Beautiful Joe

I passed over Beautiful Joe at the video store for more than a year as I went through titles of non-first run films that I had not watched. After a year, I grabbed this one off the shelf and was pleasantly surprised by it. I thoroughly enjoyed the warmth that Billy Connolly gave his "beautiful" Joe character in his "adventures" with Sharon Stone and her two children. He seemed to genuinely enjoy the kids. Stone's "Hush" character kept the film consistent and on track. I enjoyed her sex appeal in her youth. I now appreciate the depth she brings to the roles she's been playing as a mature woman. I also liked how the director and screenwriter didn't bury Jurnee Smollett or Dillon Moen, Stone's two children, in the script. They had a closeness about them that made them feel like real brothers and sisters. Not a bad film. It's one I'd watch again.

This movie is very good. I will categorize it as a drama-comedy. Sharon Stone's southern accent is annoying at first but then I got use to it. There are some things that could have been better but this much better than lots of wide release movies. I recommend it.

I saw this film on TV, and though its bad sides, it's a quite enjoyable romantic comedy. I'm not a fan of romcoms in general, so any such film that I can stand must be pretty good. Of course, a big part of the reason are the leads, since I like both Billy Connelly and Sharon Stone, who, in their different ways, are not the typical sugary romcom stars, such as Meg Ryan, Julia Roberts, Hugh Grant etc. (A film with any of the mentioned is sure to make me want to throw up.) One of the setbacks is that I often get annoyed by actors doing a Southern accent, and it was no different here, but I got used to it after a while.

However, the performances are uneven. The plot with the bad guys is very bad. The mobsters are very unconvicing, and the guy from Ally McBeal is really awful. He was obviously trying to shed the good guy image and show he has 'range', but he's cartoonish and over-the-top. His character really hurt the film the most.

On the other hand, Connelly, Stone and the kids are fine, but I want to point out another performance that impressed me the most. Another TV face, not very famous - Roger Cross, who played the aliens Joshua/Cain in SF series 'First Wave', shows up in one scene, for about 2 or 3 minutes, as Stone's ex who's in jail, and proves that there are no small roles. If anything impressed me in this film, it's that scene - which proves you don't need much screen time or many lines to make a memorable character.

"Beautiful Joe" tells of an irrepressible and likeable Irish florist who learns he has a brain tumor and decides to take a last blast road trip before his possibly fatal surgery. He falls in with and falls in love with a gambling woman with a checkered past and some troublesome underworld connections. With all the ear marks of a low budget indie, "BJ" moves from one sentimental moment to another with enough heart to make its journeyman execution easy to overlook. A fun but raggedy little romantic comedy which is as easy to like as it is to criticize. (C+)

Due to a special affection for Scottish comedy legend Billy Connolly, I saw Beautiful Joe. I love low budget film and I love a good heart tugging story. Connolly's Joe is a charming character that one can't help but like from the films opening. A Scot playing an Irishman amused me, particularly that the extent of his Irish accent was to say "Tanks" instead of "Thanks", but Connolly's charm sees this of little annoyance. Sharon Stone, who I normally don't care for, hits all the right notes in a very good performance as the tough as nails barhopping single mother. The two leads play off each other wonderfully without being drawn into the sentimentality of the piece. The two child actors are also first rate, particularly in their scenes with Connolly. Ian Holm, Dan Florek and Gil Bellows provide some lovely touches in their small roles. The problem? The script is quite predictable and it doesn't take a rocket scientist to put it together. The unforgivable aspect however, is the constant view of the boom microphone in the shot. This doesn't happen just once, it happens several times and so obtrusively that it detracts from the viewers ability to get stuck into and believe the film (at least with this viewer it did). That aspect tainted the film badly, which is a shame because the work of Connolly and Stone is truly first rate. Visible boom microphone aside, Beautiful Joe is well worth seeing as a nice feel good film with some top notch acting.