Dancing with Crime

Worth it for the post-war background. The 50s "New Look" hadn't happened yet and all the girls have big hair and big shoulders - much more flattering than the 50s fashions that made everyone look middle-aged.

Richard Attenborough and Sheila Sim are likeable. They get involved in investigating the murder of their friend, a young, dashing Bill Owen.

It's a shame Diana Dors wasn't credited. She was good in her early roles - she turns up in another dance hall with Petula Clark and Bonar Colleano. I think she was dubbed in both films, though.

To the gentleman who thought it terribly rude that some other bloke could just grab your partner - it was called an "excuse me" dance. There was also a "ladies excuse me". This is not a regular Palais de Dance, however - the girls are all professional hostesses.

This had to have been one of Richard Attenborough's first films, as he appears a bit raw, but still very dynamic in this British crime drama. He plays Ted Peters, a hack driver who gets involved with a dance hall gang.

Barry Jones plays the head gangster convincingly. One of his henchmen, Paul Baker, is a lifelong friend of Ted. Paul gets Ted involved in a mess that leads to some very dangerous situations.

Ted's girlfriend, Joy, played by Sheila Sim (any relation to Alister Sim?) is very convincing as well. Scotland Yard becomes involved and the usual noir dance ends with a crescendo of violence. Entertaining.

Terrific to see the future Lord Attenborough in his cinematic infancy.

Add to its historical value the fact that it is an interesting story, well done by one and all that holds your attention from start to finish.

Convoluted plotting that is not so twisted that one gets lost in the minutia.

Reading the IMDb trivia explains the chemistry between the "boy and girl"... they were married in real life the and stayed married for decades.

Film is worth finding and checking out. I.

(1947) Dancing with Crime SUSPENSE THRILLER

It has young couple of cabbie, Ted Peters (Richard Attenborough) and his fiance, Joy Goodall (Sheila Sim) meeting an old school chum Dave Robinson (Bill Rowbotham) for a drink. Dave then offers Ted another means of making more dough than his life as a cabbie. And then one day, upon dropping his friend off at a club, Ted then decides to pick up a few things for his girlfriend Joy. Meanwhile, Dave is having some money disputes with the owner of the nightclub, Mr. Gregory (Barry Jones) who was attempting to low ball his cut. And as a result of running away, Mr Gregory's right hand man, Paul Baker (Barry K. Barnes) attempts to shoot and kill him with a pistol, and he manages to escape back into back seat of Ted's cab. Except that Dave was already been shot, attempting to run away, and upon Ted picking up his girlfriend, Dave fell out pronounced dead. Inspector Carter (John Warwick) is assigned to the case along with his assistant, Det Sgt Murray (Garry Marsh). Ted of course, goes on the prowl to catch his friend's killer, along with the help of his girlfriend Joy posing as a dance hostess for the nightclub to find out what she can.

Depicts a time when there was such thing as 'dancing hostesses' where young girls are employed to dance with random strangers in nightclubs. Something I had no idea that used to be a thing back then, which must have been something that happened during WWII, as this movie was made back in 1947, and that the war ended back in 1945.

Not much mystery here as the crime and perpetrator is known from the start so more of a how-will-they-catch-him than a who-dunnit. Still, there is charm in the setting: a dancehall where girls work to dance with patrons serves as a cover for the HQ of the local kingpin: an aristocratic yet particularly wily chap, who seems to smuggle gin and trade in 'surplus' goods, among other things. Innocents get swept up in the milieu and, though painted as too goody-goody, have a close brush with both the criminal and police world which toughens them up a bit. Barry K. Barnes plays the kingpin's chief henchman and delivers a subtle psychopathic gentleman killer vibe. There is some nice framing here and there, plus you get 1947 London, and its various pubs and characters , which helps sustain the film through its lulls (here and there), and the ending has its own minor twists. Other little highlights are scenes with Richard Attenborough and Diana Dors. I can't say it held my full attention 100% throughout but I am not regretful about having seen it - just 83 mins long! It's an alright movie if you are looking for a quite gentle noir in an unusual setting and a little but not too much excitement.