Nuda per Satana

A man stops at a castle to get help for a woman he just discovered at a car crash. He is greeted at the door by someone who looks exactly like the woman.

Pretty poor, even by the low standards of 70s exploitation-horror. Random, farcical plot. Jumbled direction. Weak performances. Some laughable special effects (the giant spider...). Really has nothing going for it.

I don't agree with those who say this film is just another sleaz-fest. Is it Exploitation cinema? Heck yes! But like many films of that sort, there is more to it than just showing a beautiful woman's bare bodkin. There is interesting cinematography and actual honest to goodness character development. I'm not saying there was a crime committed by shutting this film out of the Oscars, but I think it's a good film.

The lovely Rita Calderoni does a good job in her double role as Good Susan/Bad Evelyn and thank God we get to see her without being bludgeoned or maimed (al la Delerium). This is perhaps the best and most inspired work of director Batzella and is a must see for all fans of the genre.

Another classic from the director of SS Hell Camp and The Devil's Wedding Night.

Writer and director Luigi Badzella doesn't waste time on plot. Instead he focuses on such beauty as Rita Calderoni. There is a plot, if you are interested.

It seems that Dr. Benson (Stelio Candelli) and Susan Smith (Rita Calderoni), a woman he found in an accident, have a dark side. They are Evelyn (Calderoni) and Peter (Candelli), who reside in Satan's (James Harris) castle.

OK, you have a story, but I'm sure you are here to see how many get nude for Satan. They do that so much that you can make a drinking game out of it.

There is weird music, horny spiders, and people getting nude for Satan.

Even though the time since I watched this piece of cinematic history fades away I feel compelled to document my personal experience with the motion picture.

Even though this film is bound by about as much storyline as the ingredients on a packet of Special K, it manages to keep the mild interest of the viewer through a string of scantily clad females, naked dancing and what could only be described as bouts of randomness.

The film starts off with an old fellow heading up to a castle, and I think I pretty much lost the plot from thereafter. It may be a combination of poor scripting or the fact I was rather tired at the point of watching this... in either case, I was unable to twig to the supposed outline of 'A doctor and the Devil battle for the soul of a beautiful woman'.

Another 'glueing' factor of the film is that throughout one feels compelled to keep watching in the event of anticipated intercourse. To the credit (or not) of the director, the nudity remained tasteful throughout the film.

A roller-coaster ride which keeps you coming back for more.

Several times while watching 'Nude For Satan' I had to pinch myself. Am I REALLY watching this or has someone spiked my drink?! Dario Argento fans often claim that his PLOTS aren't the most important things in his movies, rather it's his ability to manipulate mood and atmosphere, and his films are best approached as dreams, or better yet, nightmares. Luigi Batzella obviously feels the same way, but comparing him to Argento is over-doing it. Argento meets Ray Dennis Steckler is more like it! 'Nude For Satan' is CHEAP, it doesn't make much sense if you analyse it too much, but it is jam-packed with nudity and bargain-basement surrealism, and to my mind, is classic horror-trash that works on so many levels that your mind will boggle!

Leave your brain at the door (but not your libido!), enter Batzella's house of fun, you're in for an unforgettable time! Be careful of the doppelgangers, spooky paintings that come to life, and a TERRIFYING (well...) giant spider, and maybe you too will end up 'Nuda per Satana'!