Simpatico

Like the race-horse of the title, the cast in this dark, eccentric tale are pure thoroughbreds...Nick Nolte, Jeff Bridges, Albert Finney,Kathryn Keener, Sharon Stone along with up and comer Shawn Hatosy. And though the director, Matthew Warchus, appears to be a first time helmer, his handling of these pros is sure-footed. Warchus also does an impressive job of steering us through a complex plot with sure, visual dexterity. SIMPATICO, from a script by Warchus, based on a Sam Shepard play, really isn't about horse-racing. It's an entertaining exploration of betrayal, survival and how the simple passage of time changes the whole equation.

I like Jeff Bridges tremendously, so I'll watch anything with him in. But this film has so many loose ends, you could make a ragrug.

Good acting by all, but a good dollop of suspension of disbelief is necessary with so many unlikely events or inconclusive nuances of the plot. Vinnie and his girlfriend checking into the same hotel and not knowing it. What was that all about? And what was Carter arranging with Simms anyway even before Vinnie turns up from the past?

The central premise seemed to be Simms's reconciliation with the past - forgive and forget. Very good, but this wasn't developed enough. Okay Carter throws it all away through guilt and wants the simple life again. But it's not believable. They can't be nineteen again.

It should have been filmed in the European style - slow and ponderous would have been so much better. But this version is too clipped and compromised with modern moviegoers tastes. Stone is very very good. Nice to see Nolte in rags again, it's his forte. Jeff is sleepwalking though. New girl terrific. Does she go back to Vinnie in the end or go with Simms? I think it's back to Vinnie. It almost works - I like movies that exercise the mind and leave loose ends to speculate on. But without the basic substance, loose ends is all Simpatico has.

Tale of long-past racing scam resurfacing to change the diverse lives of its perpetrators and victims isn't particularly subtle, with transformations and transferences flying around like abandoned betting slips, but it's very well acted by a dream cast (no less engaging for the fact that they don't all seem to be in quite the same film) and never loses its basic finesse. In its early stretches, as the pieces of the plot fall into place, the film builds a highly effective sense of escalating jeopardy, and the initial gambits on the theme of identity and impermanence are effective, leveling out a bit as thematic considerations seem to overtake the characters. Still, it has a sleek poise, and debuting director Warchus shows a distinct nose for the finish line - the film's closing scenes seem about right on their own terms, even if you're not sure about all the stuff that led you there (the horse Simpatico for instance seems ultimately to be carrying more symbolic weight than the course of the film supports).

You'd think that a movie with the acting power of Nick Nolte, Jeff Bridges, and Sharon Stone would be one to watch. Well.......it is and it isn't.

First off, I'd never in my life thought I'd see Nolte and Bridges in the same movie. Talk about an odd pairing!

With that out of the way, they both put in good performances, as does Stone. The star of this movie though is Albert Finney. His performance is the best of all the parts in this movie.

Unfortunately the plot, involving a racing scam many years ago which resurfaces, is only mildly interesting at best. It seems almost a shame to have such good performances wasted on such a story. Still, it's worth a watch if nothing else is on.

I really don't know where to start. The characters weren't that believable at all. The development they have gone through (as you see them in their youth as well) and the development they go through during the movie just doesn't make sense to me.

And the plot, you can smell something similar to a plot here and there, but that is as close as you get. The first 15-20 minutes it works, it feels like an ordinary movie. But then it just breaks down and you wonder what the message is, what the story is, what the heck this movie is supposed to convey.

In summary it's a pointless flick that doesn't strike any chords in me anyway.