The Bank Job

The Bank Job is a good-old caper film both in narrative and execution, made by filmmakers who were trying to recapture not only the aura and atmosphere of the 1970s London, but also to a large degree the production values and tone of classical narrative films of the said period. And the result is a tight, entertaining and to a large degree stimulating film with enough strings to pull and a decent knowledge of how and when to pull them. The direction by seasoned filmmaker Roger Donaldson is dependable, and the large cast of characters work well to drive the narrative forward as if the film was a high-scale BBC production. Despite an alleged royal scandal, some clever twists and an insipid love triangle, The Bank Job will probably not stay with you for very long, but it delivers on what it promises while it's there.

I also saw this film at an advance screening. I don't normally watch any of the trailers before going, so tend to go in with an open mind. I was very pleasantly surprised, and while it perhaps won't win any Oscars, I thought it was well acted in the main with some faces you'll recognise. It might not have massive appeal outside the UK, however it is a good (based on fact) story. I'm not a massive fan of 70's music, but it wouldn't have done any harm to have a bit more in the background just to give it more of a seventies feel about it. The general mood of the film was good and for me seemed to set the scene well, without going overboard with sex or violence. On the whole, it's well worth a visit, even if you have never lived in that era.

Sold to the American public as another D-level action pic staring Jason Statham, "The Bank Job" is actually a crafty British heist flick based on an incredible true story. The screenwriters deserve credit for creating a serviceable script with so many intertwining stories based on little actual evidence, conjecture, here-say, and conspiracy theories revolving around royal and political sex scandals, militant Caribbean drug lords, undercover MI5 agents, bumbling crooks, crooked cops, and double-crosses and cover-ups. It could've easily been a confusing mess, but providing the viewer pays attention, "The Bank Job" gets the job done as crackerjack entertainment.

Though aptly directed by veteran Roger Donaldson, the film does suffer from an overly salacious opening ten minutes designed to grab the audience's attention, some shoddy editing, and an intrusively bad action-style music score. There's also an attention to 1970's period detail in the dialogue and clothes that comes across as caricature and adds an accidentally humorous undertone to the otherwise cold-as-ice affair. However, the details of the "truth is stranger than fiction" tale and the fun had by the ensemble cast make for a breezy way to spend a few hours.

Donaldson also has an eye for the ladies. Led by a smashingly gorgeous Saffron Burrows (looking like a European version of Michelle Pfeiffer circa 1992), the powerful women depicted in "The Bank Job" are far more than just eye candy. Statham is also fairly good as the head of the bank robbing crew, and when he finally throws a brick at a guy near the end of the film, it will put a smile on any action fan's face.

Things get tidied up a bit too nicely in the end, where it seems only the really villainous characters have to face justice, but before the credits role, there are a series of real-life epilogued details plastered on the screen that make the viewer realize maybe this all really did happen. Now that's a jolly good show.

Film-making at it's finest.

Nothing loud and boisterous. No over-stylized cinematography, pointless set-pieces, cheesy dialogue, or over-flowing emotions.

A perfect example of why the finest movie-making talent in Hollywood is British. And possibly the best caper movie of recent times.

Had this been from Hollywood, every fine detail of the complex subtext in the story would have been blown apart. Instead, everything is under-played, the characters are superbly realistic and believable, and the script sharp as a pin. And the cast is a brilliant ensemble.

Worth many repeated viewings for the subtle humour and to get the most out of the twisting plot developements.

As caper flicks go, all I really hope for is something that succeeds in being both novel and entertaining. My hopes were satisfied by The Bank Job. The plot itself is based very loosely on events that occurred in the 1970s in London. The royal family has some dark secrets. An outspoken activist/petty criminal/drug importer has evidence of these secrets, which he uses as leverage against the government who desperately wants to prosecute him. This evidence is stored in a safety deposit box within a London bank. British Intelligence conjures up a rather reckless plan of employing a bunch of two-bit/amateur criminals to break into the vault, and take the evidence along with whatever else they can carry out. Apart from one intermediary, none of the robbers know the government's secret agenda. Of course, things get complicated whenever the possibility that a bunch of dirty secrets are in the wrong hands, and eventually the movie juggles several interconnecting plot lines, all related to the contents of the vault and their implication on various interests from the royal family, to corrupt police, to the sexual indiscretions of parliament members.

The movie keeps a good pace and never takes itself too seriously. It builds up the plot lines and tries somewhat successfully to tie everything together. There is some good tension, a bit of violence (not much), and eventually, vindication for most of the parties.

The problems with the movie are numerous, but nothing that ultimately destroys the fun. Yes the movie is rife with inexplicably, unnecessary side characters (see female undercover agent in the Caribbean). Yes the movie's dialogue veers into indecipherable 1970s British slang, which gives a comedic undertone to conversations that are intended to be serious. Yes there exist rampant plot issues that make you wonder how stupid cops really are. And yes the acting is OK, at best, lets face it Jason Stracham is meant for British caper movies the way Keanu Reeves is meant to play a clueless surfer cop in Point Break - so while he's not winning any Academies, he fits these rolls just fine.

You could wait for the DVD, or if you are looking for a fun way to kill 2 hours, you should go to the theater for this one.