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IMDbPro

Non si sevizia un paperino

  • 1972
  • Not Rated
  • 1 घं 45 मि
IMDb रेटिंग
7.0/10
12 हज़ार
आपकी रेटिंग
Florinda Bolkan and Barbara Bouchet in Non si sevizia un paperino (1972)
Don't Torture A Duckling: Lost In The Woods
clip प्ले करें1:01
Don't Torture A Duckling: Lost In The Woods देखें
2 वीडियो
99+ फ़ोटो
जियालोथ्रिलररहस्यस्लैशर हॉररहॉरर

अपनी भाषा में प्लॉट जोड़ेंWhen a southern Italian town is rocked by a string of child murders, the police and two urban outcasts search for the culprit amid scapegoating within the superstitious community.When a southern Italian town is rocked by a string of child murders, the police and two urban outcasts search for the culprit amid scapegoating within the superstitious community.When a southern Italian town is rocked by a string of child murders, the police and two urban outcasts search for the culprit amid scapegoating within the superstitious community.

  • निर्देशक
    • Lucio Fulci
  • लेखक
    • Lucio Fulci
    • Roberto Gianviti
    • Gianfranco Clerici
  • स्टार
    • Florinda Bolkan
    • Barbara Bouchet
    • Tomas Milian
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    12 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Lucio Fulci
    • लेखक
      • Lucio Fulci
      • Roberto Gianviti
      • Gianfranco Clerici
    • स्टार
      • Florinda Bolkan
      • Barbara Bouchet
      • Tomas Milian
    • 107यूज़र समीक्षाएं
    • 138आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो2

    Don't Torture A Duckling: Churchyard Showdown
    Clip 2:33
    Don't Torture A Duckling: Churchyard Showdown
    Don't Torture A Duckling: Lost In The Woods
    Clip 1:01
    Don't Torture A Duckling: Lost In The Woods
    Don't Torture A Duckling: Lost In The Woods
    Clip 1:01
    Don't Torture A Duckling: Lost In The Woods

    फ़ोटो148

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 141
    पोस्टर देखें

    टॉप कलाकार25

    बदलाव करें
    Florinda Bolkan
    Florinda Bolkan
    • Maciara
    Barbara Bouchet
    Barbara Bouchet
    • Patrizia
    Tomas Milian
    Tomas Milian
    • Andrea Martelli
    Irene Papas
    Irene Papas
    • Dona Aurelia Avallone
    Marc Porel
    Marc Porel
    • Don Alberto Avallone
    Georges Wilson
    Georges Wilson
    • Francesco
    • (as George Wilson)
    Antonello Campodifiori
    • Lieutenant
    Ugo D'Alessio
    • Captain Modesti
    Virgilio Gazzolo
    • Police Commissioner
    • (as Virginio Gazzolo)
    Vito Passeri
    • Guiseppe Barra
    Rosalia Maggio
    • Mrs. Spriano - Michele's Mother
    Andrea Aureli
    Andrea Aureli
    • Mr. Lo Cascio - Bruno's Father
    Linda Sini
    Linda Sini
    • Mrs. Lo Cascio - Bruno's Mother
    Franco Balducci
    • Mr. Spriano - Michele's Father
    Fausta Avelli
    Fausta Avelli
    • Malvina
    • (बिना क्रेडिट के)
    Gianfranco Barra
    Gianfranco Barra
    • Impallomeni
    • (बिना क्रेडिट के)
    John Bartha
    John Bartha
    • Policeman
    • (बिना क्रेडिट के)
    Empedocle Buzzanca
    • Interrogation Officer
    • (बिना क्रेडिट के)
    • निर्देशक
      • Lucio Fulci
    • लेखक
      • Lucio Fulci
      • Roberto Gianviti
      • Gianfranco Clerici
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं107

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    फ़ीचर्ड समीक्षाएं

    8ferbs54

    A Grade A Thriller

    Sporting a title seemingly more suitable for a Looney Tunes featurette than a grisly giallo, "Don't Torture a Duckling" (1972) is nonetheless a Grade A thriller from horror maestro Lucio Fulci. In this one, someone has been strangling the preteen boys in a rural, southern Italian village and, typical for these gialli, there are many suspects. There's Barbara Bouchet (Patrizia), looking more scrumptiolicious than you've ever seen her, a rich girl hiding out after a drug scandal; Florinda Bolkan (Martiara), the local epileptic voodoo woman; her witchcraft-practicing beau; Giuseppe, the local idiot; the sweet-faced priest; his dour mother; and on and on. The film features some unusually violent set pieces, including a chain whipping of one of the main characters in a graveyard (one of the most realistically bloody sequences that I've ever seen) and a nifty dukeout when the killer is ultimately revealed. The film's bursts of violence compensate for the fact that there are no real scares or suspense to speak of. Still, this giallo fascinates, with its unusual rural backdrop, unsettling child murders, oddball characters, and freaky score by Riz Ortolani. The film has been beautifully photographed in what I presume to be Monte Sant'Angelo, near the Adriatic in southern Italy (at least, that town's police force is thanked in the closing credits). And while subtitling would've made this fine-looking DVD work even better (the American slang doesn't convince in this rural Italian setting), Anchor Bay is to be thanked for another job well done. Oh...that title DOES eventually make perfect sense, too!
    Camera-Obscura

    A genuinely good Fulci

    DON'T TORTURE A DUCKLING (Lucio Fulci - Italy 1972).

    Definitely a prime candidate for the most insane movie title ever conceived and that's quite an achievement in giallo-land. Originally, the film was titled even more absurdly, "Don't Torture Donald Duck", literally translated from its Italian title. A small Donald Duck figure features briefly as a toy, but hardly enough to render a title like this, but, apparently, it was changed in fear of legal ramifications by Disney. I railed quite a bit against Fulci's earlier LIZARD IN A WOMAN'S SKIN (1971), but here all the right ingredients are present. A surprisingly effective mystery, a good cast and imaginatively shot against an unusual rural setting. Everything just clicks. I think it's justly hailed as one of the director's most accomplished achievements.

    The story is set against the backdrop of a small mountain-side town in Sicily, where someone is killing young teenage boys. Among the suspects, the most obvious one is a young woman, Maciara (Florinda Balkan), a self-proclaimed witch who is seen suspiciously unearthing the skeleton of a baby and sticking pins into way effigies. Guiseppe, the village idiot is under suspicion as well, since he made a feeble attempt to profit from the disappearance of one of the boys and walked right into their trap. By the time a quick-witted newshound (Tomas Milian) arrives from Milan to cover the murders, he immediately begins to question the authorities' assumptions, when he meets two other potential suspects: Don Alberto, the local priest (Marc Porel) with a high-minded attitude, and Patrizia (Barbara Bouchet), a bored young woman from the city with a troubled past of drug offense, who also fancies having sexual relations with the young boys in town. Talk about your prime red herring.

    Fulci nicely contrasts modernity and tradition with the newly constructed elevated highway meandering through the Sicilian hills, past old towns where life is still firmly rooted in tradition and superstition. One could debate about the film's political stance as The North versus The South, or as commentary on small-town virtues - society's conventions in general - that are all too often dangerously close to tipping over into moral disintegration, chaos and - ultimately - self-justice by the populace. The film has often been lambasted because of its anti-catholic tone, but it's hardly an important element here, except for obvious plot-related reasons, which would be giving away too much. It's actually rather tame compared to a film like Joël Seria's DON'T DELIVER US FROM EVIL (1971). Probably, the film's rather unflattering portrayal of small-town Sicilian values (when another boy is killed, the local populace are depicted as a retarded lynch-mob) might be cause for some offense in Sicily, but - considering Sicily's problematic relation with the rest of Italy - hardly problematic for other Italians, I would think. The film vanquished into obscurity far too quickly to have much impact anyway.

    When talking Fulci, the amount of gore is usually a prime subject for discussion. Although eyes-gouging scenes are lacking, the film does contain two very graphic scenes. In the gross-out finale, the killer falls of a cliff, smashing his face along the rocks on the way down with gruesome results (albeit, not very realistic). And the chain-whipping sequence with Florinda Balkan in the graveyard shows Fulci's penchant for sadistic violence and typically, he's not holding back at graphically showing what most film-makers would merely hint at. Surely, one of the most horrifying scenes in Fulci's repertoire.

    Above all, this is a taut, well-written, effective little mystery, nicely lensed by Fulci, with an impressive cast of genre-regulars like Barbara Bouchet, Marc Porel (not very convincing as a priest), Tomas Milian and Florinda Balkan (mouth-foamingly crazy as the town's witch).

    Camera Obscura --- 8/10
    Dethcharm

    "You Have To Do It Thirteen Times!"...

    In a small, idyllic village, far more is going on than meets the eye. When a local boy is found murdered, a suspect is quickly arrested. The police commissioner has serious doubts about the man they've put in jail. It's the second such killing, and it won't be the last.

    Director Lucio Fulci's DON'T TORTURE A DUCKLING is a disturbing giallo, due to its subject matter. It is a tale of perversity, superstition / the occult, madness, and revenge. Packed with interesting characters, red herrings, mystery and suspense, this is one of Fulci's most satisfying thrillers.

    Florinda Bolkan (A LIZARD IN A WOMAN'S SKIN) is perfect as the insane, shattered Maciara. Her beating is brutal today, and had to be extreme in 1972! Barbara Bouchet (THE FRENCH SEX MURDERS, THE RED QUEEN KILLS SEVEN TIMES) is also good as the VERY free-spirited, Patrizia. Though the bloody, final revelation is a tad overdone, it remains effective...
    9hippiedj

    An astonishing and daring giallo, a classic in its type.

    Lucio Fulci, later known for his graphic horror films like The Beyond and Zombie, was years earlier a master of the Italian giallo (in the company of Argento and Bava) with films like A Lizard In A Woman's Skin and his masterpiece, Don't Torture A Duckling. This film has all the elements of the Italian mystery/thriller genre known as the giallo, but really pulls the viewers in by having each key character with a skeleton in his/her own closet. This keeps you doing as much detective work as the detectives in the film itself. Who is killing the young boys in town? The young rich woman who is so bored that she sexually taunts the eventual victims, the reporter who likes to tamper with a crime scene to get a better photo shot, the townswoman with a mentally disabled daughter, the local witch, the town idiot....the list goes on, and you have to keep mental notes like a true game to play and solve. The themes in this film are very daring and done with that perfect Italian style in the early 1970s. It is certain that no American studio would have even considered making a film of such strong content, and that is precisely why this is such a satisfying film (despite some unusual accent choices for the dubbing for the English language version -- You'd do yourself a favor by watching it in its original Italian language, as that is how the actors spoke) and will definitely have people discussing its meanings long after viewing it. As the saying goes, they don't make them like this anymore, so get a copy and cherish an important film like this one!
    7Lechuguilla

    Madness Takes Many Forms

    Set in and near a poor working class town in the mountains of rural Italy, it's a story of madness. The landscape may be quite picturesque, but there's madness herein, concealed behind the mask of a person who seems outwardly normal. This person kills little children.

    In style and tone this film resembles Dario Argento's famous Italian giallos, those fascinating whodunit horror films, except that Argento's films are much better looking. Still, the visuals in Fulci's "Don't Torture A Duckling" are competent, with some interesting compositions and lighting. Lightning and thunder on a rainy night enhances suspense in one sequence wherein one of the "ducklings" is vulnerably alone.

    In one sequence the gore is a bit overdone. But this is no slasher film. A legitimate theme undergirds the story. And that theme is that madness can take many unexpected forms, not just the obvious delusions of people who practice voodoo or black magic.

    Plenty of red herrings render the puzzle solution difficult if the viewer doesn't assume an agenda on the part of the director. Don't dismiss someone who might not seem to be a suspect. The twist near the end provides good misdirection. However, in one scene midway through, a line of dialogue could have been added to clarify the relationship between two characters, one of whom is the murderer. The film's finale takes place on a beautiful mountaintop with the wind whistling in the background. We see flashbacks to clues and get insights into the killer's mindset.

    I don't care for the film's widescreen projection. But background music is effective, and ranges from jarringly creepy at the beginning to low-key jazz, to indigenous Italian songs. Acting is generally average, though in a couple of cases, it's a bit overdone.

    Though not as visually brilliant as Argento's giallos, "Don't Torture A Duckling" nevertheless is a fine film, one that contains a thematic storyline and enough of a whodunit puzzle to interest most viewers who like thrillers and murder mysteries.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Lucio Fulci was arrested on child endangerment grounds due to the infamous scene where a fully nude Patrizia (Barbara Bouchet) flirts with the underage Michele (Marcello Tamborra). The charges were dropped when Fulci explained that the actors' close-ups were filmed separately, and that the shot of Michele walking towards Patrizia with a pitcher and glass of orange juice was achieved by having an adult dwarf actor, Domenico Semeraro, stand in for Tamborra (if you look carefully, you will notice how different Semeraro's facial structure is from Tamborra's). Tamborra joked many years later that he wished he could have filmed that scene. But his parents wouldn't even let him see the film until he turned 15.
    • गूफ़
      At one point during the fight scene between Martelli and Don Alberto near the end, the camera's shadow can briefly be seen on the ground.
    • भाव

      Patrizia: Which would you prefer, a kiss or money?

    • इसके अलावा अन्य वर्जन
      The Anchor Bay release is the complete, uncut version of the film.
    • कनेक्शन
      Featured in Innocence Lost (2015)
    • साउंडट्रैक
      Quei giorni insieme a te
      Lyrics by Jaja Fiastri (uncredited)

      Music by Riz Ortolani (uncredited)

      Performed by Ornella Vanoni

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Don't Torture a Duckling?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 29 सितंबर 1972 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • Don't Torture a Duckling
    • फ़िल्माने की जगहें
      • Monte Sant'Angelo, Foggia, Apulia, इटली(the town of Accendura setting)
    • उत्पादन कंपनी
      • Medusa Distribuzione
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 45 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Florinda Bolkan and Barbara Bouchet in Non si sevizia un paperino (1972)
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    By what name was Non si sevizia un paperino (1972) officially released in India in English?
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