अपनी भाषा में प्लॉट जोड़ेंA mother wishes for the return of her dead son, and that wish is granted by a charm made from a severed monkey's paw.A mother wishes for the return of her dead son, and that wish is granted by a charm made from a severed monkey's paw.A mother wishes for the return of her dead son, and that wish is granted by a charm made from a severed monkey's paw.
- निर्देशक
- लेखक
- स्टार
Megs Jenkins
- Mrs. Trelawne
- (as Megs. Jenkins)
Sydney Tafler
- The Dealer
- (as Sydney Taffler)
फ़ीचर्ड समीक्षाएं
IMDb lists no less than 12 versions of this tale.This is a British quota film made in 1948.It is rather disappointing.It just meanders along for the first half an hour and really squeezes the plot developments into the last half hour.Being a rather cheaply produced film the ending is done in a way that leaves more to the imagination.To bring off that style you need to have the inspiration of someone like Val Lewton.Needless to say this is not an attribute of this production.There is an appearance by a young ish Sydney Tafler shown with 2 fs in his surname.All told rather disappointing.At least i have reviewed the film unlike 2 of the reviews on this page.
Monkey's Paw, The (1948)
** (out of 4)
British version of the famous story has two elderly folks getting the monkey's paw, which will grant three wishes but usually follows those wishes with tragedy. The father wishes for riches and gets them but his son is killed at the same time. Then, the couple wish for their son to return to life. The horror elements of this thing are discussed and talked about for the first sixty minutes and then finally happen during the last three. I see there are many other versions of this out there and I'm sure one has to be better than this rather disappointing film.
** (out of 4)
British version of the famous story has two elderly folks getting the monkey's paw, which will grant three wishes but usually follows those wishes with tragedy. The father wishes for riches and gets them but his son is killed at the same time. Then, the couple wish for their son to return to life. The horror elements of this thing are discussed and talked about for the first sixty minutes and then finally happen during the last three. I see there are many other versions of this out there and I'm sure one has to be better than this rather disappointing film.
Norman Lee takes W. W. Jacobs' classic short story and transforms it into a second feature.
One of the strengths of the short story is that it is a short story; there is no fat on it, leaving the reader to put the real horror into the story: the failure of the first wish; the hint at what it is knocking, unseen, at the door; the tragic necessity of the third wish. It all takes place in the reader's imagination, the elaborations of what the reader thinks is terrifying. Instead, in order to bring this to an hour's length, there is effectively, a forty-minute prologue; first we are introduced to a seller of curios. Then we see various wares; then the monkey's paw, and finally, the story. Lee paces it very well, and adds a platitudinous epilogue, but the story, although still interesting, is weakened. With Milton Rosmer, Megs Jenkins, and a lot of art direction by Victor Hembrow and George Ward.
One of the strengths of the short story is that it is a short story; there is no fat on it, leaving the reader to put the real horror into the story: the failure of the first wish; the hint at what it is knocking, unseen, at the door; the tragic necessity of the third wish. It all takes place in the reader's imagination, the elaborations of what the reader thinks is terrifying. Instead, in order to bring this to an hour's length, there is effectively, a forty-minute prologue; first we are introduced to a seller of curios. Then we see various wares; then the monkey's paw, and finally, the story. Lee paces it very well, and adds a platitudinous epilogue, but the story, although still interesting, is weakened. With Milton Rosmer, Megs Jenkins, and a lot of art direction by Victor Hembrow and George Ward.
Based on the famous story written by W.W. Jacobs, The Monkey's Paw is directed by Norman Lee who also co-adapts the screenplay with Barbara Toy. It stars Milton Rosmer, Megs Jenkins, Michael Martin Harvey, Eric Micklewood and Brenda Hogan. Filmed out of Kay Carlton Studio, music is by Stanley Black and cinematography by Bryan Langley.
Story finds the Trelawne family purchasing a fabled Monkey's Paw from a peddler, it is said to be an item that can grant three wishes, but many believe that those wishes come at a cost. The Trelawne family is about to find out if the tale of The Monkey's Paw is fact or fiction...
It's such a strong premise in story it has been mined many a time over the decades, in film, radio and television. Here we go back to a time of British cinema of minimal budgets, straight backed delivery of scripts and economical running times of just an hour. Norman Lee's film is a splendid piece of atmospheric unease that makes the most of some sparse but effective sets, however, that is on proviso you can allow for its obvious limitations. It's safe to say this will not terrify anybody, but it has the capacity to tingle the spine as the story builds to a finale played out in the flashes and bangs of a thunder storm. Right there, before a cheeky coda, suggestion is everything, proof once more that quite often what you don't see is more frightening...
It's no must see lost British Chiller Classic, and the best available print from Renown Pictures Ltd (paired with The House in Marsh Road) is still scratchy and has the odd reel jump and unintentional patches of blackness, but it's still a watchable print and of interest to those with a bent for really old British chillers. 6.5/10
Story finds the Trelawne family purchasing a fabled Monkey's Paw from a peddler, it is said to be an item that can grant three wishes, but many believe that those wishes come at a cost. The Trelawne family is about to find out if the tale of The Monkey's Paw is fact or fiction...
It's such a strong premise in story it has been mined many a time over the decades, in film, radio and television. Here we go back to a time of British cinema of minimal budgets, straight backed delivery of scripts and economical running times of just an hour. Norman Lee's film is a splendid piece of atmospheric unease that makes the most of some sparse but effective sets, however, that is on proviso you can allow for its obvious limitations. It's safe to say this will not terrify anybody, but it has the capacity to tingle the spine as the story builds to a finale played out in the flashes and bangs of a thunder storm. Right there, before a cheeky coda, suggestion is everything, proof once more that quite often what you don't see is more frightening...
It's no must see lost British Chiller Classic, and the best available print from Renown Pictures Ltd (paired with The House in Marsh Road) is still scratchy and has the odd reel jump and unintentional patches of blackness, but it's still a watchable print and of interest to those with a bent for really old British chillers. 6.5/10
I read the review of the English production. It matches one which was filmed for the TV series, LIGHTS OUT as well as the one for SUSPENSE. This story is the reason that so many short horror and mystery stories broadcast on radio in the 1940's should be brought back by the mega film producers of today.
A fine half hour show, broadcast weekly would spellbind their audiences. Hitchcock's, "Hands of Mr. Ottermole" and "Banquo's Chair" were this kind of remake. The fabulous, "Lamb for the Slaughter" was great, but it made murder into a light comedy fantasy.
No major staging, no great sets, just ordinary actors in fear and terror trying to get some advantage from this curious monkey's paw was so powerful. The classic radio show and subsequent motion picture 'Sorry, Wrong Number" should make people see the power of the short story.
Those jokes about three wishes from a genie in a bottle make light of the potential terror from getting what you wish for, with an amulet made from a monkey's paw.
A fine half hour show, broadcast weekly would spellbind their audiences. Hitchcock's, "Hands of Mr. Ottermole" and "Banquo's Chair" were this kind of remake. The fabulous, "Lamb for the Slaughter" was great, but it made murder into a light comedy fantasy.
No major staging, no great sets, just ordinary actors in fear and terror trying to get some advantage from this curious monkey's paw was so powerful. The classic radio show and subsequent motion picture 'Sorry, Wrong Number" should make people see the power of the short story.
Those jokes about three wishes from a genie in a bottle make light of the potential terror from getting what you wish for, with an amulet made from a monkey's paw.
क्या आपको पता है
- गूफ़Monkeys have hands, not paws.
- कनेक्शनVersion of The Monkey's Paw (1915)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- फ़िल्माने की जगहें
- Kay's Studio, Carlton Hill, Maida Vale, लंदन, इंग्लैंड, यूनाइटेड किंगडम(studio: produced at Kay Carlton Hill Studios St. John's Wood, London)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 4 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें