best scene in the entire film, which makes everything that follows feel extremely disappointing. The other deaths are weak by comparison, the exception being the death of the killer, who, having been unmasked, is reduced to red mush by a big snow plough. If only there had been more creative gory deaths like these throughout instead of the film being bookended by the only decent demises.
A psycho in a raincoat who pickles his victim's eyeballs before eating them!!! That's just one of the great things about South American horror The Last Matinee, a slick, gory and stylish movie which owes more than a little to the Italian giallo genre and classic slashers of the '80s (although the film is set in the early '90s). The plot is fairly basic - a deranged killer targets the patrons and staff at a late-night cinema - but it is the execution that makes the film so much fun...
Great practical gore, likeable characters, excellent cinematography, and an amazing synth soundtrack ensure that fans of the slasher genre will be more than happy, writer/director Maximiliano Contenti maintaining a decent pace and delivering loads of thrills and edge-of-the-seat action. Adding to the fun are scenes from 2011 flick Frankenstein: Day of the Beast, which is being screened in the cinema while the killer goes about his work.
The film's highlights include two people being impaled through their heads while kissing, a juicy slashed throat, eyeball munching, and a guy getting hand relief from his date while watching the film.
7.5/10, rounded up to 8 for IMDb.
Great practical gore, likeable characters, excellent cinematography, and an amazing synth soundtrack ensure that fans of the slasher genre will be more than happy, writer/director Maximiliano Contenti maintaining a decent pace and delivering loads of thrills and edge-of-the-seat action. Adding to the fun are scenes from 2011 flick Frankenstein: Day of the Beast, which is being screened in the cinema while the killer goes about his work.
The film's highlights include two people being impaled through their heads while kissing, a juicy slashed throat, eyeball munching, and a guy getting hand relief from his date while watching the film.
7.5/10, rounded up to 8 for IMDb.
हाल ही में लिए गए पोल
408 कुल पोल लिए गए