Last Dance

So so film about death penalty. Full of cliches and emotional manipulation. Yes, you got it right, a definite tear jerker. So, not for me. But look! Isn't that Sharon Stone? Sure she is, beautiful as always. It's true, I sat trough the whole film just for her.

This movie is an attack to death sentences, it shows how these ones can be cruel and how someone can change after understanding his own mistakes. The idea is good but not the realization: this movie is slow and boring. But here there is a very lovely Sharon Stone: here she shows to be a very good actress, beside being a very very beautiful woman. Conclusion: just watch it on TV.

I just saw this recently, and found it interesting that the details of the case in it follow quite closely those of the controversial execution of Karla Faye Tucker Brown. Karla committed a double murder much like that portrayed in the film, and, like the film's Cindy Liggett, reformed her life in prison. Also like Liggett, she was a fairly attractive, articulate woman who argued eloquently, though futilely, for clemency. Unlike Liggett, however, Karla became a born-again Christian, and her clemency plea was supported by several prominent pastors including Jerry Falwell and Pat Robertson. It is thus notable that the governor who signed her death warrant was none other than our current, allegedly born-again President, George W. Bush. It is possible that nothing in Bush's checkered career reveals his true character more clearly than his callous, smirking mockery of Karla's dignified plea for her life during an interview with Talk Magazine the year after her execution.

Incidentally, Karla Faye Tucker Brown was killed by the state of Texas in 1998, two years after this film came out. That suggests that the filmmakers might have been trying to to make an argument for clemency, as Errol Morris did for Randall Adams with his documentary "The Thin Blue Line." If so, it failed miserably.

"Rick" (Rob Morrow) is an ambitious young attorney charged with what his bosses hope will be the routinely futile clemency case of "Cindy" (Sharon Stone) who is coming to the end of her wait on death row. Initially, she wants little to do with him, but gradually that relationship not only thaws but thrives as he starts to uncover some flaws that might help. What could have been quite a decent story, here, is really delivered in a by-the-numbers fashion. It is a rather pedestrian mystery that swipes at politics, racism and a general professional cynicism amongst his public service colleagues, but in such a lightweight fashion. Moreover, with the sword of Damocles dangling so perilously, there is a distinct lack of passion here. Stone is inherently limited by her role (being incarcerated) but Morrow is just weak, with a persona that though honest of intent, is really not anywhere near strong enough to carry this above a level of mediocrity that makes it all a bit flat and hollow.

Susan Hayward set her standards so high as far as this kind of performance is concerned that every actress who tries her hand at the death row will fatally be compared to her.Robert Wise 's "I want to live" remains vivid in memory .But Sharon Stone walks out with honors.She's a genuine thespian here,giving up glamour,seduction and sophistication ,but not necessarily her basic instincts which led her to the death sentence.She displays restraint in her gestures and her words,her relationship with other inmates rings true,particularly with the black woman.Her interest in art drawing is credible.

Sadly,she's supported neither by the rest of the cast,nor by the plot.Her attentive escort is a rather bland actor,who seems more to go touring round the jail than care for his unfortunate protégée.And what a man!We learn that he is a young man of means whose fortune fluctuates as the years pass by.That's the main flaw:the movie would like to be realistic,it is melodramatic to the core.Outside the lawyer's story,we deal with a black convict,who redeemed himself in jail,who wrote a book,which became a best-seller,and he passed a law degree ,you name it...Alas poor Sharon/Cindy killed a wealthy man's son (and his girlfriend),but she was never given a chance ,being born on the wrong side of town.A glance into her aunt's "house" tells it all.That's too much.

There is a successful short scene.Morrow asks the female victim's mother to sign a petition;and although she's an adept of "thou shalt not kill",she refuses.Hardly one minute,but these few words say a lot more than the preachy chatter of the rest of the plot.But the "false " ending -and there's also a ridiculous Indian epilogue- gives the coup de grâce to the movie.